15 今週のお気に入り 08

ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2015年 2月21日（土）
放送時間： 午前7:20〜午前 9:00（100分）
ピーター・バラカン

THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）
01. Mercy Mercy / Don Covay // Mercy Mercy: The Definitive Don Covay
02. Bip Bop Bip / Don Covay // Mercy Mercy: The Definitive Don Covay
03. Pony Time / Chubby Checker // Have Mercy - The Songs of Don Covay
04. Letter Full of Tears / Gladys Knight And The Pips // Letter Full Of Tears
05. Long Tall Shorty / The Kinks // Kinks
06. Take This Hurt Off Me / Don Covay // Mercy Mercy: The Definitive Don Covay
07. See Saw / Don Covay // Mercy Mercy: The Definitive Don Covay
08. Sookie Sookie / Don Covay // Mercy Mercy: The Definitive Don Covay
09. I Don’t Know What You’ve Got But It’s Got Me / Little Richard // Have Mercy - The Songs of Don Covay
10. Three Time Loser / Wilson Pickett // Have Mercy - The Songs of Don Covay
11. Chain Of Fools / Aretha Franklin // Have Mercy - The Songs of Don Covay
12. I’m Gonna Take What He’s Got / Etta James // Have Mercy - The Songs of Don Covay
13. That’s How It Feels / The Soul Clan（Arthur Conley, Ben E. King, Solomon Burke, Don Covay & Joe Tex） // Atlantic Unearthed: Soul Brothers
14. The Blues Don’t Knock / Don Covay & The Jefferson Lemon Blues Band // The House Of Blue Lights
15. Everything I Do Gonh Be Funky (From Now On) / Don Covay // Rolling With The Punches - The Allen Toussaint Songbook
16. Shoes / Brook Benton with The Dixie Flyers // Have Mercy - The Songs of Don Covay
17. This Old Town (People In This Town) / The Staple Singers // Have Mercy - The Songs of Don Covay
18. The Usual Place / J. Geils Band // The Morning After
19. Don’t Step on a Man When He’s Down / Don Covay // Super Dude 1
20. I Was Checkin’ Out While She Was Checkin’ In / Don Covay // Mercy Mercy: The Definitive Don Covay
21. It’s Better To Have (And Don’t Need) / Don Covay // Mercy Mercy: The Definitive Don Covay
22. Sookie Sookie / Grant Green // Alive

世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2015年 2月21日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
藤川パパQ

− 結末の音楽 −

「マイ・フェヴァリット・シングス」 （ゴンチチ）
（3分35秒）
＜ポニーキャニオン PCCA-01960＞
「ハッピーエンド」 （オヴァル）
（1分25秒）
＜THRILL JOCKEY THRILL-JP47／HEADZ143＞
「ミッドナイト・カウボーイ」
（映画“ミッドナイト・カウボーイ”サントラ盤）
（2分45秒）
＜EMI-MANHATTAN REC. CDP7-48409＞
「この世の果てまで」 （竹内まりや）
（2分53秒）
＜WARNER MUSIC JAPAN WPCL-10045＞
「歌劇“オテロ”第4幕から オテロの死“私を恐れる者はいない”」
ヴェルディ作曲
オテロ…（テノール）プラシド・ドミンゴ
（管弦楽）パリ・バスチーユ歌劇場管弦楽団
（指揮）チョン・ミョンフン
（5分40秒）
＜POLYDOR POCG-1823＞
「チェンジズ」 （マイルス・デイヴィス、ミルト・ジャクソン）
（7分14秒）
＜CONCORD MUSIC GROUP UCCO-5094＞
「さよならはダンスの後に」
（内海みゆき＆コンフント・エスパシオ）
（3分12秒）
＜EPIC／SONY ESCB1159＞
「最後の杯」 （カルロス・ガルデル）
（2分18秒）
＜東芝EMI SC-3141＞
「ベサメ・ムーチョ」
（ナタリー・コール・ウィズ・アンドレア・ボチェッリ）
（4分03秒）
＜VERVE 0602537323951＞
「ラウダー・ザン・ワーズ」 （ピンク・フロイド）
（5分47秒）
＜COLUMBIA 88875007882＞
「ツァン・ダン」 （ハンガイ）
（2分24秒）
＜WORLD CONNECTION FQT-CD-1827＞
「イッツ・オール・オーヴァー・ナウ・ベイビー・ブルー」
（ボブ・ディラン）
（4分15秒）
＜SONY MUSIC JAPAN SICP20193,20194＞
「ダンス・ミー・トゥー・ジ・エンド・オブ・ラヴ」
（マデリン・ペルー）
（3分55秒）
＜ROUNDER REC. 06024982358＞
「スラバヤ・ジョニー」 （ダグマー・クラウゼ）
（4分07秒）
＜A＆M REC. 32XB-50＞
「幸せな結末」 （大瀧詠一）
（4分35秒）
＜SONY MUSIC LABELS SRCL8010,8011,8012＞

