ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www.nhk.or.jp/fm/sunshine/
放送日： 2011年10月 8日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www.nhk.or.jp/fm/sunshine/playlist.html?st=20111008
01. Tutu / Miles Davis
ALBUM: Tutu
02. Portia / Miles Davis
ALBUM: Tutu
03. Saeta〜Pan Piper / Cristina Pato, Edmar Castaneda et al
ALBUM: Miles Espanol
04. Teo〜Neo / Edsel Gomez, John Benitez et al
ALBUM: Miles Espanol
05. All Blues / Kora Jazz Band
ALBUM: Kora Jazz Band
06. Spain / Kora Jazz Band
ALBUM: Kora Jazz Band
07. Tokyo, 1980 / Jaco Pastorius
ALBUM: The Jaco Solo Tracks - Live & Unreleased
08. Corinne, Corinna / Wynton Marsalis & Eric Clapton feat. Taj Mahal
ALBUM: Play The Blues - Live from Jazz at Lincoln Center
09. Riverboat Dreams / Stanley Smith
ALBUM: Since I Met You Baby
10. The Road West / Alison Brown Quartet
ALBUM: The Company You Keep
11. O Caroline / Matching Mole
ALBUM: Matching Mole
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www.nhk.or.jp/fm/kaiteki/
放送日： 2011年10月 8日（土）
放送時間： 午前9:00〜午前10:55（115分）
ゴンチチ
湯浅学
− 天国と地獄の音楽 −
http://cgi4.nhk.or.jp/topepg/xmldef/epg4.cgi?setup=/fm/kaiteki/hensei/playlist.def&st=20111008090000
「雨雲の上で」 (ゴンチチ)(3分57秒)
＜ポニーキャニオン PCCA-02179＞
「トップ・タイトル」 (映画“天国と地獄”サウンドトラック)(2分15秒)
＜東宝レコード KX-1001＞
「マイ・ブルー・ヘブン」 (ベニー・カーター)(3分18秒)
＜CONTEMPORARY OJCCD339-2＞
「地獄が怖いなら」 (ニコル・ルーヴィエ)(2分10秒)
＜I.L.D. ILD642263＞
「ザ・ヘブンリー・トレイン」 (ビル・カーライズル)(2分19秒)
＜TRIKONT US-0267＞
「地獄行きの急行列車パート2」 (A.W.ニックス牧師)(3分00秒)
＜MCA REC. MVCE-24003＞
「ハウス・カーペンター」 (クラレンス・トム・アシュレイ)(3分56秒)
＜VANGUARD SR-183＞
「地獄の恋人」 (藤木孝)(1分22秒)
＜小学館 STZ26＞
「アイ・ヘイト・ヘブン」 (ザ・レジデンツ)(2分50秒)
＜ボンバレコード BOM22081＞
「地獄の接吻」 (鳴海日出夫)(2分52秒)
＜日本コロムビア COCP-30076＞
「ヘブン」 (トーキング・ヘンズ)(3分41秒)
＜EMIミュージック・ジャパン TOCP-53887＞
「地獄のトレイン」 (イヴェット・オルネ)(2分04秒)
＜東芝EMI TOCP-7346＞
「振り向きショラオン」 (コーコーヤ)(2分12秒)
＜HAPPINESS REC.XQJT-1002＞
「喜歌劇“天国と地獄”から序曲」 オッフェンバック作曲(4分47秒)
(管弦楽)東京フィルハーモニー交響楽団
(指揮者)高関健
＜UNIVERSAL POCC-4026＞
「アジャパー天国」 (泉友子、伴淳三郎)(3分03秒)
＜コロムビア COCP-36584＞
「ウートートー」 (地獄車with伊是名尚円太鼓)(2分20秒)
＜HOWLING BULL HWCA-1074＞
「仔犬のラメント」 (笑福亭仁鶴)(3分47秒)
＜テイチクレコード A-46＞
「ヘルズ・ベルズ」 (AC/DC)(5分09秒)
＜EPIC EK80207＞
「天国への最後の階段」 (加藤崇之)(5分00秒)
＜キタカラレコード K-14＞
「睡蓮」 (ゴンチチ)(3分15秒)
＜So What? Rec. ESCB2004＞
「君恋し」 (エルフィ・スカエシ)(4分44秒)
＜SONY SRCL2371＞
「さようなら世界夫人よ」 (あがた森魚)(2分55秒)
＜Qpola Purple Hz QPHZ002＞
Jazz Record Requests
Geoffrey Smith presents a selection of listeners' jazz requests.
http://www.bbc.co.uk/programmes/b006tnn9
Sat 8 Oct 2011
17:00
BBC Radio 3
Geoffrey Smith presents a selection of listeners' jazz requests.
