16 今週のお気に入り 37

ウィークエンドサンシャイン

ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2016年 9月10日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン

THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）

01. Eleanor Rigby / Sachal Studios Orchestra // Jazz and All That
02. Kalabancoro / Richard Bona // Munia:The Tale
03. Of Course, Of Course / Charles Lloyd & The Marvels // I Long To See You
04. Even After All / Finley Quaye // Maverick A Strike
05. Milkcow's Calf Blues / Robert Palmer, Carl Carlton & Mauro Spina
// Hellhound On My Trail - The Songs Of Robert Johnson
06. No Woman, No Cry / Charlie Hunter Quartet // Natty Dread
07. Pearl Of The Quarter / Steely Dan // Countdown To Ecstasy
08. This Is (Not) A Protest Song / Rene Marie // Sound Of Red
09. Lo / Lisa Hannigan // At Swim

デイ・オブ・ザ・デッド(Tシャツ Mサイズ付)(完全生産限定盤)

10. Going Down The Road Feelin' Bad / Lucinda Williams & Friends // Day Of The Dead
11. Help On The Way / Béla Fleck // Day Of The Dead
12. Franklin's Tower / Orchestra Baobab // Day Of The Dead
13. Eyes Of The World / Tal National // Day Of The Dead
14. Garcia Counterpoint / Bryce Dessner // Day Of The Dead

世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2016年 9月10日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
湯浅学

− 空飛ぶ音楽 −

楽曲

「雲の彼方に」
ゴンチチ
（2分07秒）
＜EICP ESCL3738＞

「空飛ぶギター」
寺内タケシ＆ブルージーンズ
（2分42秒）
＜キングレコード KICS623＞

「組曲“マ・メール・ロワ”から 美女と野獣の対話」
レイ・ゲラ
（4分03秒）
＜UNICORNIO UN-CD8003＞

「フライング・ダウン・トゥー・リオ」
ザ・デイヴ・ペル・オクテット
（2分47秒）
＜COLLECTABLES COL-CD-6913＞

「カンタータ“炎の中で”から 飛べる者は空中を飛ぶがよい」
（作曲）
（オーボエ）アルブレヒト・マイヤー
（2分27秒）
＜UNIVERSAL UCCG-1439＞

「空飛ぶ泥棒」
ル・バルーシュ
（3分14秒）
＜オルターポップ ERPCD-15028＞

「ドゥー・ザ・アストラル・プレイン」
フライング・ロータス
（3分57秒）
＜BEAT REC. BRC-254＞

「ハーマ・ヂ・ヌヴェンス」
ナナ・カイミ
（3分44秒）
＜EMI 5427092＞

「空飛ぶ花嫁」
スパンク・ハッピー
（5分18秒）
＜東芝EMI TOCT-8893＞

「鳩」
ギョクハン・オゼン
（4分40秒）
＜DOGAN MUSIC COMPANY CDM27016＞

「空飛ぶ法王」
笹久保伸
（5分24秒）
＜ビーンズレコード BNSDX-7001＞

「ラヴァーズ＆アザー・ストレンジャーズ」
フライング・リザーズ
（3分13秒）
＜VICTOR VIP-6979＞

「スカイ・トレイン」
ラスカルズ
（5分46秒）
＜SONY REC. SRCS6451＞

Paris Concert

「ザ・ウィンド」
キース・ジャレット
（6分03秒）
＜ECM ECM1401＞
https://www.ecmrecords.com/catalogue/143038751334/paris-concert-keith-jarrett
「夜間飛行」
フランク永井
（3分52秒）
＜ビクター VS-152＞

「クリスティーンズ・チューン」
フライング・ブリトー・ブラザーズ
（3分00秒）
＜UNIVERSAL MUSIC 069490610-2＞

Georges Arvanitas Quartet

「ザ・ピーコックス」
ジョルジュ・アルバニタス・カルテット
（5分18秒）
＜CARRE RE CA802（96437）＞

「フライング」
ザ・ビートルズ
（2分17秒）
＜東芝EMI CP32-5334＞

「ペルシアのじゅうたん」
チチ松村
（5分00秒）
＜IN THE GARDEN XNHL-12001＞

「ベッチャ・バイ・ゴール・ワウ！」
プリンス
（3分32秒）
＜NPG REC. 724388356121＞

「超人大会」
坂本慎太郎
（3分42秒）
＜ZELONE REC. ZEL-015＞

Another Country with Ricky Ross
Ricky Ross enters the landscape of Americana and alternative country. Expect to hear both classic and future classics, with Ricky taking a close look at the stories behind the songs
http://www.bbc.co.uk/programmes/b00hh26l

Buddy Holly
Tue 6 Sep 2016
21:00
BBC Radio Scotland
http://www.bbc.co.uk/programmes/b07syk2x
Celebrating 80 years since the birth of Buddy Holly and discovering his country music roots. Ricky also features some of the controversial country artists in Nashville right now. Plus another Merle Moment as Ricky plays you all 38 of Merle Haggard's country number 1 singles between now and what would have been his 80th birthday next year. Featuring new and classic music.

