15 今週のお気に入り 46

ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2015年11月14日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン

THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）

The Cutting Edge 1965

01. Subterranean Homesick Blues (Take 1) / Bob Dylan
02. Subterranean Homesick Blues (Take 1, Alternate Take) / Bob Dylan
03. If You Gotta Go, Go Now (Take 1, Complete) / Bob Dylan
04. If You Gotta Go, Go Now (Take 2, Alternate Take) / Bob Dylan
05. It Takes a Lot to Laugh, It Takes a Train to Cry (Take 8, Alternate Take) / Bob Dylan
06. It Takes a Lot to Laugh, It Takes a Train to Cry (Take 3, Incomplete) / Bob Dylan
07. Desolation Row (Take 1, Alternate Take) / Bob Dylan
08. Like a Rolling Stone (Take 4, Rehearsal) / Bob Dylan
09. Like a Rolling Stone (Take 1 Remake, Rehearsal) / Bob Dylan
10. Like a Rolling Stone (Take 15 Remake, Breakdown) / Bob Dylan
11. Highway 61 Revisited (Take 3, Alternate Take) / Bob Dylan
12. Just Like Tom Thumb’s Blues (Take 3, Rehearsal) / Bob Dylan
13. Medicine Sunday (Take 1) / Bob Dylan
14. I Wanna Be Your Lover (Take 6, Complete) / Bob Dylan
15. She’s Your Lover Now (Take 6, Rehearsal) / Bob Dylan
16. One of Us Must Know (Sooner or Later) (Take 2, Rehearsal) / Bob Dylan
17. One of Us Must Know (Sooner or Later) (Take 19, Alternate Take) / Bob Dylan
18. Stuck Inside of Mobile with the Memphis Blues Again (Take 1, Rehearsal) / Bob Dylan
19. Stuck Inside of Mobile with the Memphis Blues Again (Take 5) / Bob Dylan
20. Just Like a Woman (Take 4, Alternate Take) / Bob Dylan
21. Visions of Johanna (Take 5, Rehearsal) / Bob Dylan 「The Bootleg Series Vol 12 - 1965-1966 The Cutting Edge Deluxe Edition」

世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2015年11月14日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
湯浅学

− 土・日・月曜日の音楽 −

楽曲

「ウインド」
ゴンチチ
（3分00秒）
＜EPIC／SONY ESCB1406＞

「サタデイズ・チャイルド」
ウォーカー・ブラザーズ
（2分04秒）
＜UNIVERSAL PHCY-3043＞

「明るい日曜日」
古川ロッパ
（3分10秒）
＜?ニーチタイム NEACH-4568＞

「サタデイ・ナイト」
ブルー・ナイル
（6分28秒）
＜LINN REC. LKHCD2＞

「映画“日曜日はいつも雨”から トミー・アンド・ロージー」
（管弦楽）BBCフィルハーモニック
（指揮）ラモン・ガンバ
（2分33秒）
＜CHANDOS CHAN9774＞

