ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2017年10月 7日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）
01. Anything That's Rock ’N’ Roll / Tom Petty & The Heartbreakers // Tom Petty & The Heartbreakers
02. We've Only Got So Much Time Here / Jim Lauderdale // London Southern
03. What Have You Got To Lose / Jim Lauderdale // London Southern
04. Get It While You Can (Mono Single) / Janis Joplin // The Pearl Sessions
05. Singing In My Soul / Lizz Wright // Grace
06. Every Grain Of Sand / Lizz Wright // Grace
07. Do We Choose Who We Love / Waterboys // Out Of All This Blue
08. If I Was Your Boyfriend / Waterboys // Out Of All This Blue
09. Morning Came Too Soon / Waterboys // Out Of All This Blue
10. 14 Steps to Harlem / Garland Jeffreys // 14 Steps To Harlem
11. Time Goes Away / Garland Jeffreys // 14 Steps To Harlem
12. The Crow On The Cradle / Jackson Browne // The Road East - Live In Japan
13. These Days / Jackson Browne // The Road East - Live In Japan
14. ホーハイ節(アフロ) / Minyo Crusaders! (民謡クルセイダーズ) // 民謡しなけりゃ意味ないね
15. I Gotta Girl She Lives Up On The Hill / CeDell Davis // The Best Of CeDell Davis
16. Blue Monk / Thelonious Monk Quartet With John Coltrane // At Carnegie Hall
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2017年10月 7日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
渡辺亨
− 888の音楽 −
楽曲
「デボニアン・パレード」
ゴンチチ
（4分13秒）
＜EPIC／SONY ESCB1050＞
「ハニー、ハニー、ハニー」
ハダ・ブルックス
（2分53秒）
＜ACE CDCHD453＞
「OOOOOOOO」
タイース・グリン
（3分20秒）
＜SLAP SLAP1853-2＞
「アフター・8PM」
ラーシュ・グリン
（5分28秒）
＜COLLECTABLES REC. COL-CD-6278＞
「タルサまでの24時間」
ジーン・ピットニー
（2分58秒）
＜VICTOR VIP-4001＞
「アソシエーション」
ジャンピエーロ・ボネスキー
（2分09秒）
＜詳細不明 NO NUMBER＞
「ア・フォーカ」
オルケストラ・インペリアル
（3分12秒）
＜SONY MUSIC 88883738162＞
「ソルチ」
セルソ・フォンセカ
（3分26秒）
＜MUSIC FROM EMI 5130032＞
「ラッキー」
ルイス・テイラー
（6分31秒）
＜POLYGRAM PHCR-1842＞
「アリラン」
ロジャー・ワン
（4分14秒）
＜EQ MUSIC PTE LTD. EA70395＞
「イージー・リヴィング」
ポール・デズモンド
（7分07秒）
＜BMGビクター R25J-1014＞
「ザ・カード・チート（いかさまカード師）」
ザ・クラッシュ
（3分50秒）
＜EPIC REC. ESCA7819,7820,7821＞
「ルエダス」
マルコ・サンギネッティ
（4分33秒）
＜ACOUA REC. AQ399＞
「ネプチューン」
スフィアン・スティーヴンス、ブライス・デスナー、ニコ・ミューリー＆ジェームス・マカリスター
（3分05秒）
＜BEAT REC. 4AD0009CD＞
「クララ」
オルロフ・アルナルズ
（2分29秒）
＜TPLP？ TPLP1033CD＞
「セクシャル・ヒーリング」
マーヴィン・ゲイ
（4分00秒）
＜SME REC. SRCS8817,8818＞
「船乗りとタコの友情」
ゴンチチ
（1分46秒）
＜EPIC ESCL3738＞
「聖歌」
マリ・ボイネ
（4分23秒）
＜UNIVERSAL UCCM-1037＞
「ディアメンテ」
アイルトン・モンタホヨス
（2分48秒）
＜NO IMFORMATION NO IMFORMATION＞
「デュアル」
ハファエル・マルチニ・セクステット＆ヴェネズエラ・シンフォニック・オーケストラ
（6分55秒）
＜SPIRAL REC. HITP-1101＞
Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9
Thelonious Monk at 100
Sat 7 Oct 2017
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b0977f8w
In the week of Thelonious Monk's centenary, Alyn Shipton includes music by Monk's quartet, requested by listeners to mark the occasion, amid other suggestions for music from all styles and periods of jazz.
