ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www.nhk.or.jp/fm/sunshine/
放送日： 2011年 2月12日（土）
放送時間： 午前7:15〜午前9:00（105分）
ピーター・バラカン
グラミー・ノミニーズ特集
THIS WEEK'S PLAYLIST
http://www.nhk.or.jp/fm/sunshine/playlist.html?st=20110212
01. Do The Murray / Los Lobos
ALBUM: Tin Can Trust
02. Babyfather / Sade
ALBUM: Soldier Of Love
03. I Put A Spell On You / Jeff Beck feat. Joss Stone
ALBUM: Emotion & Commotion
04. The Trip To Pirate's Cove / Tom Petty & The Heartbreakers
ALBUM: Mojo
05. Flow / Laurie Anderson
ALBUM: Homeland
06. Beg Steal Or Borrow / Ray LaMontagne & The Pariah Dogs
ALBUM: God Willin' & The Creek Don't Rise
07. Falani / Bassekou Kouyate & Ngoni Ba
ALBUM: I Speak Fula
08. The Rights Of Man〜Ya Fama / Bela Fleck
ALBUM: Throw Down Your Heart, Africa Sessions Part 2: Unreleased Tracks
09. Medley: Life's Too Short〜When Elephants Roost In Bamboo Trees / Maria Muldaur with Dan Hicks
ALBUM: Maria Muldaur & Her Garden Of Joy
10. I Put My Ring Back On / Mary Chapin Carpenter
ALBUM: The Age Of Miracles
11. Somedays You Write The Song / Guy Clark
ALBUM: Somedays The Song Writes You
12. Fallin' & Flyin' / Jeff Bridges
ALBUM: Crazy Heart
13. Drinking Champagne / Willie Nelson
ALBUM: Country Music
14. New Chance Blues / Punch Brothers
ALBUM: Antifogmatic
15. Delta Queen Waltz / The John Hartford Stringband
ALBUM: Memories of John
16. This City / Steve Earle
ALBUM: Treme
17. Lissen At Our Prayer / Dr. John And The Lower 911
ALBUM: Tribal
18. The Pleasure's All Mine / Jimmie Vaughan
ALBUM: Plays Blues, Ballads & Favorites
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www.nhk.or.jp/fm/kaiteki/
放送日： 2011年 2月12日（土）
放送時間： 午前9:00〜午前10:57（117分）
ゴンチチ
渡辺亨
− 語りの音楽 −
http://cgi4.nhk.or.jp/topepg/xmldef/epg4.cgi?setup=/fm/kaiteki/hensei/playlist.def&st=20110212090000
「夏の終わりの庭」 (ゴンザレス三上)(3分16秒)
＜IN THE GARDEN XNHL-11001＞
「スモール・トーク・125th・アンド・レノックス」(ギル・スコット・ヘロン)(1分21秒)
＜FLYING DUTCHMAN FDS-131＞
「北都」 (北島三郎)(5分52秒)
＜クラウン・レコード CRCN-40057＞
「渋谷で5時」 (鈴木雅之)(4分20秒)
＜EPIC/SONY ESCB1415＞
「ザ・ヴァレー」 (ウィズ・ジョーンズ)(5分12秒)
＜SCENESCOF SCOFCD1006＞
「ケルアック」 (モーフィン)(2分55秒)
＜RYKODISC RCD10329＞
「君は人のために死ねるか」 (杉良太郎)(3分16秒)
＜テイチク TECE-32817＞
「クン・ダン・ダト・ニョク」 (ヌス・ホアイ・アン)(4分45秒)
＜dihavina＞
「ヘイ・ジャック」 (エセル・エニス)(3分07秒)
＜東芝EMI TOCJ-6075＞
「六軒長屋の歌」 (宮城まり子)(4分01秒)
＜VICTOR VICL-60339＞
「アイ・トロール・ザ・メガヘルツ」 (パディ・マクアルーン)(22分06秒)
＜EMI 724358391022＞
「ビューティフル・デイズ」 (ゴンチチ)(2分17秒)
＜EPIC ESCL2552＞
「アルフィー」 (ルーマー)(2分56秒)
＜ATLANTIC ATUK098.5052498392223＞
「アルフィー」 (シラ・ブラック)(2分41秒)
＜CONNOISSEUR COLLECTION VSOPCD128＞
「フェリス・ホイール」 (ミシェル・シャプロウ)(3分57秒)
＜P-VINE PCD-4490＞
「カム・ホーム」 (ヤエル・ナイム)(3分50秒)
＜プランクトン VIVO258＞
The Janice Forsyth Show
Music, entertainment and celebrity guests
http://www.bbc.co.uk/programmes/b0079g47
Sat 12 Feb 2011
10:05
BBC Radio Scotland
Janice chats to Pete MacLeod and Alan McGee, plus Band of Horses in interview and session.
http://www.bbc.co.uk/programmes/b00y8sl1
Janice Forsyth is joined by singer/songwriter Pete MacLeod and Creation Records founder Alan McGee to talk about the launch of new charity single 'Rolling Stone' which is also Janice's Single of the Month'. Also, interview and session from American group Band of Horses and this week's Secret Rock 'n' Roll Map visits Portsoy in Banffshire.