「サタデイ・ナイト」
オゾマトリ
（3分59秒）
＜ビクターエンタテインメント VICP-62771＞

「オン・サンデイ・アフターヌーン」
ハープトーンズ
（2分33秒）
＜EMUS ES-12032＞

「セパレーティッド・ジェスチャーズ」
プロジェクト・ゼット
（6分49秒）
＜TERMINUS REC. 0008-2＞

「いつも月曜日」
ドリス・モンテイロ
（2分15秒）
＜ボンバレコード BOM556＞

「サタデイ」
ヨ・ラ・テンゴ
（4分09秒）
＜P-VINE PVCP-8758＞

「日曜はダメよ」
ロス・トレス・ディアマンテス
（3分08秒）
＜TAKE OFF＆SAMBIA TKSB-002＞

「オキアガリC」
おきあがり赤ちゃん
（2分48秒）
＜自主制作 OKIA-0001＞

「青い森の日曜日」
高見エミリー
（2分53秒）
＜SONY MUSIC SRCL4230＞

「サタデイ・ナイト・ディドゥント・ハプン」
リパレータ・アンド・ザ・デルロンズ
（2分30秒）
＜RHINO R2 74645＞

「サタデイ・サン」
ニック・ドレイク
（4分00秒）
＜HANNIBAL HNCD4434＞

「シーズ・ファニー・ザット・ウェイ」
セルダン・パウエル
（2分43秒）
＜MUSIC FROM EMI TOCJ-50145＞

「ブルー・マンデイ」
スマイリー・ルイス
（2分42秒）
＜IMPERIAL MUSIC REC. LAX301＞

「映画“月曜日のユカ”から メインテーマ、ハミング」
映画『月曜日のユカ』サントラ盤
加賀まりこ
（1分55秒）
＜日活コーポレーション OWCR-2042＞

「サンデイ」
リー・コニッツ
（3分26秒）
＜THE VERVE MUSIC MGV-8281＞

「フロム・マンデイ・オン」
エラ・ローガン、ザ・スピリッツ・オブ・リズム
（2分23秒）
＜P-VINE PCD-5739＞

「携帯用ワルツ」
ゴンチチ
（2分12秒）
＜EPIC／SONY ESCB1060＞

「サンデイ・ゴー・ミーティン」
ラテン・ジャズ・クインテット、エリック・ドルフィー
（5分40秒）
＜PHONO 870223＞

「あたらしいともだち」
ソギー・チェリオス
（3分33秒）
＜P-VINE PCD-18799＞

Another Country with Ricky Ross
Ricky Ross enters the landscape of Americana and alternative country. Expect to hear both classic and future classics, with Ricky taking a close look at the stories behind the songs
http://www.bbc.co.uk/programmes/b00hh26l

Neil Young Country
Tue 10 Nov 2015
21:00
BBC Radio Scotland
http://www.bbc.co.uk/programmes/b06nr806
Ahead of Neil Young's 70th birthday, Ricky celebrates the country music connections of one of the most loved singer-songwriters of all time. Featuring original recordings from his 50 year career and cover versions from Country and Americana acts. Plus Nils Lofgren describes how Neil Young befriended and invited him to record on the After The Gold Rush album.