Music Played

01. Sabrina
The Stray Birds
Magic Fire
Yep Roc Records

02. Big Mouth USA
Jim Ford
The Unissued Capitol Album
Bear Family Records

03. Irene
Courtney Marie Andrews
Honest Life
Mama Bird Recording Co.

04. Clear Water
Danny & the Champions of the World
What Kind Of Love
Loose Music

05. White Flag
Joseph
I'm Alone, No You're Not
ATO Records

06. Grandma Harp
Merle Haggard & The Strangers
Down Every Road: 1962–1994
Capitol Records Nashville

07. Vice
Miranda Lambert
Promo single
Sony

08. In Bloom
Sturgill Simpson
A Sailor's Guide To Earth
Atlantic

09. The Moon Is A Harsh Mistress
Jimmy Webb
Produced by George Martin
Parlophone

10. Todd Is God
The Pearlfishers
Sky Meadows
Marina records

11. This Town Gets Around
Margo Price
Midwest Farmer's Daughter
Third Man Records

12. That'll Be The Day (Decca Version)
Buddy Holly
Not Fade Away: The Complete Studio Recordings And More
Hip O Select

13. Blue Days, Black Nights
Buddy Holly
That'll Be The Day
Universal-Island Records

14. All From Loving You
Ben Hall & Buddy Holly
Gotta Roll: The Early Recordings 1949-1955
Rev-Ola Records

15. That's All Right
Elvis Presley
Elvis Presley-The 50 Greatest Hits
BMG/RCA

16. Skate While You're Skinny
Jess Morgan
Edison Gloriette
Drabant Music

17. Infamous
Basia Bulat
Good Advice
Secret City Records

18. Holdin' On To Black Metal
My Morning Jacket
Circuital
ATO

19. Furnaces
Ed Harcourt
Furnaces
Polydor Records

20. Humble & Kind
Lori McKenna
The Bird & The Rifle
CN Records/Thirty Records

21. Part Time Lovers (Full Time Fools)
Andrew Combs
All These Dreams
Loose Records

22. Wrong Side Of The Dream
Austin Lucas
Between The Moon And The Midwest
Last Chance Records

23. The Year That I Was Born
Heidi Talbot
Here We Go 1,2,3
Navigator Records

24. Pull Me Into Your Harbour
Audrey Spillman
Thornbird

Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9

Sat 10 Sep 2016
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b07tyww5
Saxophonist Art Pepper led a troubled career, documented in his autobiography Straight Life, but he was a profound ballad player, as demonstrated in one of this week?s requests from listeners. Alyn Shipton also includes music from pianist Earl Hines, and the Woody Herman Herd.

Music Played

01. The Train And The River
Jimmy Giuffre
Composer: Giuffre
Performers: Jimmy Giuffre, cl, ts; Bob Brookmeyer, vtb; Jim Hall, g.
1958
Jazz On A Summer's Day
Charly X 686 CD Tr.1

02. Up A Lazy River
Louis Armstrong
Composer: Arodin
Performers: Louis Armstrong, t, v; Trummy Young, tb; Peanuts Hucko, cl; Billy Kyle, p; Mort Herbert, b; Danny Barcelona, d.
1958
Jazz On A Summer's Day
Charly X 686 CD Tr.11

03. Boogie Woogie On The St. Louis Blues
Earl Hines
Composer: Handy arr. Hines
Performers: Earl Hines, p; Tiny Grimes, g; Hank Young, b; Bert Dahlander, d.
Oct 1972
An Evening with Earl Hines
Vogue VJD 534 Tr.2

04. What's New
John Coltrane
Composers: Haggart/ Burke
Performers: John Coltrane, ts; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, d.
Complete Impulse Studio Recordings
Impulse imp08 280 CD1 Tr.10

05. Avis
Bobby Hutcherson
Composer: Hutcherson
Performers: Harold Land, ts; Bobby Hutcherson, vib; Stanley Cowell, p; Reggie Johnson, b; Joe Chambers, d.
11 Aug 1969
Medina
Blue Note 97508 Tr.1

06. Windows
George Shearing
Composer: Corea
Performers: George Shearing, p; Louis Stewart, g; Niels Henning Orsted Pedersen, b.
2007
The MPS Trio Sessions
MPS 06025 1745068 Tr.2