Music played
1. T. Rex ― Children Of The Revolution
2. The View ― Grace
3. Ray LaMontagne ― New York Is Killing Me
4. Cousti ― Little Disguiser
5. PETE MacLEOD ― Rolling Stone
6. EDWYN COLLINS featuring THE DRUMS ― In Your Eyes
7. Dexys Midnight Runners ― Come On Eileen
8. Donny Hathaway ― Someday We’ll All Be Free
9. MGMT ― Kids
10. Chic ― Good Times
11. Jon Fratelli ― Rhythm Doesn’t Make You A Dancer
12. The Vaselines ― Mouth To Mouth
13. Paul Simon ― The Afterlife
14. Nick Drake ― Saturday Sun
15. Band of Horses ― Compliments
session
16. Band of Horses ― No One’s Gonna Love You
session
17. Band of Horses ― Dilly
18. MICHAEL MARRA & MR McFALL’S CHAMPER ― Niel Gow’s Apprentice
19. Wet Wet Wet ― Sweet Little Mystery
20. Rachid Taha ― Rock El Casbah
ROCK THE CASBAH
Desert Island Discs
Desert Island Discs was created by Roy Plomley in 1942, and the format is simple: a guest is invited by Kirsty Young to choose the eight records they would take with them to a desert island
http://www.bbc.co.uk/programmes/b006qnmr
Celia Imrie
Sun 13 Feb 2011
11:15
BBC Radio 4
Actress Celia Imrie joins Kirsty Young to choose her Desert Island Discs.
http://www.bbc.co.uk/programmes/b00yhv30
Immediately recognisable as one of Britain's most versatile actresses she's worked in television, theatre and films over the past four decades. While she's taken roles at the Royal Shakespeare Company and in big budget films, it's her instinct for TV comedy - working alongside Victoria Wood and Julie Walters - that has made her a household name.
Audiences loved the spoof soap opera Acorn Antiques and she won an Olivier Award for her role in the stage production. In the early days, though, she remembers the camera crews were unsure what was going on. "I do remember the cameramen watching what had been a very slick show up until Acorn Antiques and then just thinking, 'Why is this bit so bad? Why is the scenery swaying in the background?'"
Record: Tiptoe Through the Tulips
Book: The Brewer's Dictionary of Phrase and Fable
Luxury: A cut glass crystal chandelier with candles
http://www.celiaimrie.com/about.asp
Producer: Leanne Buckle.
Music played
1. Bette Midler ― Is that all there is?
Composer: Leiber and Stoller
Bette Midler Sings the Peggy Lee Songbook, Columbia
2. Jonathan & Darlene Edwards ― Tiptoe through the Tulips
Composer: Burke/Dubin
Jonathan and Darlene's Greatest Hits Volume II, Corinthian records
3. Jimmy Shand ― Mrs Cholmondeley’s Reel
Composer: Trad
Guid Luck Go Wi’ Ye, Grasmere Records
4. Wynonna ― I’m So Lonesome I could Cry
Composer: Hank Williams, Sr.
Wyonna Sing – Chapter 1, Curb Records
5. Fritz Kreisler ― Schon Rosemarin – Beautiful Rosemary
Artist: Fritz Kreisler with the Victor Symphony Orchestra
Kreisler: Violin Works, Naxos
6. Barbara Windsor ― It’s Nicer in Nice
Composer: Leslie Bricusse
The Boyfriend/Goodbye Mr Chips/ original soundtracks, MGM CD
7. Giacomo Puccini ― The end of the second act of Puccini’s Tosca
Artist: Maria Callas & Tito Gobbi with the Paris Conservatoire Orchestra conducted by Georges Pretre.