Music Played

01. Are You Ready For The Country?
Neil Young
Harvest
Acadia, Tr.5

02. Out On The Weekend
Lee Ann Womack
The Way I'm Livin'
Sugar Hill, Tr.8

03. Harvest Moon
Neil Young
(CD Single)
Reprise

04. Love Is A Rose
Linda Ronstadt
Prisoner in Disguise
Elektra/ Asylum, Tr.1

05. The Painter
Neil Young
Prairie Wind
Reprise Records, Tr.1

06. Helpless
Crosby, Stills, Nash & Young
Deja Vu
Atlantic, Tr.4

07. After The Gold Rush
k.d. Lang
Hymns of the 49th Parallel, Tr.1

08. Oh, Lonesome Me
Neil Young
After The Gold Rush
Reprise, Tr.2

09. Southern Man
Neil Young
Greatest Hits
Reprise Records, Tr.7

10. Pocahontas
Johnny Cash
Unearthed
Mercury Records, Tr.1

11. Comes A Time
Neil Young
Greatest Hits
Reprise Records, Tr.13

12. Heart of Gold
Willie Nelson
Partners
Columbia, Tr.4

13. Harvest
Neil Young
Harvest
Reprise, Tr.2

14. Old Man
The Wailin' Jennys
40 Days
Red House Records, Tr.7

15. Star Of Bethlehem
Neil Young
Stars 'N Bars
Reprise, Tr.6

16. Wrecking Ball
Emmylou Harris
Wrecking Ball
Grapevine, Tr.1

17. The Ways Of Love
Neil Young
Freedom
Reprise, Tr.6

18. For The Turnstiles
The Be Good Tanyas
Hello Love
Nettwerk

19. Everybody Knows This Is Nowhere
Neil Young
Everybody Knows This Is Nowhere
Reprise, Tr.2

20. Cowgirl In the Sand
The Byrds
Byrds
Asylum Records, Tr.7

21. White Line
Neil Young
Ragged Glory
Reprise, Tr.2

22. Don't Cry No Tears
Allison Moorer
Show
Universal, Tr.2

23. Birds
Holly Williams
Here With Me
Mercury Nashville, Tr.11

24. Crazy
Neil Young
A Letter Home
Reprise, Tr.1

25. Long May You Run
Neil Young & Stephen Stills
Decade
Warner Music UK, Tr.19

Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9

Sat 14 Nov 2015
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b06p4jvs
Alyn Shipton's selection of listeners' requests includes more suggestions for the ten essential jazz albums, with music by saxophonists Johnny Hodges and Sidney Bechet. Alyn also looks forward to the week's EFG London Jazz Festival.

Music Played

01. Spoonful Of Sugar
Duke Ellington & His Orchestra
Performer: William "Cat" Anderson. Performer: Nat Woodard. Performer: Cootie Williams. Performer: Herbie Jones. Performer: Lawrence Brown. Performer: Buster Cooper. Performer: Chuck Connors. Performer: Johnny Hodges. Performer: Russell Procope. Performer: Jimmy Hamilton. Performer: Paul Gonsalves. Performer: Harry Carney. Performer: John Lamb. Performer: Sam Woodyard. Performer: Duke Ellington & His Orchestra
The Reprise Studio Recordings
Reprise, Tr.5

02. Chelsea Bridge
Ben Webster
Performer: Jimmy Jones. Performer: Mundell Lowe. Performer: Milt Hinton. Performer: Dave Bailey. Performer: Ben Webster. Performer: Billy Strayhorn. Performer: Jimmy Jones
Three Classic Albums Plus
Avid, Tr.4

03. Polka Dot Stomp
Sidney Bechet with Bob Wilber's Wildcats
Performer: Johnny Glasel. Performer: Bob Mielke. Performer: Sidney Bechet. Performer: Sidney Bechet with Bob Wilber's Wildcats. Performer: Dick Wellstood. Performer: Charlie Traeger. Performer: Denny Strong. Performer: Sidney Bechet. Performer: Bob Wilber's Wildcats
Shake Em Up
Avid, Tr.19

04. St. Louis Blues
Louis Armstrong
Performer: Barney Bigard. Performer: Trummy Young. Performer: Billy Kyle. Performer: Arvell Shaw. Performer: Barrett Deems. Performer: Velma Middleton. Performer: Dizzy Gillespie Quartet
Satch plays WC Handy
Essential Jazz Classics, Tr.1

05. Sweet Lorraine
Frank Sinatra
Performer: Johnny Hodges. Performer: Coleman Hawkins. Performer: Charlie Shavers. Performer: Lawrence Brown. Performer: Nat King Cole. Performer: Eddie Safranski. Performer: Buddy Rich. Performer: Frank Sinatra
Complete Columbia Recordings Vol 6
COLUMBIA, Tr.5

06. Autumn Leaves
Stan Getz
Performer: Jimmy Raney, Duke Jordan, Bill Crow, Frank Isola, Stan Getz
The Sound
Proper, Tr.2

07. Crusader
Danny Thompson
Performer: Tony Roberts. Performer: Bernie Holland. Performer: Danny Thompson
Whatever!
Hannibal, Tr.7

08. The Day Will Come
Howard Riley
Performer: Barry Guy. Performer: Alan Jackson. Performer: Howard Riley
The Day Will Come
Columbia, Tr.12

09. Manumission
Don Rendell
Performer: Graham Bond. Performer: Tony Archer. Performer: Phil Kinorra. Performer: John Burch. Performer: Don Rendell Quintet
Roarin
Jazzland, Tr.2