http://www.bbc.co.uk/programmes/b015mtbg
Music played
1. Wynton Marsalis — Oh, but on the Third Day (Happy Feet Blues) (JRR Signature Tune)
Composer: Wynton Marsalis Performers: Wynton Marsalis (tp), Marcus Roberts (p), Todd Williams (ts), Dr Michael White (cl), Danny Barker (bj), Teddy Riley (tp), Freddie Lonzo (tb), Reginald Veal (b), Herlin Riley (d) Recorded: 28 October 1988
The Majesty of the Blues, 1989 CD CBS 465129 2
2. Mart Rodger Manchester Jazz — Mighty Like the Blues
Composer: Feather Performers: Mart Rodger (cl), Allan Dent (tp), Terry Blunt (tb), Alec Collins (p), Tim Roberts (banjo), Colin Smith (b), Pete Staples (d) Recorded: 1995
T’Ain’t Nobody’s Bizness If We do, Bowstone OWSCD2603, 15 3’19”
3. Big Maceo — Chicago Breakdown
Composer: Merriweather Performers: Maceo Merriweather (p), Tampa Red (g), Charles Sanders (d) Recorded: 15 October 1945
Boogie Woogie Hits, RCA CL 89803, S2/4 2’56”
4. Lester Young — Oh, Lady be Good
Composer: Gershwin Performers: Carl Smith (tp), Lester Young (ts), Count Basie (p), Walter Page (b), Jo Jones (d) Recorded: 9 October 1936
The Lester Young Story, Proper P1439, 2 3’07”
5. Jimmie Lunceford — Annie Laurie
Composer: Lady Scott Performers: Jimmie Lunceford Orchestra including: Joe Thomas (ts), Earl Carruthers, Eddie Thompkins (tp), Trummy Young (tb) Recorded: 1937
Jimmy Lunceford and his Orchestra, Decca DL 8050, S1/4 3’12”
6. Artie Shaw — Stardust
Composer: Carmichael, Parish Performers: Artie Shaw and his Orchestra: George Wendt, J Cathcart, Billy Butterfield (tp), Jack Jenney, Vernon Brown (tb), Artie Shaw (cl), Bus Bassey, Neely Plumb (as), Les Robinson, Jerry Jerome (ts), E. Lamas, T. Klages, Bob Morrow, B. Bower, Al Beller (vln), A Harshman, K. Collins (vla), F. Goerner (vcl), Johnny Guarnieri (p), Al Hendrickson (g), Jud De Naut (b), Nick Fatool (d) Recorded: 7 October 1940
The Artie Shaw Story -Frenesi, Proper P1439, 8 3’37”
7. Amalia & Don Byas — Rua do Capelao
Composer: Dantas, de Freitas Performers: Amalia Rodrigues (v), Don Byas (ts) Fontes Rocha, Carlos Goncalves (g), Pedro Leal (viola), Joel Pina (b) Recorded: 1968
Encontro, VSL 11382, 6 3’48”
8. Don Byas — Indiana
Composer: Hanley, MacDonald Performers: Don Byas (ts), Slam Stewart (b) Recorded: 1945
Two Kings of the Tenor Sax, Commodore 6.24058, S2/1 5’05”
9. John McLaughlin — Loro
Composer: Egberto Gismonti Performers: John McLaughlin (g), Francois Couturias (p), Katia Labeque (p), Paul Celea (b), Tommy Campbell (d) Recorded: 1982
Music Spoken Here, WEA K 99254, S2/4 2’08”
10. The Modern Jazz Quartet — Bags’ Groove
Composer: Milt Jackson Performers: John Lewis (p), Milt Jackson (vibraharp), Percy Heath (b), Connie Kay (d) Recorded: 25 November 1974
The Last Concert, Rhino 7567819762, CD2 tr10 6’28”
11. Ella Fitzgerald — C-Jam Blues
Composer: Ellington Performers: Ella Fitzgerald (v), Roy Eldridge, Harry ‘Sweets’ Edison (tp), Al Grey (tb), Stan Getz, Eddie ‘Lockjaw’ Davis (ts), Count Basie (p), Freddie Green (g), Ray Brown (b), Ed Thigpen (d) Recorded: 2 June 1972
Bluella: Ella Fitzgerald Sings the Blues, Pablo CD23109602, 4 10’45”
12. Wynton Marsalis — Oh, but on the Third Day (Happy Feet Blues) (JRR Signature Tune)
Composer: Wynton Marsalis Performers: Wynton Marsalis (tp), Marcus Roberts (p), Todd Williams (ts), Dr Michael White (cl), Danny Barker (bj), Teddy Riley (tp), Freddie Lonzo (tb), Reginald Veal (b), Herlin Riley (d) Recorded: 28 October 1988
The Majesty of the Blues, 1989 CD CBS 465129 2
