17 今週のお気に入り 46 - やっさんのお気に入り

ウィークエンドサンシャイン

ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2017年11月11日（土）
放送時間：午前7:20〜午前9:00（100分）
ピーター・バラカン

THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）

TROUBLE NO MORE: THE BOOTLEG SERIES VOL. 13 1979-1981 [8CD+DVD] (DELUXE EDITION)

アーティスト: BOB DYLAN
出版社/メーカー: COLUMBIA/LEGACY
発売日: 2017/11/03
メディア: CD
この商品を含むブログ (1件) を見る

01. Slow Train (Live Nov. 16, 1979) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
02. Solid Rock (Live Oct. 23, 1981) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
03. Ye Shall Be Changed (Outtake) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
04. Gonna Change My Way of Thinking (Rehearsal with horns) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
05. Gotta Serve Somebody (Rehearsal with horns) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
06. Caribbean Wind (Rehearsal with pedal steel) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
07. Ain't Gonna Go to Hell for Anybody (Live in Toronto) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
08. Pressing On (Live in Toronto) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
09. Maggie's Farm (Live in London) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)
10. Knockin' on Heaven's Door (Live in London) / Bob Dylan // Trouble No More: The Bootleg Series, Vol. 13 / 1979-1981 (Deluxe Edition)

Take What You Need

アーティスト: Bob.=trib= Dylan
出版社/メーカー: Imports
発売日: 2017/09/01
メディア: CD
この商品を含むブログを見る

11. Don't Think Twice, It's Alright / The Fairies // Take What You Need
12. Oxford Town / Three City Four // Take What You Need
13. If You Gotta Go, Go Now / Manfred Mann // Take What You Need
14. It's All Over Now Baby Blue / The Cops 'n' Robbers // Take What You Need
15. One Too Many Mornings / Julie Felix // Take What You Need
16. To Ramona / Alan Price // Take What You Need
17. All Along The Watchtower / The Alan Bown // Take What You NeedI
18. I Am A Lonesome Hobo / Julie Driscoll & Brian Auger & The Trinity // Take What You Need

世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2017年11月11日（土）
放送時間：午前9:00〜午前11:00（120分）
ゴンチチ
藤川パパQ