10. Rusty Dusty Blues
Mark Murphy
Performer: Clark Terry. Performer: Snooky Young. Performer: Nick Travis. Performer: Roger Kellaway. Performer: Dick Hyman. Performer: Jim Hall. Performer: Ben Tucker. Performer: Dave Bailey. Performer: Mark Murphy And The BBC Big Band
That's How I Love The Blues
Riverside, Tr.7

11. Basin Street Blues
Duke Ellington & Johnny Hodges
Performer: Harry "Sweets" Edison. Performer: Les Spann. Performer: Sam Jones. Performer: Jo Jones. Performer: Duke Ellington. Performer: Johnny Hodges
Duke Ellington & Johnny Hodges Play The Blues Back To Back
Verve, Tr.2

Geoffrey Smith's Jazz
Geoffrey Smith's Jazz does exactly what it says on the tin: a weekly programme in which Geoffrey Smith shares his love of jazz, through an exploration of its great writers, singers and players, as told from his own individual perspective.

Each programme take us through his personally-selected playlist of tracks. It's loosely-themed; maybe a great artist, a jazz style or something more off-the-wall. But that serves as just the start of a fascinating journey to the heart of the music Geoffrey is so passionate about.
http://www.bbc.co.uk/programmes/b01h5z0s

Maria Schneider
http://www.mariaschneider.com/
Sun 15 Nov 2015
00:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b06p4jxc
Perhaps the leading jazz composer of her generation, Maria Schneider combines impressionistic detail and melodic richness in scores evoking the beauty of her American homeland. Geoffrey Smith surveys her achievement, before her eagerly-awaited appearance at the EFG London Jazz Festival.

Music Played

01. Wyrgly
Maria Schneider Jazz Orchestra
Performer: Rick Margitza. Performer: John Fedchock. Performer: Ben Monder. Performer: Maria Schneider Jazz Orchestra
Evanescence
ENJA, Tr.1

02. Concert In The Garden
Maria Schneider Orchestra
Performer: Gary Versace. Performer: Frank Kimbrough. Performer: Ben Monder. Performer: Luciana Souza. Performer: Maria Schneider Orchestra
Concert in the Garden
ArtistShare, Tr.1

03. Aires De Lando
Scott Robinson & Maria Schneider Orchestra
SKY BLUE
ArtistShare, Tr.2

04. A Potter's Song
Gary Versace & Maria Schneider Orchestra
The Thompson Fields
ArtistShare, Tr.7

05. Walking By Flashlight
Maria Schneider
Performer: Scott Robinson. Performer: Frank Kimbrough. Performer: Maria Schneider
The Thompson Fields
ArtistShare, Tr.1

06. The Thompson Fields
Maria Schneider Orchestra
The Thompson Fields
ArtistShare, Tr.4

Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f

Rule Breakers
Sun 15 Nov 2015
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b06p4s5w
Joseph Millson and Naomi Frederick are the readers in this edition of Words and Music on the theme of rule-breaking, curated by New Generation Thinker Corin Throsby. With music by Monteverdi, Beethoven, Stravinsky and The Clash and words by Shelley, Byron, Virginia Woolf and Roald Dahl.

Curator and Producer's Notes

Rule-breakers are always more fun than do-gooders. We are told from an early age that terrible things will happen to us if we disobey our parents. The little girl who is burned to death for playing with matches in Struwwelpeter, the most German of all children’s stories, made for some chilling bedtime reading. For the most part I never so much as returned a library book late. Yet when I first read Paradise Lost, it became clear that Milton’s Satan was far more interesting than sappy Adam. By goading Eve into breaking the first and most important rule Satan may have brought about the fall of humankind, but he did so with wit, eloquence and sex appeal.

In my research, I look at what it is that makes the Byronic hero — inspired in part by Milton’s Satan — so attractive. The excerpt from Lara, one of Lord Byron’s blockbuster "Turkish Tales," describes Count Lara, an outsider who is essentially good but "warped to wrong" by some past trauma (we see this character reiterated repeatedly in teen fiction and romance novels). Byron flirtatiously suggested to his readers that his heroes were veiled autobiography, and his own disregard for conventional rules of conduct (he was accused of adultery, sodomy and incest) only increased his popularity. Hundreds of middle-class women wrote to the poet to tell him how much his tales resonated with their own feelings of isolation in an oppressive Regency society.

