17 今週のお気に入り 03

ウィークエンドサンシャイン

ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2017年 1月14日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン

THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）

01. Wristband / Paul Simon // Stranger to Stranger
02. Baltimore / Prince // HitNRun Phase Two
03. Don't Know What It Means / Tedeschi Trucks Band // Let Me Get By
04. All Of Your Love / The Rolling Stones // Blue and Lonesome
05. I Can't Give Everything Away / David Bowie // Black Star
06. Skylark / Bob Dylan // Fallen Angels
07. I Knew / Bonnie Raitt // Dig In Deep
08. Every Time I See A River / Van Morrison // Keep Me Singing
09. Hard Times Come Again No More / Madeleine Peyroux // Secular Hymns
10. Motherless Children / Eric Clapton // Live In San Diego (With Special Guest JJ Cale)
11. The Soul Of A Man / Tom Waits // God Don't Never Change: The Songs of Blind Willie Johnson
12. Ruby Tuesday / Shawn Colvin & Steve Earle // Colvin & Earle
13. Hobo's Lullaby / Billy Bragg & Joe Henry // Shine A Light: Field Recordings From The Great American Railroad
14. Everything To Hide / Sarah Jarosz // Undercurrent
15. Peace Of Mind / Peter Wolf // A Cure For Loneliness
16. Blackhawk / Daniel Lanois & Emmylou Harris // The Life & Songs Of Emmylou Harris: An All-Star Concert Celebration

世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2017年 1月14日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
渡辺亨

− ツバメとワシとニワトリの音楽 −

楽曲

「チルドレンズ・ワルツ」
ゴンチチ
（2分42秒）
＜IN THE GARDEN XNHL-15004／B＞

「おんどりのマーチ」
カルメン・ミランダ
（2分43秒）
＜UNIVERSAL VICTOR MVCE24152＞

「ホエン・ザ・スワローズ・ネスト・アゲイン」
ジョー・ロス＆ヒズ・オーケストラ、チック・ヘンダーソン
（2分55秒）
＜VOCALION CDEA6184＞

「イーグル・アンド・ベア」
リントン・クウェシ・ジョンソン
（4分15秒）
＜ISLAND 25SI-211＞

「モンドンゴ・ロー」
ティンチョ・アコスタ
（2分43秒）
＜CUCHA！ DISCOS 009＞

「デスペラード」
ダイアナ・クラール
（3分31秒）
＜UNIVERSAL CLASSICS＆JAZZ UCCV-1150＞

「スルー・ジ・アイ・オブ・イーグル」
ケニー・ランキン
（2分41秒）
＜RHINO R2 72550＞

「ウン・マパ・ヂ・トレス・ポンタス」
アンドレ・メマーリ、アントニオ・ロウレイロ
（6分35秒）
＜NRT NKCD-1016＞

「スワロー・ソング」
ヴァシティ・バニヤン
（2分16秒）
＜WARLOCK MUSIC LTD. STEP04＞

「チキン・クク・ドゥー・クー」
映画「パジランギ・パイジャーン」サントラ
（5分45秒）
＜T SERIES SFCD1 2311＞

「セニョール・ブルース」
ホレス・シルヴァー・クインテット
（8分10秒）
＜TCB THE MONTREUX JAZZ LABEL TCB02402＞

「アンドリーニャ」
カルミーニョ
（2分29秒）
＜SOM LIVRE 3778-2＞

「チキン・グリース」
ディアンジェロ
（4分37秒）
＜東芝EMI TOCP-65218＞

「ベント・イーグル」
ジョージ・ラッセル
（6分10秒）
＜MILESTONE 47027＞

「つばめ」
カエターノ・ヴェローゾ
（2分41秒）
＜POLYGRAM DO BRASIL PHCA-166＞

「安里屋ユンタ」
ゴンチチ
（2分12秒）
＜ポニーキャニオン PCCA-01792＞

「スペースウェイ70」
ブルーノ・ペルナーダス
（7分19秒）
＜PATACA DISCOS DP00116＞

「ノーバディ・アザー」
カディア（カジャ）・ボネイ
（3分17秒）
＜FAT POSSUM REC. FP15762＞

「ペティ・ポ」
マティアス・アリアス
（6分20秒）
＜CLUB DEL DISCO CLUB052＞

Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9

Sat 14 Jan 2017
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b088j2lx
Alyn Shipton's selection includes music from Alison Rayner's quartet, currently on tour with featured guitarist Deirdre Cartwright. There's also Ellingtonia played by Chris Barber and Bob Hunt.