07. Natchel Blues
Woody Herman
Composer: Roland
At The Woodchopper's Ball
Ember FA2006 Tr.1

08. Winter Moon
Hoagy Carmichael
Composer: Carmichael
Performers: Johnny Mandel, cond; Harry Edison, Don Fagerquist, t; Harry Klee, fl; Art Pepper, as; Jimmy Rowles, p.
1957
Hoagy Sings Carmichael
Pacific Jazz 32.5635 Tr.3

09. She's Crying For Me
New Black Eagle Jazz Band
Composer: Pecora
Performers: Tony Pringle, c; Stan Vincent, tb; Bran Ogilvie, reeds; Bob Pilsbury, p; Peter Bullis, bj; Eli Newberger, tu; Pam Pameijer, d.
2 Oct 1981
At Symphony Hall
Philo 1086 Side 1 Tr.2

Upward Spiral

10. Practical Arrangement
Branford Marsalis
Composers: Sting & Robert Mathes
Performers: Kurt Elling, v; Branford, Marsalis, ts; Joey Calderazzo, p; Eric Revis, b; Justin Faulkner, d.
2016
Upward Spiral
OKeh 88985306882 Tr.4

Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3

Daniel Libeskind
Sun 11 Sep 2016
12:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b07tyznh
On this, the 15th anniversary of 9/11, Michael Berkeley's guest is Daniel Libeskind, a world-renowned architect, known for concert halls, opera sets, museums, hotels and universities.

In 2003 Libeskind won an international competition to produce an overarching vision for buildings which would stand on the site of the Twin Towers. That vision is now almost complete, and includes a memorial to those who were killed in the attacks. He's called his plan "a site of memory, a healing of New York". Daniel Libeskind had already made his reputation with buildings that symbolised and preserved tragic histories, such as the Jewish Museum in Berlin, and the German Military Museum in Dresden.

In Private Passions, he talks to Michael Berkeley about the day he first visited the site and climbed down into the crater left in the earth. He says that experience changed his life - he began to hear the voices of the dead. He talks about how he decided this should be a "sacred site", and that the footprint of the twin towers should never be built on. He reveals his concept of a light memorial to the dead, created by using shafts of light filtered through the spaces between skyscrapers. The sun strikes the ground at exactly the same times as the planes hit the towers.

Daniel Libeskind is extraordinarily musical; in fact, a gifted accordionist, he was something of a musical prodigy. He decided to follow architecture instead, but is still inspired by music. His music choices include Renée Fleming singing "Amazing Grace", Perotin; the contemporary Finnish composer Saariaho, and Mark Padmore singing Bach's Cantata for the 16th Sunday after Trinity - so the right cantata for 11 September 2016.

Produced by Elizabeth Burke
A Loftus production for BBC Radio 3

Music Played

00:04
Pérotin
Sederunt principes
Choir: Tonus Peregrinus
Conductor: Antony Pitts

00:13
Trad.
Amazing Grace
Singer: Renée Fleming
Performer: Mark O’Connor

00:18
Leonard Bernstein
Symphony No.2 (The Age of Anxiety) (excerpt)
Performer: Philippe Entremont
Orchestra: New York Philharmonic

00:27
Johann Sebastian Bach
Cantata no.141: Komm, du susse Todesstunde (Aria: Mein Verlangen)
Singer: Mark Padmore
Orchestra: English Baroque Soloists
Conductor: Sir John Eliot Gardiner

00:37
Claus-Steffen Mahnkopf
Deconstructing Accordion
Performer: Luka Juhart

00:44
Kaija Saariaho
... A la Fumee
Orchestra: Los Angeles Philharmonic
Conductor: Esa-Pekka Salonen

00:50
Ludwig van Beethoven
Symphony No.9 in D minor, Op.125 (Choral (Finale, excerpt)
Choir: Juilliard Chorus
Orchestra: New York Philharmonic
Conductor: Leonard Bernstein

Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f

Arrivals and Departures
Sun 11 Sep 2016
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b07tz130
Includes music by Purcell, Eno and Pärt and poems by Elizabeth Bishop, William Blake, Emily Dickinson and Louis MacNeice read by Niamh Cusack and Neil Pearson.

Producer's Notes
Our lives are made up of arrivals and departures, comings and goings, entrances and exits. This programme announces its advent in grand style with Handel’s Arrival of the Queen of Sheba. Originally composed as an interlude at the beginning of Act III of the oratorio Solomon, this piece of music has acquired a life of its own, becoming a popular choice at weddings to accompany the entrance of the bride.