13. Mart Rodger Manchester Jazz — Mighty Like the Blues
Composer: Feather Performers: Mart Rodger (cl), Allan Dent (tp), Terry Blunt (tb), Alec Collins (p), Tim Roberts (banjo), Colin Smith (b), Pete Staples (d) Recorded: 1995
T’Ain’t Nobody’s Bizness If We do, Bowstone OWSCD2603, 15 3’19”
14. Big Maceo — Chicago Breakdown
Composer: Merriweather Performers: Maceo Merriweather (p), Tampa Red (g), Charles Sanders (d) Recorded: 15 October 1945
Boogie Woogie Hits, RCA CL 89803, S2/4 2’56”
15. Lester Young — Oh, Lady be Good
Composer: Gershwin Performers: Carl Smith (tp), Lester Young (ts), Count Basie (p), Walter Page (b), Jo Jones (d) Recorded: 9 October 1936
The Lester Young Story, Proper P1439, 2 3’07”
16. Jimmie Lunceford — Annie Laurie
Composer: Lady Scott Performers: Jimmie Lunceford Orchestra: Eddie Tompkins, Sy Oliver, Tommy Stevenson (tp), Elmer Crumbley, Russell Bowles, James ‘Trummy’ Young (tb), Willie Smith, Earl Carruthers, Ted Buckner, Joe Thomas, Dan Grissom (saxes), Edwin Wilcox (p), Al Norris (g), Moses Allen (b), James Crawford (d) Recorded: 1937
Jimmy Lunceford and his Orchestra, Decca DL 8050, S1/4 3’12”
17. Artie Shaw — Stardust
Composer: Carmichael, Parish Performers: Artie Shaw and his Orchestra: George Wendt, J Cathcart, Billy Butterfield (tp), Jack Jenney, Vernon Brown (tb), Artie Shaw (cl), Bus Bassey, Neely Plumb (as), Les Robinson, Jerry Jerome (ts), E. Lamas, T. Klages, Bob Morrow, B. Bower, Al Beller (vln), A Harshman, K. Collins (vla), F. Goerner (vcl), Johnny Guarnieri (p), Al Hendrickson (g), Jud De Naut (b), Nick Fatool (d) Recorded: 7 October 1940
The Artie Shaw Story -Frenesi, Proper P1439, 8 3’37”
18. Amalia & Don Byas — Rua do Capelao
Composer: Dantas, de Freitas Performers: Amalia Rodrigues (v), Don Byas (ts) Fontes Rocha, Carlos Goncalves (g), Pedro Leal (viola), Joel Pina (b) Recorded: 1968
Encontro, VSL 11382, 6 3’48”
19. Don Byas — Indiana
Composer: Hanley, MacDonald Performers: Don Byas (ts), Slam Stewart (b) Recorded: 1945
Two Kings of the Tenor Sax, Commodore 6.24058, S2/1 5’05”
20. John McLaughlin — Loro
Composer: Egberto Gismonti Performers: John McLaughlin (g), Francois Couturias (p), Katia Labeque (p), Paul Celea (b), Tommy Campbell (d) Recorded: 1982
Music Spoken Here, WEA K 99254, S2/4 2’08”
21. The Modern Jazz Quartet — Bags’ Groove
Composer: Milt Jackson Performers: John Lewis (p), Milt Jackson (vibraharp), Percy Heath (b), Connie Kay (d) Recorded: 25 November 1974
The Last Concert, Rhino 7567819762, CD2 tr10 6’28”
22. Ella Fitzgerald — C-Jam Blues
Composer: Ellington Performers: Ella Fitzgerald (v), Roy Eldridge, Harry ‘Sweets’ Edison (tp), Al Grey (tb), Stan Getz, Eddie ‘Lockjaw’ Davis (ts), Count Basie (p), Freddie Green (g), Ray Brown (b), Ed Thigpen (d) Recorded: 2 June 1972
Bluella: Ella Fitzgerald Sings the Blues, Pablo CD23109602, 4 10’45”
Jazz Library
Advice and guidance to those interested in building a library of jazz recordings.
http://www.bbc.co.uk/programmes/b006x41z
Buddy Rich
Sun 9 Oct 2011
00:00
BBC Radio 3
Alyn Shipton is joined by drummer Ralph Salmins to survey the output of Buddy Rich.
http://www.bbc.co.uk/programmes/b007z6mk
Starting his life as a child star tap dancer, Buddy Rich became one of the most gifted drummers in jazz history. To survey the prolific recorded output of "The Man From Planet Jazz", Alyn Shipton is joined by British drummer Ralph Salmins, covering both Rich's discs under his own name, and his stellar appearances with other musicians.