Many composers were influenced by Byron’s nonconformity. Hector Berlioz famously read Childe Harold’s Pilgrimage in St Peter’s in Rome — smuggling a heretical poem into a sacred place was itself an act of Byronic rebellion. When I listen to Harold in Italy’s ravishing and ground-breaking viola solo, I can see Byron pensively staring across some cloudy Italian lake plotting something dark and profound. Wagner too, although not as directly indebted to Byron, was supremely Byronic in his belief that normal rules did not apply to him. One of the innovations of Byron’s poetry was his creation of the illusion that the poet was speaking directly to the individual reader; I think Wagner’s revolutionary sunken orchestra pit created for the audience a similar illusion of intimacy.

Byron wasn’t alone in his rule-breaking — his friends had an almost pathological disregard for convention. Percy Bysshe and Mary Shelley’s passion was fired by a belief in the urgent need for revolution. In The Masque of Anarchy, Shelley offers perhaps the first fully realized image of nonviolent resistance. Whenever I read the passage that depicts Hope laying herself in front of her oppressor’s horse, I can’t help but flash forward nearly a century to Emily Davison’s eerily similar martyrdom for the suffragette movement. Mary Shelley’s Frankenstein is less overtly political, but its very creation was radical: she was a teenage girl who had run away with her married lover to write a macabre horror story about breaking the most fundamental laws of life and death.

The Romantics’ celebration of cataclysmic genius paved the way for the twentieth-century avant-garde. Breaking rules became the most vital aspect of creation. As with Igor Stravinsky’s The Rite of Spring, you weren’t a good modernist unless your work was causing a near-riot. Virginia Woolf’s truly innovative Orlando — a novel that purports to be a biography of the author’s lesbian lover about a gender-shifting hero/heroine who defies the laws of time and history — subverts almost every social, artistic and novelistic rule there is. The spirit of Romantic rebellion continued into the 1960s as the beat poets and flower children self-consciously adopted a countercultural zeal and belief in free love. Jack Kerouac both wrote and played the Byronic hero and his haiku "Shall I break God’s commandment?" shares a playful but jaded irreverence.

Rule-breaking is not always associated with heroic protest and creative innovation: some rules, we are told, should never be broken. As with Victor Frankenstein, who ends up alone and half-mad with regret for flouting the laws of nature, many rule breakers are harshly punished. This is particularly the case for women who break expectations for feminine behaviour. The　defiantly adulterous heroine of　Daniel Defoe’s　Moll Flanders spends a significant part of the novel languishing in the notorious Newgate Prison.

Punishments are particularly heart-breaking when rules are arbitrary or unjust. There is a grim inevitability in Ken Kesey’s One Flew Over the Cuckoo’s Nest: we know from his first bold encounter with Nurse Ratched that the rebel McMurphy, who has faked insanity to avoid a prison sentence, will ultimately fail in his fight against her tyrannical rule over the psychiatric ward (the futility of raging against an entrenched system is perfectly captured by The Clash’s classic line "I fought the law and the law won"). Sometimes the most tragic fate befalls the rule-breaker who is not trying for glory but transgresses almost by accident. Orpheus’s nervous glance backwards at Eurydice — which breaks the terms of his deal with Hades and results in her return to the underworld — is for me one of the most devastating moments in literature.