− ボーイの音楽 −

楽曲

「誰も知らない」
ゴンチチ
（2分51秒）
＜ポニーキャニオン PCCA-04105＞

「ボーイ、ホワット・ア・ナイト」
リー・モーガン
（7分33秒）
＜BLUE NOTE REC. 724349533226＞

「アイム・ジャスト・ア・カントリー・ボーイ」
ボビー・ドイル
（4分31秒）
＜BIG PINK REC. BIGPINK304＞

「ボーイ・フロム・ニューヨーク・シティ」
マンハッタン・トランスファー
（3分37秒）
＜EAST WEST JAPAN AMCY-671＞

「リトル・ゲットー・ボーイ」
ダニー・ハサウェイ
（4分29秒）
＜EAST WEST JAPAN AMCY-3036＞

「アレグロ・アンド・ブリランテ」
ジャンピエーロ・ボネスキー
（3分24秒）
＜NO INFORMATION NO INFORMATION＞

「マイ・ボーイ・ロリポップ」
ミリー・スモール
（1分57秒）
＜COMBORAMA COMBO5220＞

「ボーイ・ハント」
コニー・フランシス
（2分30秒）
＜UNIVERSAL UICCY-15247＞

「きよしこの夜」
（合唱）ウィーン少年合唱団およびウィーン男声合唱団
（4分08秒）
＜PHILIPS PHCP-20347＞

「ザ・スリル・イズ・ゴーン」
B.B.キング
（4分35秒）
＜UNIVERSAL UICY-6672＞

「ウープス・マイ・レイディ」
メアリー・オズボーン
（3分19秒）
＜EL REC. ACMEM297CD＞

「男の子のように」
シルヴィ・バルタン
（3分11秒）
＜BMGファンハウス BVC2-31009＞

「ベースボールのテーマ」
ヴィンス・ガラルディ・トリオ
（3分13秒）
＜FANTASY REC. 0025218843027＞

「イパネマの少年」
ダイアナ・クラール
（4分00秒）
＜UNIVERSAL UCCV-1123＞

「ダニー・ボーイ」
ビル・エヴァンス
（10分40秒）
＜MILESTONE REC. 0025218478328＞

「ドライヴ・マイ・カー」
西村ケント
（2分28秒）
＜SLICE OF LIFE REC. SLCD-1532＞

「修学旅行夜行列車南国音楽」
ゴンチチ
（3分33秒）
＜IN THE GARDEN XNHL-15002／B＞

「ミニー・ザ・ムーチャー」
キャブ・キャロウェイ
（3分10秒）
＜MCA REC. MVCE-24059＞

「映画「ブルース・ブラザーズ」サントラからミニー・ザ・ムーチャー」
キャブ・キャロウェイ
（3分24秒）
＜ATLANTIC REC. 7567827872＞

「パ・ラ〜君がいない〜」
ヴィアネ
（3分51秒）
＜リスペクトレコード RES-300＞

Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9

Sat 11 Nov 2017
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b09dx2rf
Among this week's pick of requests from listeners' letters and emails for music in all styles of jazz, Alyn Shipton includes music by the unusual partnership of trumpeter Chet Baker and saxophonist Paul Desmond.

Music Played

01. Pompton Turnpike
Charlie Barnet
Composers: Osborne/ Rogers
Performers: Bernie Privin, Billy May, Johnny Owens, Lyman Vunk, Sam Skolnik, t; Bill Robertson, Don Ruppersberg, Spud Murphy, tb; Charlie Barnet, Gene Kinsey, Leo White, Kurt Bloom, Jimmy Lamarre, reeds; Bill Miller, p; Bus Etri, g; Phil Stephens, b; Cliff Leeman, d.
19 July 1940
Clap Hands Here Comes Charlie
Bluebird ND 26873 Tr.14

02. Get Happy
Sonny Rollins
Composers: Koehler/ Arlen
Performers: Sonny Rollins, ts; Wilbur Ware, b; Elvin Jones, d.
3 Nov 1957
At the Village Vanguard
Blue Note 7243 4 99795 2 9 CD2 Tr.9

03. Autumn Leaves
Chet Baker & Paul Desmond
Composers: Prevert/ Kosma
Performers: Chet Baker, t; Paul Desmond, as; Bob James, p; Ron Carter, b; Steve Gadd. d.
1974
Together
Epic 4729842-NA

04. How High the Moon
Ella Fitzgerald
Composers: Hamilton/ Lewis
Performers: Ella Fitzgerald, v; Raymond Tunia, p; Ray Brown, b; Herb Ellis, g; J C Heard, d.
Tokyo 18 Nov 1953
Ella: The Concert Years
Pablo 4PACD 4414 2 CD1 Tr.6

05. I Would Do Anything For You
Phil Mason
Composers: Williams/ Hill
Performers: Phil Mason, c; Jonny Boston, cl, ts; Martin Bennett, tb; Jim McINtosh, bj; Ronald Andersen, g; Trefor Williams, b, v; Ron McKay, d.
August 1998
Hush Hush
Lake LACD 111 Tr.14

06. African Pas
London Ragtime Orchestra
Composer: Joplin
Performers: Tony O’Sullivan, t; John Beecham, tb; Dick Cook, cl; Carolyn Costin, vn; Stephen Milne, vc; Ray Smith, p; Alyn Shipton, b; Dave Evans, d.
1987
Grace and Beauty
GHB GHB-199 Tr.2

07. Lord Let Me In the Lifeboat
Sidney Bechet & Bunk Johnson
Composer: Trad.
Performers: Bunk Johnson, t; Sidney Bechet, cl, ss; Sandy Williams, tb; Cliff Jackson p; Pops Foster, b; Manzie Johnson, d.
1945
New Orleans Revival
Marshall Cavendish CD 45 Tr.1