Puccini: Tosca, EMI CMS
8. The Royal Artillery Orchestra conducted by Major Frank Renton, RA. ― March of the Toys
Composer: Victor Herbert Arr. F .A Renton
Digital Marching Strings: Royal Artillery Orchestra, Bandleader
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Joanna van Kampen
Sun 13 Feb 2011
12:00
BBC Radio 3
Michael Berkeley's guest is actress Joanna van Kampen.
http://www.bbc.co.uk/programmes/b00yhr9b
Michael Berkeley's guest is the young actor Joanna van Kampen, who has played the role of Fallon Rogers in 'The Archers' for the past decade. The daughter of cellist Christopher van Kampen and violinist Marcia Williams (who both played for many years with the Nash Ensemble), she learnt violin and piano as a child, but then decided to make acting her career, training at the London Academy of Music and Dramatic Art. She has worked at the Royal National Theatre and the RSC with directors such as Di Trevis, Peter Gill and Simon Usher.
She is particularly interested in film music, and her choices include parts of Mozart's Requiem from the soundtrack of the film 'Amadeus', the Prelude to Bernard Herrmann's score for Hitchcock's 'Psycho', and music from John Williams' score for 'Harry Potter and the Philosopher's Stone', for which her mother led the orchestra. Her other choices include Maria Callas singing 'Depuis le jour' from Charpentier's opera 'Louise'; Dido's Lament from Purcell's 'Dido and Aeneas', sung by Janet Baker, cellist Yo Yo Ma accompanied by Bobby McFerrin's astonishing vocals in 'Ave Maria', and Stevie Wonder's 'If It's Magic'.
Music played
1. Wolfgang Amadeus Mozart ― Excerpts from Requiem K626
Performers: Academy of St Martin in the Fields & Chorus/Sir Neville Marriner
METRONOME 8251262
2. Gustave Charpentier ― ‘Depuis le jour’ from Louise (Act III)
Performers: Maria Callas (soprano), Orchestra della RAI/Alfredo Simonetto (recorded in 1954, Casino, San Remo)
EMI CZS5720302
3. John Williams ― Hedwig’s Theme (from Harry Potter & The Philosopher’s Stone)
Conductor: John Williams (Randy Kerber – Celeste)
ATLANTIC 7567930865
4. Charles-François Gounod ― Ave Maria
Performers: Yo Yo Ma/Bobby McFerrin
SONY SK48177
5. Henry Purcell ― When I Am Laid in Earth from ‘Dido & Aeneas’
Performers: Dame Janet Baker (mezzo soprano), English Chamber Orchestra/Anthony Lewis Thurston Dart (harpsichord continuo)
Philips 4652532
6. Bernard Herrmann ― The Prelude from the soundtrack to ‘Psycho’
Performers: National Philharmonic Orchestra/Bernard Herrmann
UNICORN UKCD2021
7. Stevie Wonder ― If It’s Magic
Performers: Stevie Wonder
MOTOWN 157357-2
http://www.bbc.co.uk/blogs/thearchers/2011/02/private_passions_-_joanna_van.html
Words and Music
A sequence of classical music mixed with well-loved and less familiar poems and prose.
http://www.bbc.co.uk/programmes/b006x35f
The Opium of the People
Sun 13 Feb 2011
22:15
BBC Radio 3
Texts and music about faith and atheism, with readings by John Sessions and Claire Harry.
http://www.bbc.co.uk/programmes/b00yhrdq
John Sessions and Claire Harry read texts on the subject of Faith and Atheism by Nietzsche, Philip Larkin, Lucretius, Karl Marx and Charles Darwin with music by Beethoven, Richard Strauss, Janacek, Byrd and Mahler.
Producer's Note
This sequence of words and music explores the places where atheism and pantheism intersect. Throughout history atheists have been accused of lacking a sense of the numinous and the transcendent. But these feelings are part of the human condition, understood just as much by out and out atheists such as Karl Marx and Nietzsche as they are by pantheist poets such as Wordsworth and Shelley.
The arch-atheist Nietzsche not only proclaimed the death of God, he also tried to bury the morality that underpins the Christian religion. Throw off the cringing slave mentality of fear and self-loathing, he says. Embrace the healthy body. Say “Yes” to life.
Underneath the extract from Nietzsche’s Also sprach Zarathustra, I’ve run the start of Strauss’s tone poem of the same name. It portrays the prophet of non-religion as he greets the morning sun and descends into the world of men, and in the second part the sickly-sweet hymn-like tune on the strings describes the “sad poisons” of religion.
Lagartija azul by the Columbian musician Fonseca, expresses the joy of life preached by Zarathustra.
In the history of atheism in the West, the anti-religion arguments have often been made unwittingly by deeply religious men as they grapple with the problems of faith. Here the Calvinist poet Fulke Greville outlines “The wearisome condition of humanity...Created sick, commanded to be sound.”