Azure

「グッドバイ」（ゲイリー・ピーコック、マリリン・クリスペル）
（6分15秒）
＜ECM REC. ECM2292＞
http://www.ecmrecords.com/Catalogue/ECM/2200/2292.php?cat=&we_start=8&acat=Artists%2FPeacock+Gary%23%23Gary+Peacock
http://www.amazon.co.uk/Azure-Gary-Peacock/dp/B00CA4S32G/
「“トリアエラ”から 第1楽章 ライトモチーフ」
ロラン・ディアンス作曲
http://ml.naxos.jp/composer/22835
（ギター）トーマ・ヴィロトー
（3分30秒）
＜NAXOS 8.570510＞
「かえりみち」 （ゴンチチ）
（2分35秒）
＜IN THE GARDEN XNHL-15001＞
「アイ・ラヴ・パリ」 （エラ・フィッツジェラルド）
（2分02秒）
＜REAL GONE RGJCD428＞
「アイ・ラヴ・パリ」
（ザーズ・フィーチャリング・ニッキ・ヤノフスキー）
（3分52秒）
＜WARNER MUSIC FRANCE 0825646223374＞
「ラソン・デ・ソン」 （ラウル・ロドリーゲス）
（4分15秒）
＜ビーンズレコード BNSCD-8911＞
「花を撃て」 （ペレット）
（2分26秒）
＜PICAP 911196＞

Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9

Sat 21 Feb 2015
17:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b052zlj8
Alyn Shipton selects music from listeners' letters, tweets and emails, including hot jazz suggestions, first experiences of jazz and unusual instruments. This week, the choices range from Red Nichols and Miff Mole in 1920s New York via the suave counterpoint of the Modern Jazz Quartet to the avant garde jazz whistling of Joel Brandon.

Music Played

01. Opus Ocean

Performer: George Duvivier, Clark Terry, Horace Parlan, Dave Bailey, Tubby Hayes
Tubbs In N.Y.
Epic, Tr.7

02. Tale of an African Lobster
Shorty Rogers
Performer: Bob Cooper, John Graas, John Halliburton, Bud Shank, Tom Reeves, Conrad Gozzo, Maynard Ferguson, Marty Paich, Jimmy Giuffre, John Howell, Harry Betts, Shelly Manne, Art Pepper, Gene Englund, Shorty Rogers, Curtis Counce, Milt Bernhart
The Big Shorty Rogers Express
BMG, Tr.9

03. One For The Whistler
The Muhal Richard Abrams Orchestra
Performer: Eugene Ghee, Brad Jones, Jack Walrath, Mark Taylor, John Purcell, Thurman Barker, Alfred Patterson, Joe Daley, Patience Higgins, David Fiuczynski, Robert DeBellis, Joel Brandon
Blu Blu Blu
Black Saint, Tr.7

04. The Queen's Fancy
The Modern Jazz Quartet
Performer: Kenny Clarke, Milt Jackson, Percy Heath, John Lewis
The Quintessence
Fremeaux, Tr.2

