ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www.nhk.or.jp/fm/sunshine/
放送日： 2011年 2月26日（土）
放送時間： 午前7:15〜午前9:00（105分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www.nhk.or.jp/fm/sunshine/playlist.html?st=20110226
01. Heebie Jeebies / Louis Armstrong
ALBUM: Ken Burns Jazz
02. 74 Years Young / Buddy Guy
ALBUM: Living Proof
03. Living Proof / Buddy Guy
ALBUM: Living Proof
04. Little By Little / Gregg Allman
ALBUM: Low Country Blues
05. Checking On My Baby / Gregg Allman
ALBUM: Low Country Blues
06. Reconsider Baby / Gregg Allman
ALBUM: Low Country Blues
07. Got My Mojo Workin' / Waters, Winter & Cotton
ALBUM: Breakin' It Up, Breakin' It Down
08. It's My Own Fault / Al Kooper & Mike Bloomfield featuring Johnny Winter
ALBUM: Fillmore East: The Lost Concert Tapes 12/13/68
09. Barbed Wire Blues / Wilko Johnson
ALBUM: The Best of Wilko Johnson - Volume 2
10. New Stranger's Blues / Ramblin' Jack Elliott
ALBUM: A Stranger Here
11. I Can't Be Satisfied / Muddy Waters
ALBUM: The Best of Muddy Waters
12. Goin' Down Slow / Howlin' Wolf
ALBUM: Gonzo - The Life and Work of Hunter S. Thompson
13. Good Morning, Little School Girl / Mississippi Fred McDowell
ALBUM: I Do Not Play No Rock 'N' Roll
14. Love That Burns / Gary Moore
ALBUM: Blues For Greeny
15. Little Queen Of Spades / Robert Johnson
ALBUM: The Complete Recordings
16. Ramblin' On My Mind / Robert Johnson
ALBUM: The Complete Recordings
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www.nhk.or.jp/fm/kaiteki/
放送日： 2011年 2月26日（土）
放送時間： 午前9:00〜午前10:57（117分）
ゴンチチ
湯浅学
− 仮面の音楽 −
http://cgi4.nhk.or.jp/topepg/xmldef/epg4.cgi?setup=/fm/kaiteki/hensei/playlist.def&st=20110226090000
「見知らぬ人」 (ゴンチチ)(2分47秒)
＜EPIC/SONY ESCB1829＞
「マスカレードの夜」 (エリス・レジーナ、ピエール・バルー)(3分02秒)
＜PHILIPS UICY3505＞
「仮面」 ドビュッシー作曲(4分42秒)
(ピアノ)ミシェル・ベロフ
＜日本コロムビア COCQ-83016＞
「ザ・マスク」 (B.J.トーマス)(2分41秒)
＜COLLECTORS’CHOISE CCM-2059＞
「シーム・フロム・デッド・ウエスト」(ザ・ファントム・サーファーズ)(2分25秒)
＜NORTON ED218＞
「アイ・エイント・ゴット・トゥー・ラヴ・ノーボディー・エルス」(マスカレーダーズ)(2分35秒)
＜BELL BELL733＞
「ランダ」 (パスタカス)(4分17秒)
＜AFTER HOURS 105＞
「命こがして」 (ゴールデン・ヴェール)(3分26秒)
＜POLYDOR SDR-1254＞
「七色仮面の歌」 (近藤よし子、キング子鳩会)(2分45秒)
＜キングレコード KICS-2177＞
「ゴット・トゥー・ファインド・ア・スウィート・ネーム」(ザ・マスク・メン・アンド・ザ・エージェンツ)(3分06秒)
＜MUSICOR REC. MS3239＞
「タルチュム」 (ファルチュロ)(2分21秒)
＜JIGU REC. JCDS-0624＞
「ディス・マスカレード」 (レオン・ラッセル)(4分22秒)
＜SHELTER SRZ-8006＞
「ウォーキング・ボス」 (ジョン・ミラー)(3分18秒)
＜ORB DISCS orb-1010＞
「仮面の告白」 (ピーター)(2分48秒)
＜SONY MUSIC SRCL4228＞
「パチューコ・カディヴァー」 (キャプテン・ビーフハート)(4分37秒)
＜STRAIGHT STS1053＞
「ジョイ・イズ・ア・ソロウ・アンマスクド」(ロイ・ハーグローブ)(4分46秒)
＜GROOVIN’HIGH 0602517641815＞
「東京333米」 (ミラクル・ヴォイス)(3分17秒)
＜キングレコード EB-145＞
「ダイ」 (ザ・マミーズ)(2分37秒)
＜ESTRUS REC. ES2100＞
「妹は知っていた」 (ゴンチチ)(3分57秒)
＜EPIC/SONY ESCB1050＞
「ザ・オールド・カントリー」(ナンシー・ウィルソン、キャノンボール・アダレイ)(3分00秒)
＜CAPITOL CJ32-5011＞
「みじん」 (パグタス)(1分58秒)
＜PEDAL REC. PDL-1001＞
The Janice Forsyth Show
Music, entertainment and celebrity guests
http://www.bbc.co.uk/programmes/b0079g47
Sat 26 Feb 2011
10:05
BBC Radio Scotland
Janice Forsyth chats to stand-up Milton Jones and Australian actor Anthony LaPaglia.