Music played
1. Buddy Rich — Bugle Call Rag
Composer: Pettis, Meyers, Scoebel Performers: Buddy Rich, d; Bobby Shew, Yoshito Murakami, Chuck Findley, John Scottile, t; Jim Trimble, Ron Meyers, Bill Wimberley tb; Quinn Davis, Ernie Watts, Jay Corre, Robert Keller, Marty Flax, reeds, Richard Resnicoff, g; Roay Starling, p; Jim Gannon, b.
Big Swing Face, Pacific Jazz, 37989, Tr 9
2. Tommy Dorsey — Quiet Please
Composer: Oliver Perfomers: Ray Linn, Clyde Hurley, Jimmy Blake, t; Lowell Martin, George Arus, Les Jenkins, Tommy Dorsey, tb; Fred Stulce, Johnny Mince, Hymie Schertzer, Paul Mason, Don Lodice, reeds; Joe Bushkin, p; Clark Yocum, g; Sid Weiss, b; BR dm. 17 July 1940.
Yes Indeed, Bluebird, ND 90449 Track 7
3. Buddy Rich Band — South
Composer: Armstrong, arr. Mundy
Legendary 46-48 Orchestra Vol 2, HEP, CD 56, Tr 11
4. Oscar Peterson — Topsy
Composer: Durham / Battle Perfomers: OP Piano; Ray Brown, bass; Herb Ellis, g; BR dm. Feb 1956.
Oscar Peterson Plays Count Basie, Japanese Polygram / Verve, UCCV 9170, Tr 8
5. Count Basie — Bluebeard Blues
Composer: Basie / Hefti Perfomers: Clark Terry, t; Buddy DeFranco clt; Charlie Rouse, ts; Serge Chaloff, bar; Basie, p; Freddie Green, g; Jimmy Lewis, b; BR d. 16 May 1950.
Count Basie Octet Sounds, Ocium, OCM 0002, Tr 6
6. Buddy Rich — Wrap Your Troubles In Dreams
Composer: Barris / Koehler / Moll Perfomers: BR Vocal; Howard Giebling, cond.; Lee Castle, t; Oscar Peterson, p; Herb Ellis, g; Ray Brown, b; Louie Bellson, d. unidentified strings 26 Jan 1955
1950 1955, Classics, 1419, Tr 10
7. Buddy Rich Sextet — Young Blood
Composer: Manieri Perfomers: BR d; Sam Most, fl; Rolf Ericson, t; Mike Manieri, vib; Wyatt Ruther, b; Johnny Morris, p. 14/16 Aug 1961
Blues Caravan, Verve, 75021 03482, Tr 5
8. Buddy Rich — West Side Story (Medley)
Composer: Bernstein / Sondheim arr. Bill Reddie Perfomers: Bobby Shew, John Sottile, Yoshito Murakami, Walter Battagello, t; Jim Trimble, John Boice, tb; Dennis Good, Mike Waverley, btb; Gene Quill, Pete Yellin, Jay Corre, Marty Flax, Steve Perlow, reeds, John Bunch, p; Barry Zweig, g; Carson Smith, b; BR d. 10 Oct 1966 (most of album done at Chez club, this was done at RCA Victor studios Hollywood.) Soloists Trimble and Corre.
Swingin' New Big Band, Pacific Jazz, 724383 52322, Tr 8
9. Buddy Rich — Chelsea Bridge
Composer: Strayhorn (arr Phil Wilson) Perfomers: Art Pepper, as solo; Al Porcino, Bill Prince, Ken Faulk, Dave Culp, t; Jim Trimble, Rick Stepton, Peter Graves, tb; Charles Owens, Don Menza, Pat Labarbera, John Laws, reeds; Walt Namuth, g; Joe Azarello, p; Gary Walters, b; BR d. 7 Jul 1968.
Mercy Mercy, Pacific Jazz, 72438 43312, Tr 11
10. Buddy Rich — Chameleon
Composer: Rubinson / Hancock Perfomers: Sonny Fortune, Sal Nistico, saxes; Kenny Barron, p; Jack Wilkins, g; Anthony Jackson, elb; Jimmy Maeulen, cga; BR d. May 1974. From 3CD set on LRC Best of Buddy Rich also including Roar of 74 and Big Band Machine.