For the women who wrote to Byron, part of the appeal of the rebel was the fantasy of being the one to reform him. They anxiously implored him to repent his sins before he suffered what they imagined would be eternal damnation. Although Byron’s readers thrilled at the Byronic hero’s rule-breaking in the end they wanted him to settle down — with them. This programme begins with an excerpt from Haydn’s Creation which captures the sense that, even though upheaval is necessary, it creates a deep longing for certainty. The oratorio starts with a discordant passage that reflects the chaos before creation and then, after God says "Let there be Light", we hear an astonishing blaze of C Major: order is created and musical convention is satisfyingly restored. This stability is, of course, only temporary. Although the Creation ends with Adam and Eve contentedly living in Paradise, we all know it’s not long before Satan weaves his heady spell, and Eve takes that first sweet bite.

Corin Throsby is a Radio 3 New Generation Thinker and teaches at the University of Cambridge. Her research is concerned with the changing relationship between readers and authors in the Romantic period and the beginning of what we now call celebrity culture.

Producer's Note:

In addition to the music chosen by Corin I have included pieces by Beethoven, Debussy, Satie, Schoenberg and Stockhausen, all of whom were rule-breakers.

Beethoven's Late String Quartets were received with bewilderment by many at the time. The composer Louis Spohr called them "indecipherable, uncorrected horrors" but Stravinsky described the Grosse Fugue as "an absolutely contemporary piece of music that will be contemporary forever". I have used the Presto from String Quartet Number 13 in B flat which is Beethoven first significant departure from his previous four movement structure.

Debussy did not devise the whole tone scale but he was the first composer to exploit it successfully and his music represents a departure from traditional systems of tonality. I've chosen Debussy's Voiles which uses the whole tone scale and, briefly, the pentatonic scale. It was said to be inspired by the dancer Loie Fuller, herself a rule breaker, who was a practitioner of free dance. She pioneered innovative techniques of theatrical lighting, employing gels treated with chemicals to create a luminescent effect on the flowing voile scarves she used in her work.

Satie was a close friend of Debussy and their relationship was described by the music critic Louis Laloy, who knew them both, as "turbulent but indissoluble". I’ve chosen an extract from Satie’s ballet Parade which had sets designed by Picasso and cubist costumes which made anything but minimal movement difficult for the dancers. The composition is scored for typewriters, sirens, airplane propellers, ticker tape and a lottery wheel! Satie was offended when Debussy failed to write and congratulate him on the piece and wrote him a reproachful letter in 1918 which turned out to be the year Debussy died. The friends were never reconciled and Satie later regretted the letter.

Schoenberg revolutionised 20th century music with his twelve tone technique of composition, devised as part of his mission to "renew the language of music". I've included 2 pieces of Schoenberg: Farben (Colours) from his Five Pieces for Orchestra (Funf Orchesterstucke, Opus 16) and an extract from his Variations for Orchestra Opus 31 which was his first twelve-tone composition for a large ensemble.

Stockhausen was the leading pioneer of electronic music and he exploded the old order in pitch and rhythm. I've used part of his Sonatine for Violin and Piano, an early non-electronic work composed while he was still at the Cologne Conservatory. In the recording I’ve used Stockhausen himself is playing the piano part.

I have also featured composer and suffragette Ethel Smyth’s rousing piece, The March of the Women. With words added to it by the suffragist playwright and author Cicily Hamilton, it became the suffragettes’ battle hymn. Smyth spent time in Holloway Prison for throwing a brick through the window of the Colonial Secretary. Sir Thomas Beecham tells how when he tried to visit her in prison he arrived in the courtyard to find "the noble company of martyrs marching round it and singing lustily their war-chant while the composer, beaming approbation from an overlooking upper window, beat time in almost Bacchic frenzy with a toothbrush." According to the conductor herself this was "rather a feat, as in prisons the windows are eight feet from the floor!".

The final piece of music in the programme is the glorious finale of Stravinsky’s ballet The Firebird. It seemed a fitting ending as it is the moment when the spell of the sorcerer is broken and all the princesses, courtiers and magical beings are released from their petrified state into eternal freedom.

Producer: Philippa Ritchie

Music Played

00:00
Joseph Haydn
In the beginning God created the heaven and the earth
Performer: Mozarteum Orchester, cond. Ivor Bolton.
OEHMS OC609. Tr.1.