http://www.bbc.co.uk/programmes/b00yqs7w
Janice Forsyth is joined by award-winning stand-up comedian Milton Jones to talk about his forthcoming Scottish tour with his show 'The Lion Whisperer' and Australian actor Anthony LaPaglia star of TV shows Without A Trace and Frasier chats to Janice ahead of his appearance at the Glasgow Film Festival. This week the Secret Rock n Roll Map of Scotland tells the story of a Number One band who went AWOL and were found on Campbelltown!
Desert Island Discs
Desert Island Discs was created by Roy Plomley in 1942, and the format is simple: a guest is invited by Kirsty Young to choose the eight records they would take with them to a desert island
http://www.bbc.co.uk/programmes/b006qnmr
Dame Anne Owers
Sun 27 Feb 2011
11:15
BBC Radio 4
Dame Anne Owers joins Kirsty Young to choose her Desert Island Discs.
http://www.bbc.co.uk/programmes/b00yw6kf
Kirsty Young's castaway is the former Chief Inspector of Prisons, Dame Anne Owers.
A long-time human rights campaigner, she's spent years immersing herself in the problems of people on the margins of society. During the time she was Chief Inspector, the prison population expanded hugely. "The thing that saddened me greatly is that our prisons became better places but they also became places that soaked up a lot of money and into which we put a lot of people. My view is a lot of that money could have been better spent doing things that stopped people getting there in the first place and therefore prevented there being victims of crime."
Record: Handel's Messiah
Book: An Anthology of British poetry
Luxury: A solar powered word processor
Producer: Isabel Sargent.
Music played
1. George Frideric Handel ― Comfort ye, my people from Handel’s Messiah
Artist: Philip Langridge
Handel: Messiah, Decca
2. The Kinks ― Waterloo Sunset
Composer: Ray Davies
The Definitive Collection, Polygram
3. June Tabor ― The Band played Waltzing Matilda
Composer: E Bogle
Folk Heritage 11, Music Club
4. George Fenton ― The Funeral
Composer: Fenton/Gwangwa)
Cry Freedom, MCA
5. Wolfgang Amadeus Mozart ― Dove Sono
Artist: Kiri te Kanawa with the London Philharmonic Orchestra conducted by Sir Georg Solti
Kiri, EMI
6. Johann Sebastian Bach ― Herr, wenn die stolzen Feinde schnauben– Lord, if proud enemies rage, from Bach’s Christmas Oratorio
Artist: The Monteverdi Choir & the English Baroque Soloists conducted by John Eliot Gardiner
Christmas Oratorio, ARCHIV
7. Johann Sebastian Bach ― Double Concerto in D Minor
Artist: The German Bach Soloists led by Helmut Winschermann
Shepherd Cantata, Musicaphon
8. Thomas Tallis ― Spem in Alium
Artist: The Sixteen
Spem in Alium, Coro
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Douglas Gordon
Sun 27 Feb 2011
12:00
BBC Radio 3
Michael Berkeley's guest is Turner Prize-winning artist Douglas Gordon.
http://www.bbc.co.uk/programmes/b00yy924
Michael Berkeley's guest this week is the Glaswegian artist Douglas Gordon, who won the Turner Prize in 1996 and represented Britain at the 1997 Venice Biennale. His work, which spans video and film, sound, photographic objects and texts, has since been exhibited in museums all over the world, including the Museum of Modern Art in New York, Los Angeles, Barcelona, Tate Britain and the National Galleries of Scotland. His video and film work often plays with time elements and employs multiple monitors, displacing traditional expectations.'24 Hour Psycho' (1993) slowed down Hitchcock's masterpiece to last 24 hours, while 'Zidane: A 20th-Century Portrait' used multiple cameras to follow the international football star.