Probably the most significant arrival we experience is birth. William Blake’s Infant Sorrow presents this as a troubling event – the world is hostile and the child is unwanted. The parents in First Child by Vernon Scannell are also anxious about the impact that this new arrival will have on their lives, but although these fears are largely assuaged once the child is born, they are replaced by other concerns about the well-being of this vulnerable infant in a threatening world.

If they survive these dangers, eventually children grow up and leave home. In Autumn, Peter Hammill sings from the point of view of a father, left feeling bewildered and resentful following his children's departure: “To our sorrows they were quite deaf/And as soon as they could they left us to our tears”.

We may leave our childhood homes behind, but sometimes we return only to find that arriving in a place which used to be so familiar can be uniquely disorienting, an experience described here by Dannie Abse in Return to Cardiff.

One of the most celebrated homecomings in European literature is that of Odysseus, finally returning to the island of Ithaca after the decade-long Trojan War and a further ten years of storm-tossed peregrinations around the Mediterranean. In Monteverdi’s Il ritorno d’Ulisse in Patria, the hero sees Ithaca again for the first time in twenty years as he awakes, confused, on the shore. C. P. Cavafy encourages the reader to set sail for Ithaca, but cautions us that what we experience on the journey is more important than the eventual arrival at our destination. This Odyssean triptych concludes with Nikos Skalkottas’s overture The Return of Ulysses.

Arrivals can be a cause for joy and celebration, but they can also be a source of dread, in this case the arrival of Grendel at Hrothgar in Seamus Heaney’s translation of Beowulf. However, on this occasion the fiend’s orgy of bloodlust is not going to play out as he anticipates. But it’s not just monsters that can make a dramatic entrance during the hours of darkness. In The Thought Fox, Ted Hughes conjures up an incarnation of something more abstract travelling inexorably towards him through the night – inspiration.

Some places, such as airports and train stations, are defined by arrival and departure. They only exist as an introductory or valedictory envelope for a more substantial place – the city or country that we’re visiting or leaving. With his first ambient release – Music For Airports – Brian Eno sought to create music that was “as ignorable as it is interesting”, much like the architecture of airports themselves.

While seaports are more substantial – settlements in their own right - they also have an atmosphere of transience and churn. Elizabeth Bishop’s Arrival At Santos captures the impatient curiosity of the tourist enduring the inevitable rigmarole of landing at a port and being processed through immigration before travelling on to their desired destination.

But what of those looking out to sea, waiting for that longed-for ship to appear on the horizon? In Puccini’s Madame Butterfly, the ship that finally brings Pinkerton back to Japan also carries a bitter cargo of heartache for Cio-Cio-san. Pinkerton doesn’t have the courage to break the news to Butterfly that he has married someone else and has only come back to collect his son – he tells her maid, Suzuki, not to wake her – leaving his wife Kate and the US consul Sharpless to deliver the blow.

Pinkerton is a lieutenant in the US Navy and the New Zealand poet Denis Glover was also a naval officer. A life spent serving at sea is marked by repeatedly leaving one place and heading for another and is rarely attended by more peril and uncertainty than during wartime, as we see in Glover’s poem Leaving for Overseas.

A hostile force ‘dancing across the ocean’ and making deadly landfall on a foreign shore is the subject of Neil Young’s Cortez The Killer, a song about the Spanish conquistador whose arrival in the Americas spelt the end of the Aztec civilisation.

In Emily Dickinson’s There came a wind like a bugle, sudden devastation hits a small town, but the source this time is natural rather than human – a powerful storm.

If one of the most notable arrivals in classical literature is Odysseus’s return to Ithaca and his subsequent routing of the suitors who had taken residence in his home, then surely one of the most famous departures is that of Aeneas from Carthage, leaving Dido in suicidal despair. This poignant moment is depicted here in Purcell’s opera Dido and Aeneas.

Aeneas is unsure as to whether he should leave Carthage to fulfill his destiny, or stay with the woman he loves, and Philip Larkin is equally ambiguous about the merits of turning one’s back on all that is familiar. In Poetry of Departures he acknowledges the bracing thrill that the idea of walking away from his current life gives him and yet, at the same time he sees such a move as “artificial/Such a deliberate step backwards”.

In contrast with these abrupt departures, Neptune – the final movement in Holst’s The Planets – is notable for the gradual nature of its ending. One of the first pieces of orchestral music to feature a fade-out, Holst stipulated that the women's choruses were "to be placed in an adjoining room, the door of which is to be left open until the last bar of the piece, when it is to be slowly and silently closed", and that the final bar (scored for choruses alone) is "to be repeated until the sound is lost in the distance".