Very Live at Buddy's Place, LRC, 24104, Tr 1
11. Buddy Rich — Apples (aka Gino)
Composer: Wiggins Perfomers: Bobby Shew, John Sottile, Yoshito Murakami, Charles Findlay, t; Jim Trimble, Ron Myers, tb; Bill Wimberley, btb; Quinn Davis, Ernie Watts, Jay Corre, Marty Flax, Robert Keller, reeds, Ray Starling, p; Richard Resnicoff, g; James gannon b; BR d. 1968
Big Swing Face, Pacific Jazz, 72438 37989, Tr 18
Jazz Line-Up
Programme exploring jazz music, focussing both on established, mainstream players and on the new generation of younger artists..
http://www.bbc.co.uk/programmes/b006tnmw
Gary Burton
Sun 9 Oct 2011
23:30
BBC Radio 3
With Julian Joseph. Including an interview with vibes legend Gary Burton.
http://www.bbc.co.uk/programmes/b015n1bk
Its often overlooked that Gary Burton performed with George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966. As a member of Getz's quartet, Burton won Down Beat magazine's Talent Deserving of Wider Recognition Award in 1965. He formed his own quartet in 1967, and Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. The double-CD live concert recording with Chick Corea, 'The New Crystal Silence', came out in 2008, giving him his sixth Grammy for Gary Burton at the 2009 Grammy Awards and here in 2011 saw the release of 'Common Ground', Gary's first release on Mack Avenue Records featuring the New Gary Burton Quartet. The new group reunites this Vibes legend with guitar star Julian Lage with the addition of drummer Antonio Sanchez and bassist Scott Colley.
Jazz Line-Up is presented this week by Julian Joseph.
Music and featured items
1. Stan Kenton and His Orchestra — Artistry In Rhythm
Composer: Stan Kenton
Festival of Modern American Jazz, Status DSTS 1025
2. Julian Siegel Quartet — Six Four
Performers: Julian Siegel (Sax), Liam Noble (Piano), Oli Hayhurst (Double Bass), Gene Calderazzo (Drums) Composer: Julian Siegel
Urban Theme Park, Basho Records SRCD 34-2
3. George Duke (Electric Piano), Steve Gadd (Drums), Tom Scott (Sax), Billy Childs (Piano), Nathan East (Bass) — Work Song
Composer: Nat Aderly
Jazz For Japan, Avatar/Specific SPECD 015
4. Stan Kenton and His Orchestra — Cool
Composer: Leonard Bernstein, Stephen Sondheim
Stan Kenton’s West Side Story, Capitol Jazz CDP 7243 8 29914 2 7
5. The New Gary Burton Quartet − Etude
Performers: Gary Burton (Vibes), Julian Lage (Guitar), Scott Colley (Bass), Antonio Sanchez (Drums)
Composer: Julian Lage
Album: Common Ground
Label: Mack Avenue MAC 1061
6. The New Gary Burton Quartet − Late Night Sunrise
Performers: Gary Burton (Vibes), Julian Lage (Guitar), Scott Colley (Bass), Antonio Sanchez (Drums)
Composer: Vadim Neselovski
Album: Common Ground
Label: Mack Avenue MAC 1061
7. Derek Nash Acoustic Quartet — Voodoo Rex
Performers: Derek Nash (Alto Sax), Martin Shaw (Trumpet), Winston Rollins (Trombone), Dave Newton (Piano), Geoff Gascoyne (Bass) Sebastian de Krom (Drums) Composer: Derek Nash
Joyriding, Jazzizit Records JITCD 1156
- アーティスト: Jacqui Dankworth
- 出版社/メーカー: Specific Jazz
- 発売日: 2013/10/22
- メディア: CD
- クリック: 1回
- この商品を含むブログ (1件) を見る
Composer: Victor Young/Ned Washington
It Happens Quietly, Specific Jazz SPEC 014
http://www.amazon.co.uk/Happens-Quietly-Jacqui-Dankworth/dp/B005609ZCI/ref=sr_1_1?s=music&ie=UTF8&qid=1318669967&sr=1-1
Desert Island Discs
Desert Island Discs was created by Roy Plomley in 1942, and the format is simple: a guest is invited by Kirsty Young to choose the eight records they would take with them to a desert island
http://www.bbc.co.uk/programmes/b006qnmr
http://www.bbc.co.uk/radio4/features/desert-island-discs
Vidal Sassoon
Sun 9 Oct 2011
11:15
BBC Radio 4
Veteran hairdresser Vidal Sassoon is interviewed by Kirsty Young for Desert Island Discs.
http://www.bbc.co.uk/programmes/b015msp9
Kirsty Young's castaway is the veteran hairdresser Vidal Sassoon.
He developed the architecturally precise bobs and cropped styles that were a defining look of the 1960s. Mary Quant, Mia Farrow and Twiggy were among the glamorous clients who came to his salons in London and Beverly Hills.
His scissors and ambition lifted him out of the grinding poverty of his childhood - he spent six years in an orphanage because his mother could not afford to keep him at home. Now aged 83, he says:" I've had the best adventure you could possible have, for a kid that started from nowhere."
Record: Mahler's 8th Symphony
Book: The Brothers Karamazov by Fyodor Dostoyevsky
Luxury: A dozen bottles of Vidal Sassoon hair shampoo
Producer: Isabel Sargent.
