ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2015年 9月26日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）バム名）
01. Aztec / Bo Diddley // Bo Diddley Is A Lover
02. Forbidden Nights / Darlene Love // Introducing Darlene Love
03. Sweet Freedom / Darlene Love // Introducing Darlene Love
04. The Bottle / Gil Scott-Heron // Harlem Sessions
05. Heartland / The The // Infected
06. しゃれこうべと大砲 / 浜田真理子 // 白洲次郎 オリジナル・サウンドトラック
07. Can’t Find My Way Home / Ellen McIlwaine // Up from the Skies: The Polydor Years
08. Honey, Honey / The Milk Carton Kids // The Ash & Clay
09. Whisper In Her Ear / The Milk Carton Kids // The Ash & Clay
10. Blue Pepper (Far East Of The Blues) / Duke Ellington // Far East Suite
11. Alligator Crawl / Louis Armstrong Hot Seven // The Best of The Hot 5 & Hot 7 Recordings
12. The Train And The River / Jimmy Giuffre Trio // Jazz On A Summer’s Day
13. Blue Sands / The Chico Hamilton Quintet // Jazz On A Summer’s Day
14. Didn’t It Rain / Mahalia Jackson // Jazz On A Summer’s Day
15. Reckoner / Robert Glasper // Covered
16. 80’s / Roberto Fonseca // Yo
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2015年 9月26日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
湯浅学
− 実と種の音楽 −
楽曲
「シマリス一家のくるみひろい」
ゴンチチ
（2分37秒）
＜SONY MUSIC LABELS ESCL30013,30014＞
「フォービドゥン・フルーツ」
ザ・バンド
（5分57秒）
＜東芝EMI TOCP-50844＞
「トラヴェリン・ライト」
アン・バートン
（5分00秒）
＜POLYGRAM PHCE-4195＞
「ブラックバード」
ディオンヌ・ファリス
（3分05秒）
＜COLUMBIA CK57359＞
「セミージャ」
イラケレ、パキート
（4分32秒）
＜ビクターエンタテインメント VICJ-23150＞
「太陽の下の18才」
木の実ナナ
（2分33秒）
＜キングレコード EB-7212＞
「スポンテニアス・エフェクト」
ルネ・トーマ
（5分20秒）
＜JAZZ LAND OJCCD-1725-2＞
「種まき」
チウォニーン
（5分28秒）
＜CUMBANCHA LLC. CMB-CD-8＞
「誰が種をまき、誰が年をとる」
ヘティ・クース・エンダン
（4分13秒）
＜ライスレコード WCD0138＞
「梔子」
アンサンブル・ノマド
（9分43秒）
＜ALM REC. ALCD-47＞
「ミスター・ファーマー」
シーズ
（2分51秒）
＜DROPOUT REC. FBOOK16＞
「森の心」
セルジオ・サントス
（3分46秒）
＜IN PARTMAINT RCIP-0193＞
「ウォーリー・ビーズ」
細野晴臣
（3分07秒）
＜SONY MUSIC MHCL509＞
「メロンの心」
ローズマリー・クルーニー、ペレス・プラード楽団
（2分02秒）
＜BMG FANHOUSE BVCM-37359＞
「椰子の実」
アン・サリー
（3分05秒）
＜VIDEO ARTS MUSIC VACM-1312＞
「ライク・ア・シード」
ケニー・ランキン
（4分03秒）
＜RHINO R272550＞
「えいえんの種まき」
くじら
（5分44秒）
＜TELEGRAPH FACTORY／QUJILA TGC-036＞
「ココナッツ・バスケット」
ゴンチチ
（3分29秒）
＜SONY MUSIC LABELS ESCL30013,30014＞
「おまえの仏陀に祈れ」
クリオーロ
（3分50秒）
＜STERNS MUSIC STCD2024＞
「青い山賊」
井手健介と母船
（3分20秒）
＜P-VINE PCD-24415＞
Another Country with Ricky Ross
Ricky Ross enters the landscape of Americana and alternative country. Expect to hear both classic and future classics, with Ricky taking a close look at the stories behind the songs
http://www.bbc.co.uk/programmes/b00hh26l
Marty Robbins
Tue 22 Sep 2015
21:00
BBC Radio Scotland
http://www.bbc.co.uk/programmes/b06cbjxx
Ricky Ross celebrates the ninetieth anniversary of country music star Marty Robbins with a look at his songs and music.