05. Feelin' No Pain
Red and Miff's Stompers
Performer: Pee Wee Russell, Fud Livingston, Jack Hansen, Miff Mole's Molers, Red Nichols, Vic Berton, Lennie Hayton, Carl Kress
Jazz City, New York
Marshall Cavendish, Tr.2

06. Creole Bobo
Kid Ory's Creole Jazz Band
Performer: Mutt Carey, Buster Wilson, Barney Bigard, Minor Hall, Kid Ory, Ed Garland, Bud Scott
The Complete Columbia Sessions 1946
GHB/ Jazzology, Tr.10

07. Round Midnight
Jimmy McGriff
Performer: Don Morris, Jimmy McGriff, ho; Jackie Mills, d.
I've Got A Woman
SUE, Tr.4

08. Stuck
Caro Emerald
Performer: Koen Schouten, Wieger Hoogendorp, Caro Emerald, Arnoud De Graaf, Jan van Wieringen, Daan Herweg, Peter Hubert, David Schreurs
DELETED SCENES FROM THE CUTTING ROOM FLOOR
DRAMATICO, Tr.9

09. The Second Time Around
George Shearing
Performer: Ernestine Anderson, George Shearing
A PERFECT MATCH
Concord, Tr.1

10. What Are You Doing The Rest Of Your Life?
Stan Kenton & His Orchestra
Performer: Gary Todd, Stan Kenton, Fred Carter, Chuck Carter, Gary Pack, Mike Vax, Richard Torres, Dennis Noday, Dick Shearer, John Van Ohlen, Mike Jamieson, Kim Frizell, Willie Maiden, Jay Saunders, Graham Ellis, Mike Wallace, Joe Marcinkiewicz, Quin Davis
Live at Brigham Young University
GNP Crescendo, Tr.5

11. Numbers
Get the Blessing
Performer: Pete Judge, Clive Deamer, Jake McMurchie, Jim Barr
Lope and Antelope
NAIM, Tr.10

12. I Don't Worry About a Thing
Mose Allison
Performer: Mose Allison, Osie Johnson, Addison Farmer
Best of Mose Allison
Atlantic/ Rhino, Tr.1

Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3

Ben Okri
Sun 22 Feb 2015
12:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b052zw3b
Writer Ben Okri chooses his favourite music and talks to Michael Berkeley about the power of stories and their central place in human life.

The author of the Booker Prize-winning The Famished Road, he has written many other acclaimed novels - the latest being The Age of Magic - and he's also published collections of poetry, short stories and essays.

A Fellow of the Royal Society of Literature, Ben Okri has been awarded an OBE as well as numerous international prizes, including the Commonwealth Writers Prize for Africa and the Crystal Award from the World Economic Forum.
His choices of music include Wagner, Beethoven, Miles Davis, Pachelbel's Canon, and one of his poems set to music by Paul Simon's son Harper.
Producer: Jane Greenwood
A Loftus Production for BBC Radio 3

Music Played

00:03
Richard Wagner
Entry of the gods into Valhalla (Das Rheingold)
Conductor: Sir Georg Solti
Orchestra: The Vienna Philharmonic Orchestra
Singer: George London

00:12
George Frideric Handel
Eternal Source of Light Divine (Ode for the Birthday of Queen Anne)
Orchestra: Academy of Ancient Music
Singer: James Bowman
Conductor: Simon Preston

00:18
Ludwig van Beethoven
Symphony No.6 (Pastoral) (2nd mvt: Andante, 'By the Brook')
Conductor: Daniel Barenboim
Orchestra: Staatskapelle Berlin

00:26
Miles Davis
Blue in Green
Performer: Miles Davis Sextet

00:34
Wolfgang Amadeus Mozart
Laudate Dominum (Solemn Vespers)
Choir: London Symphony Chorus
Conductor: Sir Colin Davis
Singer: Kiri Te Kanawa
Orchestra: London Symphony Orchestra

00:43
Abdullah Ibrahim
Mannenberg
Singer: Abdullah Ibrahim

00:48
Harper Simon
Wishes and Stars

00:53
Johann Pachelbel
Canon in G
Orchestra: English String Orchestra
Conductor: William Boughton

Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f

Memory
Sun 22 Feb 2015
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b052zwd4
'Memories,' according to PG Wodehouse 'are like mulligatawny soup in a cheap restaurant. It is best not to stir them.'