Music played
1. Dinah Washington — What a Difference a Day Makes
Composer: Adams/Grever
Label: EMI
2. Billy Eckstine — Everything I have is yours
Composer: Lane/Adamson
Billy Eckstine Greatest Hits, Polydor
3. Anton Bruckner — Part of the first movement from the 9th symphony
Artist: The London Symphony Orchestra conducted by Sir Colin Davis
LSO LIVE
4. Charles Aznavour — What Makes a Man
Composer: Aznavour/Aznavour/Craig
The Best of Charles Aznavour, Premier
5. Giacomo Puccini — Un bel di – One beautiful day – from Madame Butterfly
Artist: Kiri Te Kanawa
Arias by Puccini, ERATO
6. Bryan Ferry — The Way You Look Tonight
Composer: Fields and Kern
As Time Goes By, Virgin
7. Gustav Mahler — Part of Symphony No.8
Artist: City of Birmingham Symphony Orchestra - with Jon Villars, The City of Birmingham Symphony Chorus and Youth Chorus. With the London Symphony Chorus & the Toronto Children’s Chorus all conducted by Sir Simon Rattle
Symphony No.8/Gustav Mahler, EMI
8. The Count Basie Orchestra — April in Paris
Composer: Vernon Duke
Count Basie and His Orchestra April in Paris, Verve
Desert Island Discs Revisited
Kirsty chooses favourites from the Desert Island Discs archive
http://www.bbc.co.uk/programmes/b00zwlh8
Jamie Oliver
Sun 9 Oct 2011
10:00
BBC Radio 4 Extra
Kirsty Young explores the choices of cookery writer and TV chef Jamie Oliver.
http://www.bbc.co.uk/programmes/b015p5xq
Desert Island Discs Revisited with Kirsty Young explores the choices of the cookery writer and TV chef in the last of a series featuring chefs and cooks.
http://www.bbc.co.uk/radio4/features/desert-island-discs/castaway/f9b5fe53#p009489f
http://www.bbc.co.uk/programmes/p009489f
Sue Lawley's castaway is TV chef Jamie Oliver.
Favourite track: Only To Be With You by Roachford
Book: Doesn't read books - needs notepaper and pens to write recipes
Luxury: Leatherman - like a Swiss army knife but more substantial
Music played
1. Ian Brown — F.E.A.R
Fear, Polydor
2. Roachford — Only To Be With You
The Roachford Files, Columbia
3. Tears for Fears — Everybody Wants to Rule the World
Songs from the Big Chair, Mercury
4. The La's — There She Goes
Music to Cook By, Columbia
5. Happy Mondays — Kinky Afro
There’s Only One Jimmy Grimble and No Substitute For Life, Wrasse
6. Oasis — Live Forever
Live Forever, Creation
7. Massive Attack — Unfinished Sympathy
Blue Lines, Wild Bunch
8. Radiohead — High and Dry
Crush, Polygram TV
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Margaret Mountford
Sun 9 Oct 2011
12:00
BBC Radio 3
Former lawyer and The Apprentice star Margaret Mountford reveals her musical enthusiasms.
http://www.bbc.co.uk/programmes/b015mw0f
Michael Berkeley's guest this week in Margaret Mountford, the former corporate lawyer who rose to TV stardom as one of Lord Sugar's team of expert advisers on 'The Apprentice'.
Born in Northern Ireland, she had many years of corporate experience as a partner in a law firm, and has been a non-executive director of Amstrad plc since 1999. She appeared on five series of 'The Apprentice' between 2005 and 2009, and has appeared on recent series at the interview stage. She left the show to study for a PhD in papyrology at University College, London.
Her musical tastes are orientated towards piano music and opera. Her choices begin with a Liszt Hungarian Rhapsody played by pianist Shura Cherkassky, and continue with Jorge Bolet playing Liszt's transcription of Schubert's song 'The Trout', followed by Dietrich Fischer-Dieskau singing Schubert's 'Wandrers Nachtlied II'. Margaret Mountford's next choice is a piano piece by Alkan, which she finds strangely haunting, while her favourite moment from Wagner's Ring cycle comes in Act II of 'Die Walkure' when Brunnhilde announces to Siegmund that he must die in battle. A Chopin nocturne played by Vlado Perlemuter precedes the Song to the Evening Star from Wagner's opera 'Tannhauser', and Margaret Mountford's final choice is the famous drinking song from Act One of Verdi's 'La traviata', thrillingly sung by two of her favourite singers, Joan Sutherland and Luciano Pavarotti.