Music Played
01. Alt Berliner Blues
Corb Lund
Things That Can't Be Undone
New West Records, Tr.3
02. I Got The Boy
Jana Kramer
Thirty One
Elektra Nashville, Tr.3
03. The Weekend
Dave Rawlings Machine
Nashville Obsolete
Acony, Tr.1
04. 100 Different Ways Of Being Alone
BettySoo
When We're Gone
Betty Soo, Tr.2
05. Stay and Dance
Joe Pug
Windfall
Loose Music, Tr.3
06. Every Little Thing
Carlene Carter
Carlene Carter-Little Love Letters
Giant
07. Bad Blood
Ryan Adams
1989
PaxAmericana, Tr.8
08. New Mama
Neil Young
Tonight's The Night
Reprise, Tr.3
09. Silver Bracelet
Noah Gundersen
Carry The Ghost
Dualtone, Tr.6
10. Into You
Low
Ones & Sixes
Sub Pop, Tr.6
11. Burning House
Cam
Welcome to Cam Country
Arista Nashville, Tr.2
12. Big Iron
Marty Robbins
Gunfighter Ballads And Trail Songs
Fontana, Tr.1
13. I Couldn't Keep From Crying
Johnny Cash
Now! There Was A Song!
Legacy/ Columbia, Tr.3
14. Devil Woman
Marty Robbins
Acuff-Rose Opryland Music: 50th Anniv
Acuff-Rose Opryland
15. Don't Worry
LeAnn Rimes
LeAnn Rimes
Curb, Tr.2
16. I'll Go On Alone
Marty Robbins
A Lifetime of Song
Columbia, Tr.2
17. Beggin’ To You
Bonnie Owens
Don't Take Advantage Of Me
Capitol, Tr.2
18. Cool Water
Marty Robbins
Gunfighter Ballads And Trail Songs
Fontana, Tr.2
19. El Paso
Kirsty MacColl
Kite
Salvo, Tr.6
20. El Paso City
Marty Robbins
Gunfighter Ballads and Trail Songs
Sony, Tr.7
21. Sweet Lies
Johnnie and Jack & The Tennessee Mountain Boys
Essential Gunfighter Ballads & More
Primo Records, Tr.18
22. Ribbon Of Darkness
Marty Robbins
Biggest Hits
Columbia, Tr.1
23. The Hands You're Holding Now
Kitty Wells
Seasons Of My Heart
Coral, Tr.6
24. You Gave Me A Mountain
Elvis Presley
Aloha from Hawaii via Satellite
RCA, Tr.5
25. The Story Of My Life
Marty Robbins
The Look Of Love-The Burt Bacharach Collection
Universal Music TV, CD4, Tr.1
Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f
The Ear's Delight
Sun 26 Sep 2015
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b06db4zt
Tamsin Greig and Alex Jennings read texts on the power of music, from Shakespeare to PG Wodehouse, St Augustine to Proust, and Baudelaire to Nick Hornby, including music spanning ten centuries, from Hildegard of Bingen to Beethoven and beyond.
Producer's Notes
‘The language where all language ends’: music’s unique power is the subject of this edition of Words and Music with Tamsin Greig and Alex Jennings.
For Walter de la Mare and Charles Baudelaire, music is affecting, transporting and transformative, qualities reflected in the surging, impassioned score of Debussy’s Prélude à l’après-midi d’un faune.
In EM Forster’s Howard’s End, a group of concert-goers attend a performance of Beethoven’s Fifth Symphony. Mrs Munt likes to tap surreptitiously; Margaret only sees the music; Tibby follows the score; the German-ness of what she hears is the thrill for Fräulein Mosebach. But for Helen, ‘who can see shipwrecks and heroes in the music’s flood,’ it’s an overwhelming experience – especially the last movement.