The Fantasia is by William Byrd, a contemporary of Fulke Greville.
The title of this programme, The Opium of the People, is a phrase that only makes complete sense when heard in its context. Karl Marx is not just saying that religion, like a drug, is a false consolation. He goes on, crucially, to say “Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation, but so that he shall throw off the chain and pluck the living flower.”
Underneath the Marx I run the end of Sibelius’s Symphony No 5 In Eb. This is one of my favorite pieces of music. I know that Sibelius said that the exhilarating horn theme was inspired by a flight of swans, but for me it expresses a more general exultation in the power of nature. And it seems to capture the “fantasy and consolation” that Marx is talking about.
Emily Dickinson’s poetry reveals a profoundly religious temperament. But for her, religious experience was not a simple intellectual statement of belief; it could be more accurately reflected in the beauty of nature, and the experiences of ecstatic joy.
Even though Copland gave his ballet the name Appalachian Spring only after he had written it, and although Appalachia is a different part of the US from the New England of Emily Dickinson, the music seems to me to express something latent in the poetry.
Charles Darwin was initially influenced by the theologian, William Paley, the forefather of Intelligent Design, who said that the complexity of the world implies a designer. But Paley struggled to reconcile the apparent cruelty and indifference of nature with his belief in a good God. Where Darwin departed from Paley was in his concept of natural selection as a process that could produce adaptation and design without the all-encompassing intervention of a benevolent designer. Darwin’s passage on the human eye encapsulates his belief.
Robert Frost looks at a specific example of cruelty in nature and asks the question: if this is “designed”, what does that tell us about the “designer”?
I run a bit of Bach’s Goldberg Variations under this section because this music is a good example of design and complexity.
Shelley says that religion is nothing more than the attempts of poetry to express the Spirit of Beauty, which alone can give “grace and truth to life’s unquiet dream.”
A pantheistic spirit flows through much of Janacek’s music; nowhere more so than in his opera, The Cunning Little Vixen where some of the characters are animals. Janacek’s depiction of nature chimes with Shelley’s vision of Beauty.
Wallace Stevens echoes Shelley’s idea that religion and poetry are deeply connected.
The infectious joy of Charles Trenet’s “Y’a de la joie” (There’s the joy) seemed like a provocative response to Wallace Stevens’ “High-toned Old Christian Woman”; and a suitably “jovial hullabaloo among the spheres.”
The Latin poet Lucretius set out to explain the anti-religion philosophy of Epicurus in his poem De Rerum Naturae (On the Nature of the Universe). In this famous “purple passage” he rails against religion and instead proposes the Epicurean ideal of “ataraxia” or peace of mind. “True piety lies rather in the power to contemplate the universe with a quiet mind.”
The cavatina from Beethoven’s String Quartet in Bb, Op 130 is the perfect music for deep contemplation.
Coleridge supported the liberal Anglican point of view, and opposed the Evangelicals who insisted upon literal interpretation of the Scriptures in defiance of scientific discoveries. This extract from a much longer poem criticizes contemporary religious attitudes:
The very name of God
Sounds like a juggler's charm; and, bold with joy,
Forth from his dark and lonely hiding-place,
(Portentious sight !) the owlet Atheism,
Sailing on obscene wings athwart the noon,
Drops his blue-fringéd lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, ‘Where is it ?’
Coleridge’s “owlet atheism” hoots at the glorious sun, which is nowhere better portrayed in music than in Nielsen’s Helios Overture.
A montage of texts from eastern religions exulting in a nebulous communion with nature contrasts with the certainties of an Anglican psalm.
Philip Larkin wonders who will visit churches as congregations dwindle. “Some ruin-bibber, randy for antique?” His conclusion seems to lead him into a sort of sceptical pantheism, a thought echoed in Wordsworth’s “sense sublime of something far more deeply interfused.”
The programme ends with death and oblivion, that great source of existential Angst without which we might not even feel the need for religious consolation.
Under the Wordsworth and the Lawrence I run part of the last movement of Mahler’s 3rd Symphony which in some ways takes us back to our starting point, Nietzsche. Mahler was deliberately vague about any possible programmatic meaning in his works. But they seem to cry out for explanation. And we know that this piece was largely inspired by Nietzsche’s work “The Joyful Science”. The music continues just for a few seconds after the poem dies away as, in the end, music seems to explore areas of the human soul inaccessible to words and thought.
Producer: Clive Portbury
Music and featured items
Timings are shown from the start of the programme in hours and minutes.