08. Blue Light, Red Light (Someone's There)
Harry Connick, Jr.
Composers: Connick/ McLean
Performers: Harry Connick Jr, v, p; Dan Miller, Jeremy Davenport, Leroy Jones, Roger Ingham, t; Craig Klein, Lucien Barbarin, Mark Mullins, Joe Barati, tb; Louis Ford, Ned Goold, Jerry Weldon, David Schumacher, reeds; Russell Malone, g; Ben Wolfe, b; Shannon Powell, d.
1991
Blue Light, Red Light
Columbia 469087 2 Tr.1

09. The Mighty SAS
Clark Tracey
Composer: Tracey
Performers: Mark Armstrong, t; Simon Allen, as; Zoe Rahman, p; Peter Billington, b; Clark Tracey, d.
2006
The Mighty SAS
Tentoten TTTCDS-754 Tr.1

10. Moment Frozen
Dee Byrne's Entropi
Composer: Byrne
Performers: Dee Byrne, as; Andre Canniere, t; Rebecca Nash, p, key; Olie Brice, b; Matt Fisher, d.
2017
Moment Frozen
Whirlwind Tr.4

11. Smoke Gets In Your Eyes
Danny Moss
Composers: Harbach/ Kern
Performers: Danny Moss, ts; Brian Lemon, p; Len Skeat, b; Butch Miles, d.
1994
Weaver of Dreams
Nagel Heyer 017 Tr.5

12. Key to the Highway
Big Bill Broonzy
Composer: Segar
Performers: Big Bill Broonzy, v, g; Jazz Gillum, hca; Washboard Sam, wbd.
1940/1
Complete Recorded Works, Vol.11
Document 5133 Tr.7

Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3

Simon Sebag Montefiore
Sun 12 Nov 2017
12:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b09f2byb
Simon Sebag Montefiore is a prizewinning writer whose books return again and again to Russia. His latest novel is Red Sky at Noon, the last of his Moscow Trilogy, following Sashenka and One Night in Winter. His most recent history, The Romanovs 1613-1918, tells the story of twenty tsars and tsarinas, some touched by genius, some by madness. It's a world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance. Montefiore is also author of the epic history books Catherine the Great and Potemkin; Young Stalin; and Stalin: The Court of the Red Tsar.

In Private Passions, Simon Sebag Montefiore tells the story of how his grandparents fled the Russian Revolution, buying tickets to New York. Instead, they were cheated, and landed in Ireland on the coast of Cork. In Ireland they had to flee persecution again - and relocated to Newcastle. He talks too about what he saw first-hand as a war correspondent during the fall of the Soviet Union. He explores the similarities between Putin, Stalin, and the Tsars who came before them. And he reflects on what "Russian Culture" means in a country with such a turbulent history.

Produced by Elizabeth Burke
A Loftus production by BBC Radio 3

Music Played

00:05
Pyotr Ilyich Tchaikovsky
1812 Overture
Orchestra: Minnesota Orchestra
Conductor: Antal Doráti

00:14
Sergei Prokofiev
Peter and the Wolf
Narrator: Peter Ustinov
Orchestra: Philharmonia Orchestra
Conductor: Philip Ellis

00:23
Giuseppe Verdi
Celeste Aida (Aida)
Singer: Luciano Pavarotti
Orchestra: La Scala Orchestra, Milan
Conductor: Lorin Maazel

00:29
Leonard Cohen
Chelsea Hotel No.2
Performer: Rufus Wainwright

00:34
Richard Wagner
Selig, wie die Sonne (Die Meistersinger von Nurnberg)
Singer: Gerald Finley
Orchestra: London Philharmonic Orchestra
Conductor: Vladimir Jurowski

00:42
יהורם גאון
Hasar Moshe Montefiore
Singer: יהורם גאון

00:49
Wolfgang Amadeus Mozart
Piano Sonata in A major, K.331 (3rd mvt: Rondo alla Turca)
Performer: Mitsuko Uchida

00:56
Mick Jagger
Sympathy for the Devil
Ensemble: The Rolling Stones

Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f

Black Square
Sun 12 Nov 2017
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b09dxbfj
Lisa Dwan and Peter Marinker with a programme inspired by the art of Malevich exploring the idea of abstraction. The readings include Wallace Stevens, Rimbaud, T S Eliot and of course, Samuel Beckett; the musical counterpoint is provided by, amongst others, Kurt Schwitters, Beethoven, Morton Feldman, Berio, Satie, Parmegiani and Nancarrow.