00:01
William Bolcom
The Serpent’s Kiss (Ragtime)
Performer: Elizabeth and Marcel Bergmann, pianos.
NAXOS8559244. Tr.8.

John Milton
Paradise Lost, Bk 9, read by Naomi Frederick and Joseph Millson

00:05
Igor Stravinsky
The Rite of Spring: Ritual of Abduction
Performer: Philharmonia Orchestra Esa-Pekka Salonen.
SONY CLASSICAL SBK89894. Tr.25.

00:06
Manuel de Falla
Ritual Fire Dance
Performer: London Symphony Orchestra, cond. Garcia Navarro.
DEUTSCHE GRAMMOPHON4578782. Tr.16.

Heinrich Hoffmann
The Dreadful Story of Harriet and the Matches, from Strewwelpeter, read by Joseph Millson

00:11
Cole Porter
Let’s Misbehave
Performer: Irving Aaronson and his Commanders, vocals by Phil Saxe.
CONIFERCDHD181. Tr.2.

Daniel Defoe
Moll Flanders, read by Naomi Frederick

00:14
Gerald Finzi
Rollicum rorum
Performer: Jonathan Lemalu (singer) Roger Vignoles (piano).
EMI 5752032. Tr.13.

00:16
Karlheinz Stockhausen
Sonatine for violin and piano
Performer: Karlheinz Stockhausen, piano Wolfgang Marschner, violin.
STOCKHAUSEN1. Tr.10.

Mary Shelley
Frankenstein, read by Joseph Millson

00:20
Claudio Monteverdi
L’Incoronazione di Poppea
Singer: Helen Donath. Singer: Elisabeth Söderström.
TELDEC2292425472. CD4 Tr.11.

00:25
Ludwig van Beethoven
String Quartet No. 13 in B flat, Op. 130 2nd Movement ‘Presto’
Ensemble: Quartetto Italiano.
PHILIPS. 4166382. CD2 Tr.2.

Jack Kerouac
Haiku, read by Joseph Millson

00:27
Sonny Curtis
I Fought the Law
Performer: The Clash.
COLUMBIA 4953512. CD1 Tr.10.

Roald Dahl
Charlie and the Chocolate Factory, read by Naomi Frederick

00:33
Erik Satie
Parade – Choral – Prélude du Rideau rouge
Performer: Orchestre du Capitole de Toulouse, cond. Michel Plasson.
EMI CDC7494712. Tr.7.

00:34
Erik Satie
Parade – Final – Suite au 'Prélude du Rideau rouge'
Performer: Orchestre du Capitole de Toulouse, cond. Michel Plasson.
EMI CDC7494712. Tr.8.

00:39
Richard Wagner
Siegfried’s Funeral March
Performer: Berliner Philharmoniker cond. Von Karajan.
DEUSTCHE GRAMMOPHON 4577952. CD 4 Tr.6.

Christopher Marlowe
Doctor Faustus, read by Joseph Millson

Virginia Woolf
Orlando, read by Naomi Frederick

00:43
Dame Ethel Mary Smyth
March of the Women
Performer: The Plymouth Festival Chorus and Orchestra.
VIRGIN CLASSICS VC7590222. Tr.9.

James Joyce
Ulysses, read by Joseph Millson

00:44
Arnold Schoenberg
Variationen fur Orchester Op. 31
Performer: SWR Baden-Baden and Freiburg Symphony Orchestra.
WERGO WER6018550. Tr.10.

Emily Dickinson
They Shut Me Up In Prose, read by Naomi Frederick

00:46
Ludwig van Beethoven
Prisoner’s Chorus: O welche Lust
Performer: Lucerne Festival orchestra, cond. Claudio Abbado, Arnold Schoenberg chorus.
DECCA 4782551. Tr.18.

Ken Kesey
One Flew Over the Cuckoo’s Nest, read by Joseph Millson

00:54
Dubose Heyward and Edwin Heyward
It Ain’t Necessarily So
Performer: Peggy Lee.
Universal Jazz 9863193. Tr.5.