1.
00:00
Friedrich Nietzsche
Also sprach Zarathustra, Prologue, reader John Sessions
2.
00:00
Richard Strauss ― Also sprach Zarathustra (excerpt)
Performer: Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
EMI 5 56364 2 Tr1
3.
00:02
Friedrich Nietzsche
Also sprach Zarathustra, Backworldsmen, reader John Sessions
4.
00:05
Fonseca ― Lagartija azul
Composer: Fonseca
Manteca MANTDCD244 CD2 Tr2
5.
00:09
Fulke Greville
Chorus Sacerdotum from Mustapha, reader Claire Harry
6.
00:09
William Byrd ― Fantasia á 6 No. 2
Performer: Phantasm
Simax PSC 1143 Tr1
7.
00:14
Jean Sibelius ― Symphony No. 5 in E flat major, Op. 82, 3rd movement (excerpt)
Performer: London Symphony Orchestra, Sir Colin Davis (conductor)
RCA 09026 61963 2 Tr6
8.
00:14
Karl Marx
Contribution to the Critique of Hegel’s Philosophy of Right, reader John Sessions
9.
00:23
Emily Dickinson
This World is not Conclusion, reader Claire Harry
10.
00:23
Aaron Copland ― Appalachian Spring Suite (excerpt)
Performer: City of London Sinfonia, Richard Hickox (conductor)
Virgin 5 61702 2 Tr6
11.
00:26
Johann Sebastian Bach ― Goldberg Variations, BWV 988, Variations 1 & 2
Performer: Julian Rachlin (violin), Nobuko Imai (viola), Mischa Maisky (cello)
DG 477 637 8 Tr2-3
12.
00:26
Charles Darwin
On the Origins of Species (6th Edition, excerpt), reader John Sessions
13.
00:28
Robert Frost
Design, reader Claire Harry
14.
00:29
Leos Janacek ― The Cunning Little Vixen, orchestral suite (excerpt)
Performer: Vienna Philharmonic Orchestra, Sir Charles Mackerras (conductor)
Decca 475 867 CD2 Tr10
15.
00:31
Percy Bysshe Shelley
Hymn to Intellectual Beauty, reader John Sessions
16.
00:34
Leos Janacek ― The Cunning Little Vixen, orchestral suite (excerpt)
Performer: Vienna Philharmonic Orchestra, Sir Charles Mackerras (conductor)
Decca 475 867 CD2 Tr10
17.
00:42
Wallace Stevens
High-Toned Old Christian Woman, reader Claire Harry
18.
00:43
Charles Trenet ― Y’a de la joie
Performer: Charles Trenet and His Orchestra
ASV AJA 5166 Tr2
19.
00:46
Lucretius
De Rerum Naturae, Book 5 (excerpt), reader John Sessions
20.
00:47
Ludwig van Beethoven ― String Quartet No. 13 in B flat major, Op. 130, 5th movement
Performer: Busch Quartet
EMI 5 09655 2 CD2 Tr9
21.
00:55
Samuel Taylor Coleridge
Fears in Solitude (excerpt), reader Claire Harry
22.
00:56
Carl Nielsen ― Helios Overture (excerpt)
Performer: Danish National Radio Symphony Orchestra, Gennady Rozhdestvensky (conductor)
Chandos CHAN 9287 Tr1
23.
00:59
Philip Glass ― Anima Mundo, The Garden (excerpt)
Performer: Choir and Orchestra, Michael Riesman (conductor)
Elektra Nonesuch 7559 79329 2 Tr3
24.
00:59
attrib. Laozi
Tao Te Ching, reader John Sessions
25.
01:00
Anon
Upanishad (excerpt), reader John Sessions
26.
01:01
Anon
Bhagavad Gita (excerpt), reader John Sessions
27.
01:03
C. H. Lloyd ― Psalm 137: By the waters of Babylon we sat down and wept
Performer: Westminster Abbey Choir, Andrew Lumsden (organ), Martin Neary (conductor)
Virgin 7243 4 45036 2 Tr15
28.
01:07
Philip Larkin
Church Going, reader Claire Harry
29.
01:10
William Wordsworth
Tintern Abbey (excerpt), reader John Sessions
30.
01:10
Gustav Mahler ― Symphony No. 3 in D minor, Langsam (excerpt)
Performer: Royal Scottish Orchestra, Neeme Järvi (conductor)
Chandos 9117 CD2 Tr3
31.
01:11
D. H. Lawrence
The Ship of Death (excerpt), reader Claire Harry