In this memory-themed edition of Words and Music Tom Hiddleston and Eleanor Bron nonetheless poke around with the soup spoon to discover what's below the surface.

Among the ingredients Wordsworth and Bertie Wooster are in remarkable agreement; Alan Bennett struggles to comes to terms with his mother's dementia; and Fanny Burney recalls her horrific operation. St Peter and Montaigne have trouble remembering; Ted Hughes remembers all too well his honeymoon with Sylvia Plath; William Blake and Elizabeth Jennings look back on happier days. Somewhere in the middle is a large dollop of Proust.

It's all to be found floating in the music of Purcell, Conlon Nancarrow, Chabrier, John Adams, Brahms and Bach.

Producer Note
‘Spots in time’ – Wordsworth’s famous phrase from ‘The Prelude’ – at once begins and informs this edition of Words and Music with Eleanor Bron and Tom Hiddleston. But if all the ‘spots of time’ here have a ‘distinct pre-eminence’ for their authors, not all, like Wordsworth’s, ‘retain a renovating virtue’.

Michel de Montaigne’s observations on the human condition in his wide-ranging ‘Essays’ still resonate down five centuries. Which of us hasn’t experienced the memory that works ‘better by chance’; the memory which, the more you try to remember, becomes ‘more entangled and intricate’? Bach, always universal, always relevant, accompanies these first two texts.

Memory, trees, loss and grief unite the next music and text. Brahms’s Trio, Op. 40 for the unique combination of violin, piano, and waldhorn – natural horn (literally ‘forest horn’) – was written in 1865, the year of his mother’s death. The whole work is redolent of the forest and at its heart is the yearning slow movement, interrupted by passionate outbursts. In the fervent near-contemporary ‘Binsey Poplars’, Gerard Manley Hopkins laments a stretch of felled riverside trees.

In one of PG Wodehouse’s Jeeves stories, Bertie Wooster is aggrieved to overhear his manservant describing him as ‘mentally negligible’. Jeeves (as always) is right. But, like some kind of urbane, urban village idiot, Bertie is oddly capable of coming out with wisdom, despite himself. In this passage from ‘The Code of the Woosters’ he unwittingly echoes Wordsworth’s ‘spots of time’, perhaps the vestige of some schoolboy learning by rote. ‘San’, is the kind of 1920s US hit Bertie might have strummed along to with his ukulele, out of Jeeves’s earshot.

Anthony Beavis, the central character in Aldous Huxley’s 1936 ‘Eyeless in Gaza’, is as self-consciously ‘clever’ and dissatisfied with life as Bertie Wooster is happily stupid and content. Interestingly, Huxley himself appears in a positive light in Proust’s ‘À la recherche du temps perdu’. But far from complimentary are the words Huxley gives Beavis as he describes the physically repellent Proust indulgently wallowing in his filthy bathtub of memories.

The passage sets up the ‘madeleine moment’ from Proust’s great novel on the nature of memory, when tea and cake open the floodgates of ‘the vast structure of recollection’. The Corelli theme of Tippet’s ‘Fantasia’ here too seems like a released memory rising to the surface in a Proustian way.

The next three texts are concerned with youthful memories. For William Blake and Elizabeth Jennings, happy memories make the present seem sadder – the same combination of moods which so often characterises Schubert’s music. As Simon Armitage’s sixth-form mind wanders after a pointless exam, The Undertones echo his thoughts.