Kazimir Malevich's Black Square is a totem of abstract art. He said the aim was to free art from the ballast of objectivity... a struggle which would probably seem rather odd to most composers. Music, after all, is effortlessly abstract by nature even when it seems to be insisting on its relationship with the world. Words are another matter altogether. Literary abstraction works sometimes like painting and sometimes like music.

My Black Square is then, necessarily, more of a meditation than a manifesto. It is tentative. It aspires to vivid colour, like Kandinksy, but it includes the minute monochrome shadings of Rothko. In the choices I've made I've left room too for argument. Where does abstraction begin? Is it a feature of the way we experience the world and the way we express ourselves about it? Is it dead and buried, as the erstwhile abstract painter Wyndham Lewis once rather grandly declared. As you might expect from an adventure into the abstract the programme works as a collage in the hope of creating something new.

Producer's Note:

Kazimir Malevich's Black Square is a totem of abstract art but it is often seen as an emblem of the Russian Revolution too. This is puzzling because it was painted in 1915, two years before that massive upheaval. True, Malevich seemed to dance to the tune of the Revolution for a while but ultimately he and its political leaders seemed poorly matched partners – abstraction was inevitably out of step with social realism. And yet the radical re-thinking of every aspect of life in Russia that led to the Revolution also provided some of the impetus for the revolutionary practice of the Russian avant-garde and its embrace of the abstract. I think it is fair to say that abstraction lies at the heart of this “parallel” revolution and it provides the theme of tonight’s edition of Words and Music.

Malevich said his aim was to free art from the ballast of objectivity... a struggle which would probably seem rather odd to most composers. Music, after all, is effortlessly abstract by nature even when it seems to be insisting on its relationship with the world. Words are another matter altogether. Literary abstraction works sometimes like painting and sometimes like music.

My Black Square is then, necessarily, more of a meditation than a manifesto. It is tentative. It aspires to vivid colour, like Kandinsky, but it includes the minute monochrome shadings of Rothko. In the choices I've made I've left some room for argument. Where does abstraction begin? Is it a feature of the way we experience the world and the way we express ourselves about it? Is it dead and buried, as the erstwhile abstract painter Wyndham Lewis once rather grandly declared. As you might expect from an adventure into the abstract the programme works as a collage (a technique also used in Russian art and cinema) in the hope of creating something new.

Producer: Zahid Warley

Music Played

00:00
Dmitri Shostakovich
Fugue No 12 in G sharp minor from 24 Preludes and Fugues, op.87
Performer: Vladimir Ashkenazy
Decca 466 066-2 CD1 Tr.24

00:03
Kurt Schwitters
Scherzo from Ursonate (1921-32)
Performer: Eberhard Blum
hat ART CD 6109 Tr.3

Arthur Rimbaud translated by Oliver Bernard
Vowels, read by Peter Marinker

00:05
Ellington, Miley, Jackson
Creole Love Call
Performer: Adelaide Hall and the Duke Ellington Orchestra
Conifer Tr.1

Wallace Stevens
Disillusionment of Ten O’Clock, read by Lisa Dwan

00:09
Edgard Varèse
Ionisation
Performer: Pierre Boulez and Ensemble InterContemporain
Sony Music Tr.1

Herman Melville
From Moby Dick (The whiteness of the whale), read by Peter Marinker

00:15
Anton Webern
Five pieces for Orchestra, Op.10 - 1. Sehr ruhig und zart
Performer: Pierre Boulez
Deutsche Grammophon Tr.5