Ovid, translated by William Congreve
Metamorphoses, Orpheus and Eurydice, read by Naomi Frederick

00:57
Arnold Schoenberg
Funf Orchesterstucke Op.16 - Farben
Performer: Sinfonieorchester des Sudwest.
WERGO WER6018550. Tr.3.

00:59
Christoph Willibald Gluck
Che faro
Performer: Dame Janet Baker.
SAAN1751811. Tr.11.

01:04
Hector Berlioz
Harold in Italy, Harold aux montagnes
Performer: Pinchas Zukerman, viola, Montreral Symphony Orchestra, cond. Charles Dutoit.
DECCA4211932. Tr.1.

Lord Byron
Lara, read by Joseph Millson and Naomi Frederick

Percy Bysshe Shelley
The Masque of Anarchy, read by Joseph Millson

01:10
Igor Stravinsky
The Firebird, Finale
Performer: City of Birmingham Symphony Orchestra, cond. Simon Rattle.
EMI CLASSICS2321799. Tr.6

Travelling Folk
Bruce MacGregor presents Radio Scotland's flagship folk programme and brings you the very best of today's music and song.
http://www.bbc.co.uk/programmes/b00tlyrt

Paul Anderson
Sun 15 Nov 2015
19:00
BBC Radio Scotland
http://www.bbc.co.uk/programmes/b06p58wy
Bruce MacGregor presents the best in folk and roots music from around the world.

Music Played

01. Oran Nam Mogaisean (The Song Of The Moccasins)
Rory Campbell
Intrepid
Vertical Records

02. Transatlantic Reels - Ian’s Reel/ Transatlantic Reel
Andy May Trio
Ash Wood Records

03. Half Way Gone
Jane Kramer
Carnival of Hopes
Unknown

04. Tretton år
Hazelius Hedin
Sunnan
Amigo

05. Marsa Reel
Lemon Bucket Orkestra
Moorka
Lemon Bucket Orkestra

06. Wild Mountain Thyme
Robin Hall & Jimmie Macgregor
Two Heids Are Better Than Yin
Bulldog

07. The Morning Star/ Cleaning the Henhouse
Peter Carberry & Padraig MacGovern
Forgotten Gems
Unknown

08. The Braes o' Gleniffer
Fiona Hunter
Rusty Squash Horn Records
Fiona Hunter

09. Blue Eyed Nancy
Robyn Stapleton
Fickle Fortune
Laverock Records

10. Music For A Found Harmonium
Patrick Street
Irish Times
Special Delivery-SPDCD1033

11. Auld Robin Gray
Hector MacAndrew
Legend of the Scots Fiddle
Greentrax

12. Harvest Home/ Bob Steele/ Poldhullie Brig
Hector MacAndrew
Legend of the Scots Fiddle
Greentrax

13. Marcos Llope/ The Oblique Jig/ Hayden's Rock
KAN
Sleeper
Kan CD

We Banjo 3 Live in Galway

14. The Kitchen Girl
Bill Cheatum
Live In Galway
We Banjo 3

15. Air: Luskentyre
Paul Anderson
The Singing Land
Moidart Music Group

16. Blawearie
Paul Anderson
Land of The Standing Stones
INNCD505

17. The Beauty of Cromar
Paul Anderson
Land of The Standing Stones
INNCD505

18. Between the Wars
Billy Bragg
Between the Wars EP
Go! Discs

Beginners Guide to Scotland

19. Hi Horo
Beginner's Guide to Scotland
Nascente

20. The Inverary Wedding
Miserable Old Man
Dail-riata
Dunach Records

21. Captain Cameron's March/ Scotlandwell
John Ellis & His Highland Country Band
Thistle & The Shamrock
Lismor

22. Comfy Crane - Becky’s Birthday/ The Folky Gibbon/ The Elusive Otter
Saltfishforty
Orkney Twister
Cellar Records