Music Played
01. Trinkle Trinkle
John Donaldson
Composer: Monk
Performers: John Donaldson, p; Oli Hayhurst, b; Asaf Sirkis, d.
2005
Music Box
Woodville CD 110 Tr.1
02. Kilimanjaro Cookout
Buddy Rich
Composer: Manny Albam
Performers: Buddy Rich, d; Joe Beck, g; Pat La Barbera, ss, ts; Joe Riomero, Bob Martin, as; John Laws, bs; Greg Hopkins, Charlie Davis, John Hoffman, Larry Hall, t; Alan Kaplan, Keith O’Quinn, John Leys, tb; Buddy Budson, p; Tony Levin, b; Sam Woodyard, per.
1973
The Roar of 74
LRC 24103 Tr.2
03. Parallel Corners
Kilimanjaro Dark Jazz Ensemble
Composers: Kiers/ Kohnen
Performers: Nina Hitz, cello; Hilary Jeffries, tb; Jason Kohnen, g, b; Gideon Kiers, kb, programming
2006
Kilimanjaro Dark Jazz Ensemble
Planet Mu ZIQ141 Tr.5
04. I'm In The Mood For Love
Benny Waters
Composers: Fields/ McHugh
Performers: Benny Waters, ts; Red Richards, p; Vic Juris, g; John Williams, Jr, b; Jackie Williams, d.
1993
Plays Songs of Love
JazzPoint 1039 Tr.3
05. Saw Mill Man Blues
Mezzrow-Bechet Septet
Composers: Mezzrow/ Wilson
Performers: Hot Lips Page, t; Sidney Bechet, ss; Mezz Mezzrow, cl; Sammy Price, p; Danny Barker, g; Pops Foster, b; Sid Catlett, d; Cousin Joe, v.
30 June 1945
The King Jazz Records Story
Storyville 1088611 CD2 Tr.2
06. Royal Garden Blues
Sidney Bechet
Composer: Williams
Performers: Bunk Johnson, t; Sidney Bechet, cl; Ray Parker, p; 'Pops' Foster, b; George Thompson, d.
Boston, 3 April 1945
Jazz Nocturne Vol.1: Bunk, Bechet and Bocage in Boston
Jazz Crusade 3036 Tr.4
07. A Fine Romance
Billie Holiday
Composers: Fields/ Kern
Performers: Bunny Berigan, t; Irving Fazola, cl; Clyde Hart, p; Dick McDonough, g; Artie Bernstein, b; Cozy Cole, d; Billie Holiday, v.
29 Sept 1936
The Lady Sings
Proper Properbox 26 CD1 Tr.10
08. The Last Blues
John Coltrane
Composer: Coltrane
Performers: John Coltrane, ts; Jimmy Garrison, b; Elvin Jones, d.
June 1965
Living Space: The Classic Quartet - Complete Studio Recordings
Impulse IMPD8 280 CD4 Tr.7
09. You Must Believe In Spring
Bill Evans & Tony Bennett
Composers: Bergman/ Demy
Performers: Tony Bennett, v; Bill Evans, p.
1977
Together Again
Concord 7117 Tr.10
10. Köln Concert - Part Ⅱ C
Keith Jarrett
Composer: Jarrett
Performer: Keith Jarrett, p.
24 Jan 1975
The Köln Concert
ECM 810 067-2 Tr.4
11. Lulu's Back In Town
Thelonious Monk
Composers: Dubin/ Warren
Performers: Thelonious Monk, p; Charlie Rouse, ts; Butch Warren, b; Ben Riley, d.
1964
It's Monk Time
Columbia CS 8984 Tr.1
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Hildegard Bechtler
Sun 8 Oct 2017
12:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b0977h2z
As part of the BBC's opera season, designer Hildegard Bechtler talks to Michael Berkeley about her favourite music and some of the twenty-seven operas she has worked on all over the world.