His most recent work, k.364, premiered at the 2010 Venice Film festival and is currently showing at the Gagosian Gallery in London. It involves two Israeli musicians of Polish descent travelling by train through the bleak Polish landscape to Warsaw, where they perform Mozarts Sinfonia concertante for violin and viola, K364 in Kochel's catalogue (which gives the film its title). The film is an intimate document of the relationship between individuals and the power of music, against the backdrop of a dark and unresolved social history.
Douglas Gordon draws on a wide range of cultural references in the work, and his personal music choices are equally eclectic. They range from Bach, Schubert, Puccini, Richard Strauss and Faure to Joy Division, Rufus Wainwright, Lou Reed and Cornelius Cardew.
Music played
1. Giacomo Puccini ― “Vogliatemi bene, un bene piccolino” (Madama Butterfly love duet, end of Act I)
Performers: Maria Callas (Butterfly), Nicolia Gedda (Pinkerton), Orchestra of La Scala, Milan/Herbert von Karajan
EMI 556298-2
2. Wolfgang Amadeus Mozart ― Sinfonia Concertante in E falt, K364 (cadenza to the 1st movement)
Performers: Roi Shiloah (violin), Avri Levitan (viola)
Private recording, used with permission
3. Joy Division ― Love will tear us apart
Performers: The Oysterband
WESTPARK MUSIC 87105
4. Johann Sebastian Bach ― Mein Freund ist mein (from Cantata 140, Wachet auf, ruft uns die Stimme)
Performers: Edith Mathis (sop), Dietrich Fischer-Dieskau (bar), Munich Bach Orchestra/Karl Richter
DG 419 466-2
5. Mogwai ― Black Spider
Performers: Mogwai
WALL OF SOUND LC07800
6. Cornelius Cardew ― The Croppy Boy
Performers: Cornelius Cardew (piano)
B & L BLCD011
7. Franz Schubert ― Erlkönig
Performers: Dietrich Fischer-Dieskau (baritone), Gerald Moore (piano)
EMI 456367-2
Words and Music
http://www.bbc.co.uk/programmes/b006x35f
Sons of Russia
Sun 27 Feb 2011
22:30
BBC Radio 3
Mackenzie Crook and Jason Isaacs explore male fragility in Russian literature.
http://www.bbc.co.uk/programmes/b00q900w
Producer's note:
“In Russia one can only believe.”
After reading Anthony Beevor’s Stalingrad, I was struck by the extraordinary sense of belonging Russian troops had to their country. What was it that instilled such passion in the everyday “Ivan”? The word rodina (Motherland) means more than just the place where one is born. It refers to a collective national identity that can never be broken.
With this in mind, I was perplexed that there didn’t seem to be many strong role models in the works of Anton Chekhov and other Russian dramatists and writers. Most of the men are weak, susceptible, corrupted or greedy. It seems they have to reach much further back to tales such as Alexander Nevsky and Ivan the Terrible to find a real national hero.
Throughout the programme, the voice of Mother Russia (read by Masha Karp) interjects with passages of the romantic poet Tyutchev, propaganda slogans and a Russian proverb. The translations can be found below in the running order.
To start the programme, an 11 year old Dmitri Hvorostovsky sings Motherland hears, a hugely popular tune that all Russians are taught from an early age. It is said that Yuri Gagarin, on the first manned space orbit in 1961, whistled the melody back to ground control.
Gogol’s The Government Inspector offers a satirical cross section of Russian society. Schnittke’s Gogol Suite layers Mozartian motives to sardonically refer to the establishment’s delusions of grandeur.
Anton Chekhov’s dramatic works stand him out as the titan of the form. Perhaps lesser known, but just as valid, his 220 short stories were able to condense complex human feelings and moral choices that many readers could relate to within a simple narrative. In The Lady with the Dog, unrequited love is directly addressed with the story of middle-aged Moscovite Dmitri Gurov who meets a young wife Anna Sergeyevna in a Black Sea resort. Their tryst is short but the affair plagues Gurov on his return to the capital, he can’t get the thought of Anna out of his mind. In Champagne, the wayfarer (portrayed by Mackenzie Crook) relates the story of his alcoholic descent into a dark city alleyway via a desolate station in the Russian steppe.