Bertie Wooster would be letting us down if he succumbed to an overwhelming musical experience. PG Wodehouse’s The Mating Season sees the likeable dimwit summoned to the country by his Aunt Agatha (the one who chews broken bottles and kills rats with her teeth) in order to ‘stiffen up the programme’ of a village concert ‘with a bit of metropolitan talent’. As Bertie waits his turn, he fails to be moved by a violin solo: ‘I’m not really authority on violin solos,’ he cheerfully admits, ‘It was loud in spots and less loud in other spots and it had that quality which I have noticed in all violin solos, of seeming to last much longer than it actually did.’
Rob Fleming defines himself – and everyone else – by music. In this extract from Nick Hornby’s nineties novel High Fidelity, Rob, 36 going on 15, gets the hump on a car journey because he disapproves of his girlfriend’s compilation tape (remember them?). Maybe ‘disapproves’ is not quite the mot juste. Because for Rob, liking the wrong sort of music leads to ‘the bitterest of all battles between men and women…“How can you like Art Garfunkel AND Solomon Burke?”’
From the fourth century comes St Augustine’s celebrated autobiography, The Confessions, which helped establish the link between sensual pleasure and sin in western Christianity. In this passage Augustine grudgingly admits the power of sung prayer but warns that enjoying singing should be guarded against. ‘The delights of the ear had enticed me and held me in their grip’ – not good. Abbess Hildegard of Bingen thought otherwise. The ‘Sybil of the Rhine’, whose advice was sought by the eleventh century great and good, had extraordinary and varied talents, among them writing religious poetry set to music. Ave generosa is an ardent entreaty to sing the praises of the Virgin which fairly throbs with an eroticism matched by the ecstatic vocal line of the music. Towards the end of her life, as punishment for burying an excommunicated person in her convent’s consecrated ground, the authorities hit Hildegard where it hurt and deprived her and her nuns of the consolation of the sung Office.
When an evil spirit from the Lord troubled him, King Saul found that music therapy did the trick, as supplied by David and his harp; and Robert Herrick likewise invokes music ‘ to becalm his fever’. Music messes with the mind of Oliver Sacks’s friend when an intractable earworm stays with him for ten days. Even recounting the story to Sacks years later is enough to make ‘Love and Marriage’ (as sung by Frank Sinatra) return for several hours. Emily Dickinson’s unsettled mind seems reflected in The fascinating chill that music leaves and Henry Cowell’s spooky piano piece, The Banshee.
A striking scene in Peter Schaffer’s Amadeus comes when Salieri remembers hearing the Adagio from Mozart’s Serenade for 13 Wind Instruments which begins ‘like a rusty squeezebox’ but within a few bars sounds like ‘the voice of God.’
Music literally saved the remarkable Anita Lasker-Wallfisch, an Auschwitz prisoner who happened to be a cellist and became part of the Lagerkapelle, or camp orchestra. Its role was to play marches as the prisoners went in and out of the camp at the beginning and end of each day, and she witnessed unimaginable cruelty and atrocities. One evening, playing a string quartet arrangement of Beethoven’s Pathétique Sonata, the players ‘were able to raise ourselves high above the inferno of Auschwitz into spheres where we could not be touched by the degradation of camp existence.’
Music born of World War II, Shostakovich’s Eighth Symphony, is the foil for Walt Whitman’s ‘Beat! Beat! Drums!’ with its relentless beating drums and blowing bugles, symbolic music of the implacable, indiscriminate destruction of war. Siegfried Sassoon’s Everyone Sang, written just after the signing of the Armistice in November 1918, describes a spontaneous outburst of song among the soldiers. Sassoon’s regiment was the Royal Welch Fusiliers and I’ve imagined his men, at once relieved, war-weary and homesick, singing Hen Wlad Fy Nhadau (Land of My Fathers). At the lines ‘O, but Everyone / Was a bird; and the song was wordless; the singing will never be done’ the music segues to Vaughan Williams’s The Lark Ascending.
The power of an individual’s music-making is celebrated in Melvin B Tolson’s Satchmo where even the Archangel Gabriel, having blown his horn on Judgement Day, accepts he’s been bested by Louis Armstrong: “I’d be the greatest trumpeter in the Universe / if old Satchmo had never been born!”
Never mind the madeleine and cup of tea in Proust’s great novel on the nature of memory, Remembrance of Things Past. It’s a piece of music – a violin sonata by ‘Vinteuil’ – that really does it for Charles Swann, causing profound personal revelation in a way that puts his teatime vittles to shame. And to go with this extract is one the most plausible suggestions for the actual music Proust may have had in mind: César Franck’s Violin Sonata.