Music played
1. Franz Liszt — Hungarian Rhapsody No 2 in C sharp minor
Performers: Shura Cherkassky (piano)
WHLive0014
2. Schubert transc Liszt — Die Forelle
Performers: Jorge Bolet (piano)
DECCA 425 689-2
3. Franz Schubert — Wandrers Nachtlied II
Performers: Dietrich Fischer-Dieskau (baritone), Jörg Demus (piano)
DG 457 747-2
4. Alkan — Song of the Madwoman on the Seashore (from the Preludes, Op 31)
Performers: Ronald Smith (piano)
EMI CDM764280-2
5. Richard Wagner — ‘The Announcement of Death’ from Die Walküre Act II
Performers: Rita Hunter (Brünnhilde), Alberto Remedios (Siegmund), ENO Orchestra/Reginald Goodall
EMI 763918-2
6. Frédéric Chopin — Nocturne in F sharp major, Op. 15, no.2
Performers: Vlado Perlemuter (piano)
NIMBUS NIM5012
7. Richard Wagner — “Wie Todesahnung” and “Abendstern” (from Tannhäuser Act III, scene 2)
Performers: Thomas Hampson (Wolfram Von Eschenbach), Berlin Staatskapelle/Daniel Barenboim
TELDEC 8573-88064-2
8. Giuseppe Verdi — The ‘Brindisi’ (from La traviata, Act 1)
Performers: Joan Sutherland (Violetta), Luciano Pavarotti (Alfredo), National PO/Richard Bongyne
DECCA 430 492-2
Words and Music
A sequence of classical music mixed with well-loved and less familiar poems and prose.
http://www.bbc.co.uk/programmes/b006x35f
The Word Girl
Sun 9 Oct 2011
18:30
BBC Radio 3
A sequence of poetry, prose and music on the theme of The Word Girl.
http://www.bbc.co.uk/programmes/b015mzx2
From Mary to Maeve, Lydia to Laura, and Oriana all the way to a boy named Sue, the weekly sequence of music and verse makes play with the words we use to name the female sex. Readings include verse by Petrarch, Lorca, DH Lawrence, Mervyn Peake and Elizabeth Barrett-Browning - plus the odd limerick or two.
Producer's Note
It was a chance re-encounter with Scritti Politti’s meticulously crafted piece of synth-pop from the 1980s that gave me the idea for this programme. ‘The Word Girl’ addresses the ubiquitous presence of the word ‘girl’ in song, and from the moment that it first had me thinking ‘what if I were to make a programme based on actual girls’ names?’, within minutes a host of ideas for songs and poems had come streaming into my mind. For a while it was bewildering. I had hardly started, and already so many contenders were clamouring for inclusion that I was floundering. How to keep things under control? The answer turned out to have been in the song-title all along: focus on material that makes girls’ names the subject as much as it does the girls (or women) themselves, which holds them up for examination, plays with them, enjoys the very sound of them, loses itself in them.
Some of the items I ended up selecting do this through sheer repetition: Nora Perry treasures the charms of a baby called Jenny, Kurt Weill and Ira Gershwin recount the life-story of a rather different and less innocent Jenny, Beethoven cannot leave the word ‘Adelaide’ alone in his song of the same name, and John Clare practically wraps himself in the name Eleanor. In ‘Ave Maria', the American poet and diplomat Maurice F. Egan savours the phrase as a sort of talisman of muscular Catholicism, and in Monteverdi’s extraordinary 'Sonata sopra Sancta Maria' a five-word invocation ‘Sancta maria, ora pro nobis’ (‘Holy Mary, pray for us’) is superimposed on one of the most delicious instrumental compositions of the early 17th century.
A song can achieve a similar effect by opposite means, however, for instance by choosing a poem in which a name appears only once but then setting that word so perfectly that afterwards it is what you remember most. Fauré’s typically elegant 'Lydia' is one, as are Caccini’s ardent 'Amarilli mia bella' and Finzi’s suave 'Who is Sylvia?'.
Other songs or poems take the less subtle form of catalogues: Henry Austin Dobson runs playfully through a list of Romantic literary heroines (rejecting them all in favour of ‘Rose’), Mary Lamb imagines a young girl wrestling with the responsibility of finding a suitable name for her new-born sister, and Cole Porter devises a witty string of rhymes in a newly-married man’s list of former loves in ‘Where is the Life that Late I Led?’ from 'Kiss me Kate'. Elsewhere the approach is more cryptic, as when, in one of his sonnets, Petrarch embeds the name of his unattainable Laura (appearing here as ‘Laureta’), or when D. H. Lawrence teases Henriette with knowing references to a few other things girls’ names have stood duty for. Schumann’s ‘Abegg’ Variations meanwhile find a more purely musical solution by creating and manipulating a theme based on the notes contained in the name of a lover.