The character of Raskolnikov in Dostoyevsky’s Crime & Punishment is devastatingly flawed. After committing the bloody murder, he returns to his bedsit, where he promptly falls asleep. Upon awakening he realises, in a moment of panic, that there is still blood on his trousers. A hypochondriac all his life, Scriabin’s The Poem of Fire convincingly sets the mood.
Lenin’s What is to be done? was written as a political pamphlet in 1901. It calls for the formation of a revolutionary party to direct the working class. Underneath actor Jason Isaac’s oratorical reading, the music to Shostakovich’s opera The Nose bombastically mocks bourgeois self-importance.
In Turgenev’s best known work Fathers & Sons, the character Yevgeny Bazarov discards the outdated ways of the old generation and embraces the future. In music, it can be intriguing to juxtapose works from different generations. Gabriel Prokofiev acknowledges that his grandfather has hugely influenced his work and it is interesting to hear their different (or perhaps, you may think, similar) approaches to writing for string quartet.
The programme ends with two of Chekhov’s most famous dramatic works, The Cherry Orchard and Three Sisters. In the final act of The Cherry Orchard, the cast are stunned into silence when Lopakhin reveals it is he himself who has purchased the orchard. The old guard have been replaced by new money. Maybe there are strong role models in Russian literature after all?
Producer: Tom Nelson
Actors Mackenzie Crook and Jason Isaacs explore male fragility in Russian literature. The tensions between generations and classes are revealed with readings from Gogol, Turgenev and Chekhov's The Cherry Orchard, whilst adulterous love infuses his short story The Lady with the Dog. Perhaps above all, why do these men have such an attachment to their Motherland? Why does the average Russian 'Ivan' place his country above everything else, even God? With music by Prokofiev, Shostakovich and Schnittke.
In the past decade, Mackenzie Crook has quickly established himself as a versatile character actor after appearing in the BBC TV comedy The Office and Pirates of the Caribbean films. Mackenzie reads from Dostoyevsky's Crime & Punishment, Gogol's The Government Inspector and Pushkin's Eugene Onegin.
Jason Isaacs, introduced to a new generation of film lovers as Lucius Malfoy in the Harry Potter films, reads passages from Chekhov's The Cherry Orchard, Three Sisters and short story The Lady with the Dog, as well as extracts from Turgenev and Tolstoy.
Music and featured items
Timings are shown from the start of the programme in hours and minutes.
00:00
Lamb ― Soft Mistake [extract]
FONTANA 558 821-2, Tr.1
00:00
Tyutchev
Russia cannot be grasped with the mind,
Or measured in feet and inches.
For she has a special character:
In Russian one can only believe.
Read by Masha Karp
00:01
Trad ― Rodina Slyshit (Motherland hears)
Performers: Dmitri Hvorostovsky (aged 11)
Delos DE 3339, Tr.17
00:01
Chekhov
The Lady with the Dog [extract] read by Jason Isaacs
00:03
Nikolai Karlovich Medtner ― Canzona Matinata in G major
Performers: Nikolai Demidenko (piano)
HELIOS CDH55315, Tr.4
00:06
Gogol
The Government Inspector [extract] read by Mackenzie Crook
00:06
Alfred Garyevich Schnittke ― Gogol Suite, VI The Bureaucrats, Allegro
Performers: Malmö Symphony Orchestra, Lev Markiz (conductor)
BIS CD 557, Tr.6
00:09
Lamb ― Soft Mistake [extract]
FONTANA 558 821-2, Tr.1
00:09
Tyutchev
Russia cannot be grasped with the mind,
Or measured in feet and inches.
For she has a special character:
In Russian one can only believe.
Read by Masha Karp
00:09
Samuel Collins
Tales of Shibarsha [extract] read by Jason Isaacs and Mackenzie Crook
00:10
Alexander Borodin ― Prince Igor, Dance of the Polovtsian Maidens
Performers: Kirov Orchestra, Valery Gergiev (conductor)
PHILIPS 446 820-2, Tr.7
00:12
Trad ― Brewing Song
Performers: The Male Choir of St Petersburg
EMI 7243 5 73166 2 0, Tr.4
00:14
Chekhov
Champagne [extract] read by Mackenzie Crook
00:15
Lamb ― Soft Mistake [extract]
FONTANA 558 821-2, Tr.1
00:15
Proverb
A person without a motherland
Is like a nightingale without song.