Music Played

01. Topsy
Oscar Peterson
Composers: Durham/ Battle
Performers: Oscar Peterson, p; Herb Ellis, g; Ray Brown, b; Buddy Rich, d.
Dec 1955
Three Classic Albums Plus
Avid 1106 CD2 Tr.9

02. Darn That Dream
John Graas
Composers: DeLange/ Van Heusen
Performers: Herb Geller, as; John Graas, frh; Don Fagerquist, t; Milt Bernhardt, tb; Marty Paich, p; Curtis Counce, b; Larry Bunker, d.
1954
Studio 2 From Hollywood
Columbia 330SX 7515 Side B Tr.2

03. Mayday
Alison Rayner
Composer: Rayner
Performers: Diane McLaughlin, reeds; Deidre Cartwright, g; Steve Lodder, kb; Alison Rayner, b; Buster Birch, d.
2016
A Magic Life
Blow The Fuse 1613 Tr.4

Smackwater Jack: Originals (Dig)

04. Guitar Blues Odyssey, From Roots To Fruits
Quincy Jones
Composer: Jones
Performers: Quincy Jones Orchestra plus: Eric Gale, Arthur Adams, Freddie Robinson, Joe Beck, Jim Hall, Toots Thielemans, g.
1971
Smackwater Jack
A&M Tr.8

05. Creole Love Call
Chris Barber & Bob Hunt
Composers: Ellington/ Miley
Performers: Chris Barber, Bob Hunt, tb; Paul Sealey, bj; John Slaughter, g; Vic Pitt, b; Colin Miller, d.
11 Dec 2000
Misty Morning
Timeless TTD 641 Tr.7

06. Petite Fleur (feat. Monty Sunshine)
Chris Barber
Composer: Bechet
Performers: Monty Sunshine, cl; Dickie Bishop, g; Chris Barber, b; Ron Bowden, d.
Great British Jazz
Smith and Co 1143 CD2 Tr.22

07. Otis Stomp
The Dime Notes
Composer: Andrew Oliver
Performers: Andrew Oliver, p; David Horniblow, cl; Dave Kelbie, g; Tom Wheatley, b.
2016
The Dime Notes
LeJazz Et Al LJCD16 Tr.7
https://thedimenotes.com/the-band/
08. Blues Excursion
Humphrey Lyttelton
Composer: Lyttelton
Performers: Humphrey Lyttelton, t; Wally Fawkes, cl; Bruce Turner, as; John Picard, tb; Johnny Parker, p; Freddy Legon, g; Jim Bray, b; Stan Greig, d.
25 Aug 1955
Bad Penny Blues
Lake 238 CD1 Tr.10

09. Fuming Duck
World Service Project
Performers: Dave Morecroft, key, v; Tim Ower, s; Raphael Clarkson, tb, v; Arthur O'Hara, b; Harry Pope, d.
2016
For King and Country
Rare Noise Tr.2

Geoffrey Smith's Jazz
Geoffrey Smith's Jazz does exactly what it says on the tin: a weekly programme in which Geoffrey Smith shares his love of jazz, through an exploration of its great writers, singers and players, as told from his own individual perspective.
Each programme take us through his personally-selected playlist of tracks. It's loosely-themed; maybe a great artist, a jazz style or something more off-the-wall. But that serves as just the start of a fascinating journey to the heart of the music Geoffrey is so passionate about.
http://www.bbc.co.uk/programmes/b01h5z0s

Hank Mobley
Sun 15 Jan 2017
00:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b088j3cw
A key presence on the iconic Blue Note label, tenorist Hank Mobley (1930-86) was a hard bop star in the 1960s. Geoffrey Smith surveys his unique work with Art Blakey, Miles Davis and his own hard-driving ensembles.