A more elegiac note is struck by two Victorian poems in which the loss of a name is the subject, and indeed in which the name fails even to appear: Mrs Dinah Craik’s ‘My Christian name’ seems to be a lament for her unmarried identity, while Elizabeth Barrett-Browning’s ‘The Pet-name’ is a wistful remembrance of childhood.
Given the sentimental weight a name can carry, especially relating to family, perhaps it was unavoidable that Victorian poets would feature strongly in this programme. No less inevitable was it that humour would play a big part. In addition to some of the items already mentioned we have Matilda, Hilaire Belloc’s famously ill-fated liar, and I was pleased to come across two 17th-century writers who found fun in the dubiously meaningful act of writing a girl’s name on, variously, a tree, a drinking-glass and snow.
Finally, it amused me to include two songs in which gender boundaries are clouded. Ray Davies’s 'Lola' describes a confusing encounter in a Soho bar, and Johnny Cash gives the inmates of San Quentin prison an almighty cheer-up with his story of a man toughened up for the hard life armed only with the name ‘Sue’. This last song in particular has always tickled me, owner as I am of an epicene name. Come to think of it, that has to be the only reason no-one has written a poem or a song about me yet...
Lindsay Kemp (producer)
Music and featured items
Timings are shown from the start of the programme in hours and minutes.
00:00
Henry Austin Dobson
A Ballad of Names, reader John Shrapnel
00:01
Gerald Finzi — Who is Sylvia?
Performer: Roderick Williams (baritone), Iain Burnside (piano)
Naxos, 8.557644, 8
00:03
Dinah Craik
My Christian Name, reader Romola Garai
00:05
Gabriel Fauré — Lydia, from 2 Songs Op.4
Performer: Nathalie Stutzmann (contralto), Catherine Collard (piano)
RCA, 09026 -61439-2, 4
00:07
D. H. Lawrence
Henriette, reader John Shrapnel
00:08
Cole Porter — Where is the Life that Late I Led
Performer: Howard Keel (baritone)
CBS, AK-46196, 13
00:13
Federico García Lorca, trans. Robert Nasatir
Balcony (La Lola), reader John Shrapnel
00:13
The Kinks — Lola
Sanctuary, SANDD109, CD1 Tr19
00:17
Hilaire Belloc
Matilda, reader Romola Garai
00:19
Kurt Weill — The Saga of Jenny
Performer: Lotte Lenya (voice), Maurice Levine (conductor)
Sony Classical, MHK-60647, 1-3
00:23
Nora Perry
Jenny, reader Romola Garai
00:25
Robert Schumann — Abegg Variations Op.1
Performer: Imogen Cooper (piano)
Ottavo, OTR C-39027, 1-1
00:33
John Clare
Her maiden name was Eleanor, reader John Shrapnel
00:35
Giulio Caccini — Amarilli mia bella
Performer: Johanette Zomer (soprano), Fred Jacobs (lute)
Channel Classics, CCS-SEL-5810, 1
00:38
Francesco Petrarch, trans. Mark Musa
Sonnet No. 5, reader John Shrapnel
00:39
Thomas Weelkes — As Vesta was from Latmos hill
Performer: King’s Singers
EM Records, 0299-001, 18
00:42
William Thompson
On writing Laura’s name in the snow, readers Romola Garai and John Shrapnel
00:43
Sir Edward Elgar — ‘Dorabella’, from ‘Enigma’ Variations
Performer: Montreal Symphony Orchestra, Charles Dutoit (conductor)
Decca, 430-241-2, 11
00:46
Mary Lamb
Choosing a Name, reader Romola Garai
00:47
Johnny Cash — A Boy Named Sue
Composer: Shel Silverstein
Columbia, 4681162, 11
00:51
William Pattison
Written with a penknife on a tree , reader John Shrapnel
00:51
William Pattison
On a drunkard’s writing his mistress’s name on a drinking-glass, reader Romola Garai
00:51
Ludwig van Beethoven — Adelaide Op.46 For Voice And Piano
Performer: Dietrich Henschel (baritone), Michael Schafer (piano)
Harmonia Mundi, HMC-901801, 1-5
00:56
Elizabeth Barrett-Browning
The Pet-name, reader Romola Garai
00:59
[anonymous] — O Maria Magdelena
Performer: Jennie Cassidy (contralto)
Avie, AV-0026, 13
01:00
Maurice Francis Egan
Ave, Maria, reader John Shrapnel
01:02
Claudio Monteverdi — Vespro della Beata Vergine [1610]
Performer: Tessa Bonner (soprano), Taverner Players, Andrew Parrott (conductor)
Virgin Classics, 561 347 2, 2-9
01:09
Anonymous
A limerick, reader Romola Garai
01:09
Scritti Politti — The Word Girl
Composer: Green Gartside & David Gamson
Virgin, CDV-2350, 1-1