Shakespeare to end: his famous passage on the power of music from The Merchant of Venice where Lorenzo tells Jessica how ‘The man that hath no music in himself, / Nor is not moved with concord of sweet sounds, / Is fit for treasons, stratagems and spoils; / The motions of his spirit are dull as night / And his affections dark as Erebus: / Let no such man be trusted. Mark the music.’ (You’ll never think of Bertie Wooster in the same way again.) Making the point for Lorenzo is Handel’s ‘Eternal source of light divine’. I hope it works for you!
David Papp (producer)
Music Played
00:00
Claude Debussy
Prélude à l’après-midi d’un faune (excerpt)
Performer: Berlin Philharmonic Orchestra, Claudio Abbado (conductor).
Deutsche Grammophon 4713322, Tr.1.
Walter De la Mare
Music read by Tamsin Greig
Charles Baudelaire (Trans: William Aggeler)
La musique read by Alex Jennings
EM Forster
Howard’s End read by Tamsin Greig
00:05
Ludwig van Beethoven
Symphony No.5 in C minor (movements III & IV)
Performer: Vienna Philharmonic Orchestra, Carlos Kleiber (conductor).
DG 447 400 2, Tr.3 & 4.
PG Wodehouse
The Mating Season read by Alex Jennings
00:12
Edward Elgar
Salut d’amour
Performer: Justine Zhang (violin) & Alan Chan (piano).
Private recording (with kind permission of Justine Zhang and Alan Chan)
00:15
Art Garfunkel
Bright Eyes
Performer: Art Garfunkel.
CBS 4663332, Tr.3.
Nick Hornby
High Fidelity read by Alex Jennings and Tamsin Greig
00:20
Solomon Burke
Got To Get You Off My Mind
Rhino/ Atlantic R2 70284 CD 1, Tr.14.
00:21
Hildegard von Bingen
Ave generosa
Performer: Margaret Philpot (voice).
Hyperion CDA66039, Tr.5.
St Augustine
The Confessions (ed James McKinnon) read by Alex Jennings
Hildegard of Bingen
Ave generosa read by Tamsin Greig
Bible
1 Samuel Chapter 16, vs 14 – 23 read by Tamsin Greig
00:26
Giulio Caccini
Amarilla mia bella
Performer: Andrew Lawrence-King (harp).
Hyperion CDA6629, Tr.13.
00:27
Johann Sebastian Bach
Concerto for Two Violins in D minor, BWV 1060
Performer: Andrew Manze & Rachel Podger (violins), Academy of Ancient Music.
Harmonia Mundi HMX2907155, Tr.8.
Robert Herrick
To Music, to becalm his fever read by Alex Jennings
00:33
Oliver Sacks
Musicophilia, Ch. 5 Brainworms, Sticky Music and Catchy Tunes read by Alex Jennings
00:34
Jimmy Van Heusen
Love and Marriage
Performer: Frank Sinatra, Orchestra conducted by Nelson Riddle.
EMI 723483595228, Tr.10.
00:01
Henry Cowell
The Banshee
Performer: Henry Cowell (piano).
Smithsonian Folkways SFWCD40801, Tr.9.
Emily Dickinson
The fascinating chill that music leaves read by Tamsin Greig
Peter Schaffer
Amadeus read by Alex Jennings
00:37
Wolfgang Amadeus Mozart
Adagio from Serenade for 13 wind instruments in B flat major (K.361),
Performer: Bläserensemble Sabine Meyer.
EMI 509994575242, Tr.2.
Anita Lasker-Wallfisch
Inherit the Truth read by Tamsin Greig
00:44
Ludwig van Beethoven
Adagio cantabile from Piano Sonata in C minor, Op.13 ‘Pathétique’
Performer: Daniel Barenboim (piano)
EMI CDC 7473452, Tr.2.
00:50
Dmitri Shostakovich
Symphony No. 8 in C minor (movements III & IV)
Performer: Concertgebouw Orchestra, Bernard Haitink (conductor).
Decca 411 616-2, Tr.3 & 4.