Music Played

01. The Preacher
Horace Silver
Retrospective
Blue Note

02. This I Dig Of You
Hank Mobley
Soul Station
Blue Note

03. Dig Dis
Hank Mobley
Soul Station
Blue Note

04. Take Your Pick
Hank Mobley
Roll Call
Blue Note

05. The Best Things In Life Are Free
Hank Mobley
Workout
Blue Note

06. Smokin'
Hank Mobley
Workout
Blue Note

07. Old Folks
Miles Davis
Some Day My Prince Will Come
Essential Jazz Classics

08. Three Coins In A Fountain
Hank Mobley
Another Workout
Blue Note

09. No Room For Squares
Hank Mobley
NO ROOM FOR SQUARES
BLUE NOTE

Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f

Sons and Daughter of the Soil
Sun 15 Jan 2017
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b088j46s
Emilia Fox and Alex Jennings with a selection of readings and music reflecting the lives of those who work the land, including poems by
Robert Frost, Thomas Hardy, Sasha Dugdale, Dylan Thomas and Virgil. Music of an agricultural nature comes from Benjamin Britten, Debussy, Duke Ellington, Scott Walker and Ivor Gurney among others.

Producer's Notes

Working the land is an increasingly rare occupation in industrialised societies, but two centuries ago most of us would have been sons and daughters of the soil. Hardly surprising then that this close working relationship with nature – its attendant pleasures and hardships – has for a long time been a source of inspiration to writers and composers.

We begin with The Merry, Merry Milkmaids played by The City Waites. This is one of the dance tunes published by John and Henry Playford in the first edition of The English Dancing Master in 1651. The title suggests an idealisation of the lot of agricultural workers which we shall encounter again elsewhere.

We meet another group of milkmaids in Thomas Hardy’s We Field-Women. This poem is a pithy distillation of the section in Tess of the D’Urbevilles which sees Tess and her fellow workers enduring a miserable winter in the cheerless fields of Flintcomb Ash, before returning with relief to the Vale of the Dairies when spring comes.

While the artist who takes farming as their subject can sometimes appear to be an outsider, observing working-class life from a distance, this cannot be said of the poet John Clare. His father was a farm labourer and Clare followed the same path as a child. In The Milking Hour he sketches an idyllic scene – the narrator accompanies his milkmaid love across the fields in the early evening. Absorbed in conversation as she milks the cows, they reminisce fondly about the times they have spent together, little knowing that this will be their last.

The Little Shepherd is part of the Children’s Corner suite that Debussy wrote for his daughter Chouchou. Composed originally for solo piano, this transcription for bassoon by Bronislav Prorvich is played by Karen Geoghegan, accompanied by Philip Fisher. It captures the wistful solitude of a shepherd playing his flute as he minds his sheep.

A shepherd is a rare sight in the British landscape these days and more likely to be riding a quad bike than playing a flute. In her poem Shepherds, Sasha Dugdale conjures up the shades of those who used to tend their flocks on the South Downs in Sussex but are now long gone.

The Shepherd (Who Watches Over The Night Flock) is taken from Duke Ellington’s Second Sacred Concert. Both the Old and New Testaments of the Bible abound with shepherds, both real and metaphorical, and the idea of the good shepherd resonates through the Judeo-Christian tradition. Pastors (derived from the old French for shepherd or herdsman) are still spoken of as looking after their flocks.

Shepherding, as we have seen it portrayed so far, is a lonely business, as were other traditional ways of living off the land. The man who Robert Frost’s narrator meets in The Gum Gatherer lives on his own on the side of a mountain and makes his living by harvesting gum from spruces. A pleasant life, according to the narrator, but then the outsider doesn’t necessarily see the whole picture.
But it’s not all solitude in the countryside. The third movement of Beethoven’s Symphony No. 6 (‘Pastoral’) is titled Peasants’ Merrymaking and evokes a welcome release from the hard slog of working in the fields. You can almost hear the well-worn boots shaking the ground with exuberant dances.