Read by Masha Karp
00:16
Mandelstam
Untitled read by Jason Isaacs
00:16
Dmitri Shostakovich ― Symphony No.10, movt 2 Allegro
Performers: Leningrad Symphony Orchestra, Yuri Temirkanov (conductor)
RUSSIAN DISC RD CD 11 195, Tr.3
00:20
Pushkin
Eugene Onegin [extract] read by Mackenzie Crook
00:21
Vlasov ― The fountain in the courtyard of Bakhchisaray
Performers: Joan Rodgers (soprano), Malcolm Martineau (piano)
HYPERION CDA 67773, Tr.31
00:24
Tolstoy
War & Peace [extract] read by Jason Isaacs
00:26
Charles Mayer ― Galop militaire for four hands in E flat major
Performers: Alexander Bakhchiyev, Yelena Sorokina (piano)
Chandos CHAN 9418, Tr.14
00:29
Dostoyevsky
Crime & Punishment [extract] read by Mackenzie Crook
00:30
Alexander Nikolayevich Scriabin ― Prometheus (The poem of fire) (Op.60) [extract]
Performers: Anatol Ugorski (piano), Chicago Symphony Orchestra, Pierre Boulez (conductor)
DG 459 647-2, Tr.5
00:37
Dmitri Shostakovich ― The Nose, III Zwischenakt
Performers: Cologne Radio Symphony Orchestra, Michail Jurowski (conductor)
CAPRICCIO 10 779, Tr.11
00:37
Lenin
What is to be done? [extract] read by Jason Isaacs
00:38
Sergei Sergeyevich Prokofiev ― Alexander Nevsky, Field of the dead
Arranger: Franck Krawczyk Performers: Accentus, Laurence Equilbey (director)
NAÏVE V 5048, Tr.3
00:42
Aram Khachaturian ― The Battle of Stalingrad, Eternal Glory to the Heroes [extract]
Performers: Slovak Radio Symphony Orchestra, Adriano (conductor)
NAXOS 8.223314, Tr.4
00:45
Solzhenitsyn
The Secret Life of Ivan Denisovich [extract] read by Mackenzie Crook
00:46
Anthony Beevor
Stalingrad [extract] read by Jason Isaacs
00:46
Propaganda Slogan
Motherland is calling! read by Masha Karp
00:46
Sergei Vasilievich Rachmaninoff ― All Night Vigil, Vespers, Rojoice, O Virgin
Performers: Estonian Philharmonic Chamber Choir, Paul Hillier (director)
HARMONIA MUNDI HMU 907384, Tr.6
00:49
Gubaidulina ― Vater, ich befehle meihen from Sieben Worte (Seven Words) [extract]
Performers: Gothenburg Symphony Orchestra, Mario Venzago (conductor)
BIS SACD 1449, Tr.8
00:50
Tyutchev
Russia cannot be grasped with the mind,
Or measured in feet and inches.
For she has a special character:
In Russian one can only believe.
Read by Masha Karp
00:50
Turgenev
Fathers & Sons [extract] read by Jason Isaacs
00:51
Sergei Sergeyevich Prokofiev ― String Quartet No.1, Movt 1 [extract]
Performers: Emerson String Quartet
DG 431 772-2, Tr.1
00:51
Gabriel Prokofiev ― String Quartet No.2, Movt 2 [extract]
Performers: The Elysian Quartet
NONCLASSICAL CD 003, Tr.2
00:53
Sergei Sergeyevich Prokofiev ― String Quartet No.1, Movt 1 [extract]
Performers: Emerson String Quartet
DG 431 772-2, Tr.1
00:55
Chekhov
The Cherry Orchard [extract] read by Jason Isaacs
00:55
Lamb ― Soft Mistake [extract]
FONTANA 558 821-2, Tr.1
00:56
Tyutchev
Russia cannot be grasped with the mind,
Or measured in feet and inches.
For she has a special character:
In Russian one can only believe.