Hildegard is one of our most prolific and successful theatre and opera designers. Born in Germany, she moved to Britain aged eighteen, and very quickly established herself first in film, then in theatre and opera. Her style combines wit and invention to deliver minimalist style with maximum impact.
She has designed for every major theatre and opera company including the Royal Opera, ENO, Glyndebourne, and the Royal National Theatre. And the international nature of her work is typified by one of her most recent productions - Thomas Adès's new opera The Exterminating Angel - staged in Salzburg, Copenhagen, Covent Garden, and the Metropolitan Opera in New York.
Hildegard chooses music from two operas she has worked on, The Ring Cycle and The Damnation of Faust; a Burns song which reminds her of her love of Scotland and her husband, the actor Bill Paterson; and a piece by her namesake, Hildegard of Bingen.
Producer: Jane Greenwood
A Loftus production for BBC Radio 3
Music Played
00:04
Richard Wagner
Gotterdammerung (final scene)
Orchestra: Orchester der Bayreuther Festspiele
Conductor: Karl Böhm
00:12
Thomas Adès
Powder her Face (opening)
Singer: Valdine Anderson
Singer: Niall Morris
Ensemble: Almeida Ensemble
Conductor: Thomas Adès
00:22
Traditional
Taruna Jaya
Ensemble: Gamelan Ensemble
00:30
Traditional
Now Westlin' Winds
Singer: Dick Gaughan
00:36
Hector Berlioz
La Damnation de Faust (Easter Hymn)
Singer: Giuseppe Sabbatini
Orchestra: London Symphony Orchestra
Conductor: Colin Davis
00:46
Bob Dylan
She Belongs to Me
Singer: Bob Dylan
00:50
Hildegard von Bingen
O vis aeternitatis
Ensemble: Sequentia Ensemble
Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f
Image: 26th April 1955: A youth makes his homemade robot walk. (Credit: Keystone / Getty Images)
I Robot
Sun 8 Oct 2017
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b0977ltl
Readers Kenneth Colley and Yolanda Kettle. From Descartes' thought experiments on the way clockwork illuminates animal nature, via Hoffmann's humorous but slightly anxious fantasia about the chaos caused when an automaton is introduced into polite society, to modern science fiction's explorations of how humans and robots might ultimately meet in an apocalyptic conflict. With music from Bach, Haydn and Handel, to Ligeti, Stockhausen and Reich, and Aphex Twin.
Producer's Notes
Early on in the process of making this programme some people I spoke to expressed scepticism about the idea that there would be enough relevant material in the classical canon to sustain a programme like this about robots. It is true that the word ‘robot’ did not enter the language until the 20th century, in Karel Capek’s play R.U.R (Rossum’s Universal Robots), and I’ve included an excerpt from that work in the programme (although Capek’s robots are not exactly robots as we often think of them, i.e, mechanical men – they’re flesh-and-blood workers engineered just to work). But despite the relatively recent introduction of the word, the concept of a robot is a point of convergence for lots of human preoccupations which are as old as the hills: How will technology change us? What should our relationship with work be like? How should we deal with conflict? Where should we find comfort? What does it mean to be alive? Surely these questions and others like them are dealt with at length in all areas of human culture.
After an electronic rendition of Bach’s modulating canon from the Musical Offering, arranged to play on an endless loop, we hear Robert Pinsky’s imaginative unveiling of the arrival of the robots in his poem ‘The Robots’. After that we have a sequence of words and music exploring pre-industrial Europe’s fascination with the cultural predecessor of the robot, the automaton. From Descartes and Diderot using the example of the automaton as a reference point to debate what sets living things apart from everything else, and what distinguishes rational beings as a subset of living things, we move to Hoffmann’s rather more anxious – and humerous – exploration of the same question. Bird automata feature in several of the readings, so Messiaen’s study of bird song is joined with part of the second movement of Haydn’s 100th Symphony, inspired by clockwork, and music inspired directly by automata from Tchaikovsky and Offenbach. An extract from Handel’s warlike oratorio Judas Maccabaeus acknowledges the (modern) use of robots in warfare, and the last movement of Mozart’s 11th Piano Sonata is a nod to the 18th century hoax The Mechanical Turk – supposedly an automaton capable of playing chess.