Among the oddest of books is Gabriele d’Annunzio’s ‘Notturno’. Blinded in a flying accident in 1916, d’Annunzio’s doctors ordered him to lie flat on his back, immobile, for three months. ‘There was a forge of dreams inside my damaged eye which my will could neither control nor halt… the past became present, its forms in such full relief and such sharp detail that their emotional intensity was immeasurably increased.’ Nursed by his daughter in Venice, d’Annunzio wrote single sentences in pencil on narrow strips of paper which he later put together in a lengthy prose poem. A lot of ‘Notturno’ is an unappealing mix of the glorification of war and rabid nationalism. But there are lyrical passages too, centred on happier memories. Such is this one, a magical description of a visit to Pisa cathedral. An informed interest in Italian early music is among the many surprises of d’Annunzio’s life, so here is Giovanni Gabrieli’s great 20-part ‘Sonata con voce: Dulcis Jesu’ which builds to one of those magnificent Venetian endings.

Chabrier’s ‘España’ represents the kind of jolly Spain that Ted Hughes implies Sylvia Plath would have preferred on their honeymoon. Hughes remembers the reality: ‘the welding light/Made your blood shrivel… as your panic/Clutched back towards college America’. Perhaps Hughes should have gone to Spain with another American, Conlon Nancarrow, veteran of the Spanish Civil War. With its strumming guitar figures and stomping flamenco rhythms gradually winding-up to a frenzied and violent climax, Nancarrow’s ‘Study No. 12’ for player piano embraces the essence of Spain Plath so feared.

After Jesus was arrested, Peter ‘forgets’ he knew Him. Of course, Jesus predicted he’d deny Him thrice before the cock had crowed twice. But He also knew Peter to be the rock upon which He would build His church, the text of Byrd’s setting.

Memory is a central theme of Shakespeare’s ‘Hamlet’. The memory of Hamlet’s father in the shape of the ghost and its injunction to Hamlet to ‘Remember me’ is the spur to the play’s action.

Henry Purcell’s 1695 ‘Music for Queen Mary’s Funeral’ was re-used for his own funeral six months after the queen’s. Purcell was only thirty-six years old and much mourned and, as ‘The Post Boy’ reported, buried in Westminster Abbey ‘in a magnificent manner’. He is affectionately remembered here by his boyhood friend and fellow composer Henry Hall, and by the memorial tablet in the Abbey which can still be seen.

In September 1811 the remarkable novelist, diarist and playwright Fanny Burney underwent a mastectomy without anaesthetic which she relates in this utterly terrifying letter, written to her sister nine months after the event. She says the letter has taken three months to write and that she ‘dare not revise, nor read [it], the recollection is still so painful.’ The frightening, stabbing music of George Crumb’s ‘Black Angels’ follows.

Texts by Alan Bennett, Christopher Reid and Christina Georgina Rossetti, and music by John Adams and Rachmaninov end the programme. In a moving passage from ‘Untold Stories’ Bennett describes a visit to his mother, unable to recognise him through dementia. John Reid’s ‘Late’ is a sort of mis-remembering as he hears his wife come home, undress and get into bed. ‘Of course, I’d forgotten she’d died.’ Rachmaninov’s lyrical and tender D major Prelude links this and Rossetti’s funeral favourite ‘Remember’, to close on an optimistic note: ‘Better by far you should forget and smile/Than that you should remember and be sad.’
David Papp (producer)

Music Played

00:00
JS Bach (arr. Cassol & Vangama)
Prelude after Bach
Performer: Coup Fatal and Rodriguez Vangama.
Outhere Music OUT 656, Tr.3.

William Wordsworth
The Prelude, read by Eleanor Bron

Michel de Montaigne (trans John Florio 1603)
Essays, read by Tom Hiddleston

00:03
Johann Sebastian Bach
Liebster Gott, wenn werd ich Sterben (Cantata BWV. 8)
Performer: Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (conductor).
SDG 177, Tr.14.

00:05
Johannes Brahms
Adagio mesto (Horn Trio, Op. 40)
Performer: Isabelle Faust (violin), Teunis van der Zwart (natural horn), Alexander Melnikov (piano).
Harmonia mundi HMC901981, Tr.3.