Read by Masha Karp
00:56
Chekhov
Three Sisters [extract] read by Jason Isaacs
00:57
Trad ― Rodina Slyshit (Motherland hears)
Performers: Dmitri Hvorostovsky (aged 11)
Delos DE 3339, Tr.17
00:57
Propaganda Slogan
Translation: Warrior, answer Motherland with victory. Read by Masha Karp
Jazz Record Requests
http://www.bbc.co.uk/programmes/b006tnn9
Sat 26 Feb 2011
17:00
BBC Radio 3
Geoffrey Smith presents a selection of listeners' jazz requests.
http://www.bbc.co.uk/programmes/b00yy8t2
Music played
1. Wynton Marsalis ― Oh, but on the Third Day (Happy Feet Blues) (JRR Signature Tune)
Composer: Wynton Marsalis Performers: Wynton Marsalis (tp), Marcus Roberts (p), Todd Williams (ts), Dr Michael White (cl), Danny Barker (bj), Teddy Riley (tp), Freddie Lonzo (tb), Reginald Veal (b), Herlin Riley (d) Recorded: 28 October 1988
The Majesty of the Blues, 1989 CD CBS 465129 2
2. Freddy Randall ― That Da Da Strain
Composer: Medina, Dowell Performers: Freddy Randall (tp), Orme Stewart (tb), Al Gaye (cl), Betty Smith (ts) Eddie Thompson (p), Jack Peberdy (b) Recorded: 20 February 1956
That Da Da Strain, Parlophone GEP 8611, S1/2
3. Mildred Bailey ― Where are you?
Composer: Adamson Performers: Mildred Bailey (v) + band led by Roy Eldridge Recorded: 1937
Mrs Swing, PROPER P1326, 8
4. Casa Loma Band ― Chinatown my Chinatown
Composer: Jerome/Schwartz Performers: Glen Gray (as), Pat Davis (t), Clarence Hutchenrider (cl), Sonny Dunham (tp), The Casa Loma Orchestra Recorded: 17 September 1934
Glen Gray & The Casa Loma Orchestra 1934-41, MCA Coral 0052.044, S1/1
5. Chet Baker ― Tommyhawk
Composer: J.Mandel Performers: Chet Baker (tp) ,Bob Brookmeyer (tb), Bud Shank (bs), Russ Freeman (p), Carson Smith (b), Shelly Manne (d) Recorded: 9 September 1954
Chet Baker Big Band, Pacific Jazz 0777 781201 2 4, 14
6. Stan Tracey ― Starless and Bible Black
Composer: Stan Tracey Performers: Stan Tracey (p), Bobby Wellins (ts), Jeff Clyne (b), Jackie Dougan (d) Recorded: 8 May 1965
Under Milk Wood, Jazzizit JITCD 9815, 2
7. Duke Ellington & His Orchestra ― Pitter Panther Patter
Composer: Duke Ellington Performers: Duke Ellington (p) Jimmy Blanton (b), Recorded: 1940
The Indispensable Duke Ellington, RCA NL 89 750, 10
8. Count Basie ― Have a Nice Day
Composer: Sammy Nestico Performers: Al Grey, Bill Hughes, Grover Mitchell, Melvin Wanzo, John Watson, Sr (tb), Paul Cohen, George ‘Sonny’ Cohn, George Minger, Waymon Reed (tp), Bobby ‘Jersey Bounce’ Plater, Eric Dixon, Curtis Peagler, J.C. Williams, Eddie ‘Lockjaw’ Davis (s) Freddie Green (g), Norman ‘Dewey’ Keenan (b), Harold Jones (d), Count Wiliam Basie (p) Recorded: 1971
Count Basie – Have a Nice Day, Daybreak 2932 002, S1/1
9. Michael Franks ― Monk’s New Tune
Composer: Michael Franks Performers: Michael Franks (v) Russell Ferrante (p) Jimmy Haslip (b), William Kennedy (d), Bob Mintzer (s), Steve Khan (g), Marvin Stamm (t), John Hall, Lance Hoppen, Larry Hoppen (v) Recorded: 1993
Michael Franks Dragonfly Summer, Reprise 9362 452272, 4
10. Dave Brubeck ― In Your Own Sweet Way
Composer: Dave Brubeck Performers: Dave Brubeck (p) Recorded: 18 April 1956
The Essential Dave Brubeck, Columbia 5105942, CD1 tr7
11. Johnny Coles ― So Sweet my Little Girl
Composer: Duke Pearson Performers: Johnny Coles (tp), Leo Wright (as), Joe Henderson (ts) Duke Pearson (p), Bob Cranshaw (b), Pete La Roca (d) Recorded: 1963
Little Johnny C, Blue Note BLP 4144, S2/3
12. Freddie Hubbard ― Without a Song
Composer: Youmans, Rose, Eliscu Performers: Freddie Hubbard (tp), Richard Davis (b), Eddie Daniels (ts), Roland Hanna (p), Louis Hayes (d) Recorded: 9 December 1969
The Hub of Hubbard, Basf BAP 5036, S1/1