It’s at another rural knees-up that we meet James K. Baxter’s Farmhand, this time in New Zealand rather than Germany. Standing outside the dance-hall, his awkwardness and reticence to join the young women inside is contrasted with his effortless self-assurance when he’s about his work back on the farm.

The farmboy in XTC’s Love on a Farmboy’s Wages has problems of a different nature. He’s met the woman who he wants to marry, but although they plan for their wedding, he can’t see how it can ever happen while he earns so little.

By contrast, Christopher Marlowe’s Passionate Shepherd goes all out to entice the shepherdess who has caught his eye, listing the many gifts and delights that he can offer her. Since these include slippers with gold buckles and a belt with coral clasps and amber studs, one can only conclude that watching over flocks was a surprisingly lucrative line of work in the Elizabethan era.

While we muse upon 16th century agrarian economics, here’s Stephen Jaffe’s pastoral work The Rhythm of the Running Plough. Jaffe took the title from these lines by the poet William Everson:

The fragrance of the earth rises like tule-pond mist
Shrouding me in impalpable folds of sweet, cool smell,
Lulling my senses to the rhythm of the running plough,
The jingle of the harness
And the cries of the gleaming, bent-winged birds.

A return to the apparently simple and carefree existence of living off the land can seem very appealing to the jaded urbanite. The life that W. B. Yeats proposes in The Lake Isle of Innisfree could hardly sound more inviting, but it smacks of an idealism that could only be conjured up by someone living in the heart of a city.

At the same time, the hardship and isolation of a traditional rural life could make an aspirational farm worker yearn for the luxuries and excitements of urban living. In the traditional song The Ploughboy – sung here by Peter Pears, in an arrangement by Benjamin Britten – the young lad has already escaped from the muddy furrow to become a footman and dreams of climbing higher and higher up the social ladder, eagerly embracing every means of advancement, no matter how corrupt.

For Dylan Thomas, the childhood visits to his aunt’s farm that he recalls in Fern Hill, have become bittersweet memories of a boyhood idyll, an innocent bucolic past from which he is forever banished.

Scott Walker’s Farmer in the City sounds like a man struggling to acclimatise himself to unfamiliar surroundings. Although Walker was writing, albeit obliquely, about the death of writer and film director Pier Paolo Pasolini, the song reminds me of another Italian – Marcovaldo, the fictional creation of writer Italo Calvino. Marcovaldo is a man from the country who moves to an industrial city and constantly attempts to pursue the rural habits and pastimes that are familiar to him, but in an urban environment. The results are not entirely successful.

In his poem The Farmer, W.D. Ehrhart plays with the metaphor of the writer as a labourer in the fields, toiling hard on unpromising soil with no certainty of a good harvest. Seamus Heaney also draws parallels between writing and working the land in Digging, continuing the determined labour of his father and grandfather, but with a pen, not a spade.

The passing of the skills and traditions of farming from one generation to the next is also celebrated by another Irish poet - Joseph Campbell - in I Will Go with My Father a-Ploughing, set to music by Ivor Gurney and sung by Susan Bickley.

Wordsworth’s poem The Solitary Reaper underlines again both the isolation that can go hand in hand with farming and how agricultural workers can seem remote and unknowable to outsiders (who may find themselves guilty of romanticising their lives). Especially so in this case, when they are divided by language.

There’s another solitary figure in the landscape in Norwegian composer Harald Saeverud’s short piano piece Hjuringen ‘pi eismodal (Shepherd Boy’s Lonely Vigil), part of his Tunes and Dances from Siljustol, his home in the countryside just outside Bergen.

As mentioned earlier, until comparatively recently in human history, most people would have been involved in farming in some way (even today agriculture is still the largest global provider of jobs, employing over 1.3 billion people or close to 40% of the world’s population). Hardly surprising then to find references to horticulture and animal husbandry in classical literature. Virgil’s Georgics, published in 29 BC, is a poem specifically about these subjects, providing a ‘how to’ guide in hexameters. In this extract, the poet ends by wistfully recalling the days before Jove ushered in the age of agriculture, when the earth gave freely of its bounty without incessant human toil.