Gerard Manley Hopkins
Binsey Poplars (Felled 1879), read by Eleanor Bron

P.G. Wodehouse
The Code of the Woosters, read by Tom Hiddleston

00:12
Lindsay McPhall & Walter Michels
San
Performer: London Sinfonietta, Simon Rattle (conductor).
EMI 5576912, Tr.5.

Aldous Huxley
Eyeless in Gaza, read by Eleanor Bron

Marcel Proust (trans C. K. Scott Moncrieff)
Remembrance of Things Past, Volume One, read by Tom Hiddleston

00:18
Sir Michael Tippett
Fantasia Concertante on a Theme of Corelli
Performer: BBC Symphony Orchestra, Andrew Davis (conductor).
Teldec 4509 94542 2, Tr.5.

00:22
Franz Peter Schubert
Scherzo (Piano Trio in B flat major, D. 898)
Performer: Vienna Piano Trio.
MDG3421167-2, Tr.3.

William Blake
Song, read by Eleanor Bron

Elizabeth Jennings
Reminiscence, read by Eleanor Bron

Simon Armitage
You May Turn Over and Begin, read by Tom Hiddleston

00:29
John Joseph O'Neill
Teenage Kicks
Performer: The Undertones.
Music Factory Mastermix, Tr.1.

Gabriele d’'Annunzio
Notturno (Second Offering) (trans Stephen Sartarelli), read by Eleanor Bron

00:32
Giovanni Gabrieli
Sonata con voce: Dulcis Jesu, a 20
Performer: Gabrieli Consort Choir and Player, Paul McCreesh (conductor).
Brilliant Classics 938770/ 4, Tr.10.

00:38
Emmanuel Chabrier
España
Performer: Vienna Philharmonic Orchestra, John Eliot Gardiner (conductor).
Deutsche Grammophon 4477512, Tr.6.

Ted Hughes
You Hated Spain, read by Tom Hiddleston

00:42
Conlon Nancarrow
Study No. 12 for player piano
Other minds OM1012/ 15-2, CD4, Tr.3.

Bible
Mark, 14:66-72, read by Eleanor Bron

00:47
William Byrd
Tu es Petrus
Performer: The Cardinal’s Musik, Andrew Carwood (conductor).
Hyperion CDA67653, Tr.11.

Shakespeare
Hamlet, Act 1 (Ghost), read by Tom Hiddleston

00:51
Henry Purcell
March (Funeral Music for Queen Mary)
Performer: Baroque Brass of London.
Brilliant Classics 93981, Tr.11.

Anon.
The Post Boy, 26 November 1695, read by Eleanor Bron

Henry Hall
To the Memory of my Dear Friend Mr. Henry Purcell, read by Eleanor Bron

00:54
Henry Purcell
Thou knowest, Lord Z.58C (Funeral Music for Queen Mary)
Performer: Tavener Consort and Players, Andrew Parrott (conductor).
Virgin 5451592, Tr.20.

Anon.
Tablet inscription in Westminster Abbey, read by Eleanor Bron

00:56
Henry Purcell
Canzona (Funeral Music for Queen Mary)
Performer: Baroque Brass of London.
Brilliant Classics 93981, Tr.13.

Fanny Burney
Fanny Burney undergoes a mastectomy, 30 September 1811, read by Eleanor Bron

01:01
George Crumb
Black Angels
Performer: Kronos Quartet.
Nonesuch 7559-79242-2, Tr.1.

Alan Bennett
Untold Stories, read by Tom Hiddleston

01:04
John Adams
A New Day (The Dharma at Big Sur)
Performer: Tracy Silverman (electric violin), BBC Symphony Orchestra, John Adams (conductor).
Nonesuch 7559 79857, CD1, Tr.1.

Christopher Reid
Late, read by Tom Hiddleston

01:08
Sergey Vasilievich Rachmaninov
Prelude in D major (op. 23, no. 4)
Performer: Vladimir Ashkenazy (piano).
Decca 4144172, Tr.5.

Christina Georgina Rossetti
Remember, read by Eleanor Bron