These voices may dissolve into silence, leaving no trace, but absence is often most vividly and painfully denoted by what is left behind. Louis MacNeice’s poem The Suicide provides a meticulous portrait of an office, formerly occupied by a man who has just thrown himself out of the window.

My Man’s Gone Now from Gershwin’s Porgy and Bess is Serena’s lament after her husband is killed in a brawl. Her sorrow at this sudden and permanent departure is poignantly expressed here by one of the most eloquent voices of the 20th century – Miles Davis’s trumpet.

John Donne is insistent that there should not be a comparable outpouring of grief when he dies – the spiritual bond between him and his wife will endure despite him taking leave of his earthly existence. In the event, Donne outlived his wife by 14 years and deeply mourned her death.

Ne Me Quitte Pas sees an abject Jacques Brel begging his lover not to leave him. Brel’s live performances of this song were often gut-wrenchingly emotional, conveying the profound pain and terror of the prospect of the loved one closing the door behind them, never to return. This melancholy finality also resonates through Walter de la Mare’s poem Good-Bye.

We must go – it can’t be put off any longer. Rather than raging against our leave-taking, better to be resigned to it. In the Gospel of St Luke, the aged Simeon is content to die, having seen the infant Jesus and held him in his arms – Lord, now lettest thy servant depart in peace. So let us depart in peace with Arvo Pärt’s setting of the Nunc dimittis.

Producer: Torquil MacLeod

Music Played

00:00
George Frideric Handel
Sinfonia: Arrival of the Queen of Sheba
Performer: The Academy of Ancient Music, Christopher Hogwood (Conductor)
OISEAU LYRE 4105532 Tr.5

William Blake
Infant Sorrow, read by Neil Pearson

Vernon Scannell
First Child, read by Niamh Cusack

00:04
Peter Hammill
Autumn
Performer: Peter Hammill, Graham Smith (violin)
Charisma ?CASCD 1125 Tr.2

Dannie Abse
Return to Cardiff, read by Neil Pearson

00:11
Claudio Monteverdi
Scene 7: Ulisse. Dormo ancora
Performer: Fernando Guimaraes, Boston Baroque, Martin Pearlman (Music Director)
LINN CKD451 CD1 Tr.7

Constantine P. Cavafy, translated by Edmund Keeley
Ithaka, read by Niamh Cusack

00:18
Nίκος Σκαλκώτας
Overture for Orchestra ‘The Return of Ulysses’
Performer: BBC Symphony Orchestra, Nikos Christodoulou (Conductor)
BIS BISCD 13331334 CD2 Tr.13

Seamus Heaney (translator)
Beowulf, read by Neil Pearson

Ted Hughes
The Thought Fox, read by Ted Hughes
(BBC Archive recording 'Poetry Society's Diamond Jubilee Recital' broadcast on 10 February 1969)

00:27
Brian Eno
1/2
Performer: Brian Eno
VIRGIN ENOCD 6 Tr.3

Elizabeth Bishop
Arrival at Santos, read by Niamh Cusack

00:35
Già il sole?
SONY SM2K91135 CD2 Tr.15

00:37
Chi sia?
SONY SM2K91135 CD2 Tr.16

Denis Glover
Leaving For Overseas, read by Neil Pearson

00:41
Neil Young
Cortez The Killer
Performer: Neil Young & Crazy Horse
REPRISE 7599272262 Tr.8

Emily Dickinson
‘There came a wind like bugle’, read by Niamh Cusack

00:43
Henry Purcell
The Witches' Dance
Performer: Anne Sofie von Otter, Stephen Varcoe, The English Concert, Trevor Pinnock (Conductor)
ARCHIV 4276242 Tr.19

Philip Larkin
Poetry of Departures, read by Neil Pearson

00:48
Gustav Holst
Neptune, The Mystic
Performer: English Chamber Orchestra, Simon Rattle (Conductor)
HMV HMV5721392 Tr.7

Louis MacNeice
The Suicide, read by Niamh Cusack

00:56
George Gershwin/ Heyward
My Man’s Gone Now
Performer: Miles Davis, Gil Evans
Columbia Legacy 88697491992 Tr.9

John Donne
A Valediction: Forbidding Mourning, read by Neil Pearson

01:02
Jacques Brel
Ne Me Quitte Pas
Performer: Jacques Brel
El Records 5013929318533 Tr.17

Walter de la Mare
Good-Bye, read by Niamh Cusack

01:07
Arvo Pärt
Nunc Dimittis
Performer: Estonian Philharmonic Chamber Choir, Paul Hillier (conductor)
HARMONIA MUNDI HMU 907401 Tr.8