The further we move into the 20th century, the more anxious the extracts become, but they also take on a visionary edge. Philip K. Dick’s depiction of the melancholy of a comfort robot is joined by a rendition of Ligeti’s study for piano Vertige, arranged for player piano; an extract from Capek’s RUR, describing the robot for the first time, as a soulless worker, is set off on the one hand by the translucent lightness of Steve Reich’s Music for 18 Musicians, surely a response on some level to the experience of mechanisation, and on the other by the extremely human lament of the Hebrew slaves, from Verdi’s Nabucco.
The idea that robots will ultimately destroy humanity is broached and explored in two extracts from Isaac Asimov, Borges poem about chess, and a reflection on where it all might end from Sara Teasdale (the title of which was borrowed by Ray Bradbury for a short story about a robotised house at the nuclear apocalypse) along with a piece of techno futurism from Aphex Twin, and some more frantic music for player piano, this time a study by Colnon Nancarrow.
We finish where we started, with Bach’s never ending canon.
Producer: Luke Mulhall
Music Played
00:00
Johann Sebastian Bach
Modulating canon from A Musical Offering
Performer: Michael Monroe
N/A – I took it from his website
http://mmmusing.blogspot.co.uk/2008/03/canon-loop.html
Tr N/A
Robert Pinsky
The Robots
Reader: Yolanda Kettle
00:03
Karlheinz Stockhausen
Tierkreis, Pisces & Aries
Performer: Suzanne Stephens & Kathinka Pasveer
STOCKHAUSEN35 Trs.47-52
Edmund Spenser
The Fairie Queen, Bk 6, extract
Reader: Kenneth Colley
Christopher Marlowe
Hero & Leander, extract
Reader: Yolanda Kettle
Rene Descartes
Discourse on Method
Reader: Kenneth Colley
00:14
Joseph Haydn
Symphony No.101 in D ‘Clock’, 2. Andante
Performer: Sir Neville Marriner, Academy of St Martin-in-the-Fields
PHILIPS 4208662 [1] Tr.6
Denis Diderot
Conversation Between D’Alambert & Diderot
Reader: Yolanda Kettle
00:20
Olivier Messiaen
Le merle noir
Performer: Peter-Lukas Graf, Michio Kobayashi
CLAVES CD500704 [1] Tr.9
E.T.A. Hoffmann
The Sandman
Reader: Kenneth Colley
Philip K Dick
Do Androids Dream of Electric Sheep?
Reader: Yolanda Kettle
00:36
Georgy Ligeti
Etudes for Piano arranged for Player Piano, no.IX Vertige
Performer: Jurgen Hocker
SONY SK62310 Tr.19
Douglas Adams
Life, The Universe & Everything
Reader: Kenneth Colley
00:39
Mozart
Piano Sonata no.11 in A major K.331, 3. Alla Turca, Allegrino
Performer: Noriko Ogawa
BISSACD1985 [1] Tr.6
L. Frank Baum
Osma of Oz
Reader: Yolanda Kettle
00:45
Steve Reich
Music for 18 Musicians 1. Pulses
Performer: Steve Reich and Musicians
NONESUCH 7559794482 [1] Tr.1
Karel Capek
R.U.R
Reader: Kenneth Colley
Isaac Asimov
Runaround
Reader: Kenneth Colley
00:58
Aphex Twin
To Cure A Weakling Child: Contour Regard
Performer: Aphex Twin (Richard David James)
Crysalis Music Ltd. Tr.5
Isaac Asimov
The Evitable End
Reader: Yolanda Kettle
01:04
Conlon Nancarrow
Study for Player Piano No.21
Performer: Conlon Nancarrow
WERGO WER60166750 [2] CD1 Tr.8
Jorge Louis Borges
The Game of Chess
Reader: Kenneth Colley
01:08
n/a
HAL 9000
Performer: n/a
n/a. Tr.13
Sara Teasdale
There Will Come Soft Rains
Reader: Yolanda Kettle
01:10
Johann Sebastian Bach
Modulating canon from A Musical Offering
Performer: Michael Monroe
N/A – I took it from his website here
http://mmmusing.blogspot.co.uk/2008/03/canon-loop.html
Tr N/A