Walt Whitman
Beat! Beat! Drums! read by Alex Jennings
00:54
Evan and James James
Hen Wlad Fy Nhadau (Land of My Fathers)
Performer: The Fron Male Voice Choir.
UCJ 4765720, Tr.4.
Siegfried Sassoon
Everyone Sang read by Alex Jennings
00:55
Ralph Vaughan Williams
The Lark Ascending
Performer: Hilary Hahn (violin), London Symphony Orchestra, Colin Davis (conductor).
Deutsche Grammophon 430 2602, Tr.4.
00:59
Spencer Williams
Basin Street Blues
Performer: Louis Armstrong (trumpet and voice), Trummy Young (trombone), Barney Bigard (clarinet), Billy Kyle (piano), Arvell Shaw (bass), Kenny John (drums).
Jazz Unlimited JUCD 2004, Tr.10.
Melvin B Tolson
Satchmo read by Tamsin Greig
Marcel Proust (trans C. K. Scott Moncrieff)
Swann’s Way read by Alex Jennings
01:06
César Franck
Violin Sonata in A major
Performer: Kaja Danczowska (violin) & Krystian Zimerman (piano).
Deutsche Grammophon 4775903, Tr.4.
William Shakespeare
The Merchant of Venice, Act 5, Scene 1 read by Alex Jennings & Tamsin Greig
01:10
George Frideric Handel
Eternal source of light divine from Birthday ode for Queen Anne
Performer: Elin Manahan Thomas (soprano), David Blackadder (trumpet) Orchestra of the Age of Enlightenment, Harry Bicket (conductor).
Heliodor 4765970, Tr.1
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Why Music? Weekend: Frank Wilczek
Sun 27 Sep 2015
13:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b06db6tx
As part of Radio 3's Why Music? weekend, Michael Berkeley talks to the Nobel Prize-winning physicist Frank Wilczek. Frank Wilczek was brought up in Queens, New York, the son of a radio repairman. By the time he was a teenager it was clear that he was a mathematical prodigy. By the time he was 21, he was doing the ground-breaking research which won the Nobel Prize in Physics in 2004. He's currently Professor of Physics at the Massachusetts Institute of Technology and he has a great mission to explain his work to a general public. He's intrigued by questions which have as much to do with philosophy as mathematics; his latest book explores beauty, including the beauty of art and music. Why are we so drawn to harmony? Is there in fact a 'music of the spheres' all around us, which we're not able to hear but which particle physics can detect?
In Private Passions, Professor Wilczek talks to Michael Berkeley about the 'deep geometry' of the world, and how this beautiful symmetry is revealed in music. He describes vividly the excitement of the scientific research which brought him the Nobel Prize: sleepless nights, skipped meals, too many cigarettes - and then the ideas which came to him while he was lying in the bathtub. A true Eureka! moment.
Frank Wilczek is a keen piano player and accordionist, and plays drums in a rock band. His music choices include Bach, Beethoven, Mendelssohn, Mozart, Queen, and Gilbert and Sullivan's opera - for which he has written some alternative comical lyrics celebrating the Hadron Collider.
Music Played
00:09
Johann Sebastian Bach
Fantasia and Fugue in C minor, BWV.906
Performer: Татьяна Пeтрoвнa Николаева
00:18
Ludwig van Beethoven
Symphony No.7 in A major, Op.92 (2nd mvt: Allegretto)
Orchestra: Philharmonia Orchestra
Conductor: Christian Thielemann
00:34
Felix Mendelssohn
Wedding March (A Midsummer Night's Dream)
Orchestra:
Conductor: Otto Klemperer
00:40
Freddie Mercury
Don't Stop me Now
Ensemble: Queen
00:45
Sir Arthur Sullivan
Tit Willow (The Mikado)
Singer: Geraint Evans
Orchestra: Pro Arte Orchestra
Conductor: Sir Malcolm Sargent
00:52
Wolfgang Amadeus Mozart
Rondo in D major, K.485
Performer: Alicia de Larrocha
Travelling Folk
Bruce MacGregor presents Radio Scotland's flagship folk programme and brings you the very best of today's music and song.
http://www.bbc.co.uk/programmes/b00tlyrt
Sun 27 Sep 2015
19:00
BBC Radio Scotland