This is clearly a time that blues singer Big Bill Broonzy would have welcomed. As a young man he worked as a sharecropper until his crop and stock were wiped out by drought. In Plow Hand Blues he imagines how heartily sick of that life a man would be if he’d spent 40 years behind the plough.

The Welsh poet R. S. Thomas challenged the cosy view of the traditional pastoral poem with vivid, unsentimental views of rural life, reflecting the harsh, impoverished existences he saw around him. In Soil, the worker’s world is defined and circumscribed by the earth from which he lifts swedes. He almost grows out of the soil himself, a dogged, uncomplaining feature of the landscape.

We end with a cautionary note on the unintended consequences of human cultivation of the land. Virgil Thomson wrote the soundtrack for the 1936 documentary The Plow that Broke the Plains. This film told the story of the Dust Bowl – the ecological disaster that hit the North American prairies during the 1930s as a result of drought and deep ploughing. This final part of Thomson’s suite is titled Devastation – a reminder that our sons and daughters of the soil have the capacity to do harm as well as good.

Producer: Torquil MacLeod

Music Played

00:00
Trad.
The Merry, Merry Milkmaids
Performer: The City Waites
SOUNDALIVE SAMHCCD009 Tr.20

Thomas Hardy
We Field-Women, read by Emilia Fox

John Clare
The Milking Hour, read by Alex Jennings

00:04
Achille-Claude Debussy
The Little Shepherd, No.5 from 'Children's Corner'
Performer: Karen Geoghegan (bassoon), Philip Fisher (piano)
CHANDOS CHAN10521 Tr.17

Sasha Dugdale
Shepherds, read by Emilia Fox

00:08
Duke Ellington
The Shepherd (Who Watches Over The Night Flock)
Performer: Duke Ellington
PRESTIGE 000252 18544528 Tr.6

Robert Frost
The Gum Gatherer, read by Alex Jennings

00:17
Ludwig van Beethoven
Symphony No 6 in F major, Op.68 – Allegro: Peasants’ Merrymaking
Performer: Philharmonia Orchestra, Otto Klemperer (conductor)
EMI CDC7471882 Tr.3

James K. Baxter
Farmhand, read by Emilia Fox

00:24
Andrew John Partridge
Love On A Farmboy’s Wages
Performer: XTC
Virgin ?– CDVD 2811 CD2 Tr.3

Christopher Marlowe
The Passionate Shepherd to his Love, read by Alex Jennings

00:29
Stephen Jaffe
The Rhythm of the Running Plough
Performer: The Prism Orchestra, Robert Black (conductor)
BRIDGE BCD9047 Tr.1

W.B. Yeats
The Lake Isle of Innisfree, read by Emilia Fox

00:40
Benjamin Britten
The Ploughboy
Performer: Peter Pears (tenor), Benjamin Britten (piano)
LONDON 4300632 Tr.21

Dylan Thomas
Fern Hill, read by Alex Jennings

00:45
Scott Walker
Farmer In The City
Performer: Scott Walker
Fontana ?– 526 859-2 Tr.1

W.D. Ehrhart
The Farmer, read by Emilia Fox

Seamus Heaney (BBC Radio 3 Archive)
Digging, read by Seamus Heaney

00:54
Ivor Gurney
I will go with my father a-ploughing
Performer: Susan Bickley (mezzo-soprano), Iain Burnside (piano)
NAXOS 8572151 Tr.14

William Wordsworth
The Solitary Reaper, read by Alex Jennings

00:58
Harald Sæverud
Hjuringen ‘pi eismodal (Shepherd Boy’s Lonely Vigil)
Performer: Einar Steen-Nøkleberg
NAXOS 8554301 Tr.34

Virgil (translated by C. Day Lewis)
Georgics, read by Alex Jennings

01:02
Big Bill Broonzy
Plow Hand Blues
Performer: Big Bill Broonzy
Indigo Recordings ?– IGOCD 2076 Tr.20

R.S. Thomas
Soil, read by Emilia Fox

01:06
Virgil Thomson
The Plow that Broke the Plains - Suite - Devastation
Performer: The New London Orchestra, Ronald Corp (conductor)
HELIOS CDH55169 Tr.6