ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2018年 2月 3日（土）
放送時間： 午前7:20〜午前9:00（100分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）
01. Happy New Year / Jools Holland & Jose Feliciano // As You See Me Now
02. I’m A Doggy / Marvin Pontiac // The Legendary Marvin Pontiac - Greatest Hits
03. Cool Cats / Tony Allen // The Source
04. 福は内鬼は外 / 鈴木茂 + 青山陽一 // 細野晴臣 STRANGE SONG BOOK -Tribute To Haruomi Hosono 2
05. AIWOIWAIAOU / Dr. John // 細野晴臣 STRANGE SONG BOOK -Tribute To Haruomi Hosono 2
06. Stone Free / The Jimi Hendrix Experience // BBC Sessions
07. (I Know) I’m Losing You / Dave Stewart & Barbara Gaskin // As Far As The Dreams Can Go
08. Unhome / Hugh Masekela // Home Is Where The Music Is
09. Let Your Light Shine On Me / Ry Cooder & The Chicken Skin Band // Live In Hamburg 1977
10. How Come People Act Like That / Hans Theessink & Terry Evans // Delta Time
11. Shakespeare Didn't Quote That / Terry Evans // Blues For Thought
12. If You Haven't Any Hay / Maria Muldaur // Waitress In A Donut Shop
13. Baby King / Marc Cohn // The Rainy Season
14. I Shall Not Be Moved / Pops Staples // Peace To The Neighborhood
15. Oh Happy Day / Edwin Hawkins Singers // Testify: The Gospel Box
16. Love Will Tear Us Apart / June Tabor And Oysterband // The Real Sound of Folk Music
17. Deal With That / J.Lamotta Feat. Roni Meir & Noritsu // Conscious Tree
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2018年 2月 3日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
渡辺亨
− すぐにの音楽 −
楽曲
「ハリー・アップ！」
ゴンチチ
（2分30秒）
＜（株）フライング・ドッグ VTCL-60434＞
「ハネムーン・エクスプレス」
ウェンディ＆リサ
（3分40秒）
＜コロムビアレコード CK40862＞
「宝くじに当たったら」
浦朋恵
（3分43秒）
＜P-VIE PCD-24672＞
「12月の雨」
荒井由実
（3分09秒）
＜アルファレコード 35XA-44＞
「サイクリング」
ジャンピエーロ・ボネスキー
（3分04秒）
＜NO INFORMATION NO NUMBER＞
「国際電報」
セルジュ・ゲンスブール
（3分30秒）
＜UNIVERSAL UICY-3150＞
「エアメイル・スペシャル」
エラ・フィッツジェラルド
（4分32秒）
＜UNIVERSAL UCCV-1171＞
「テレフォン」
ザップ・ママ
（3分48秒）
＜東芝EMI VICP-25309＞
「イッツ・トゥー・スーン・トゥー・ノウ」
ピート・ワーニック＆フレクシグラス
（2分37秒）
＜NIWOT REC. NR-2007＞
「コンケイヴ2」
ホアン・アトキンス＆モーリッツ・フォン・オズワルド
（9分39秒）
＜TRESOR REC. TRESOR296＞
「ラヴド・ライト・アウェイ」
カルリーニョス・ブラウン
（3分50秒）
＜SONY BMG MUSIC 88697027852＞
「サムデイ・スーン」
アレクシ・マードック
（4分44秒）
＜ZERO SUMMER REC. ATOZM49710＞
「スーン」
ザ・ブルーナイル
（5分22秒）
＜VIRGIN REC. 00602537618071＞
「ラヴズ・イン・ニード・ラヴ・トゥデイ」
スティーヴィー・ワンダー
（7分09秒）
＜POLYDOR POCT-1586＞
「短めの昼食」
ゴンチチ
（2分23秒）
＜IN THE GARDEN XNHL-15004／B＞
「サンキュー・ニュー・ヨーク」
クリス・シーリー
（4分50秒）
＜NONESUCH 564711-1＞
「ザ・プリグリムズ・ソング」
ザ・グローミング
（6分54秒）
＜REAL WORLD REC. LPRW212＞
「ウム・コルポ・ノ・ムンド」
ルエヂジ・ルーナ
（6分23秒）
＜POMM_ELO POMM0028＞
Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9
Sat 3 Feb 2018
16:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b09qclq3
In this week's selection from listeners' requests for all styles and periods of jazz in emails and letters, Alyn Shipton includes a classic track by trumpeter Lee Morgan and Wayne Shorter, as well as more traditional sounds from Frankie Trumbauer, Pee Wee Russell and Muggsy Spanier.
Music Played
01. Optimism
Christian McBride
Composer: Steve Davis
Performers: Frank Greene, Freddie Hendrix, Brandon Lee, Nabat Isles, t; Steve Davis, Michael Dease, James Burton, Douglas Purviance, tb; Steve Wilson, Todd Bashaw, Ron Blake, Dan Pratt, Carl Maraghi, reeds; Xavier Davis, p; Christian McBride, b; Quincy Phillips, d.
2017
Bringin' It
Mack Avenue Tr.11
02. To You
Duke Ellington & Count Basie
Composer: Thad Jones
Performers: Sonny Cohn, Thad Jones, Lonnie Johnson, Snooky Young, t; Henry Coker, Quentin Jackson, Benny Powell, Urbie Green, tb; Marshall Royal, Budd Johnson, Frank Wess, Frank Foster, Charlie Fowlkes, reeds; Count Basie, p; Freddie Green, g; Eddie Jones, b; Sonny Payne, d; Ed Mullins, Fats Ford, Willie Cook, Cat Anderson, Ray Nance, t; Juan Tizol, Laurence Brown, Louis Blackburn, tb; Jimmy Hamilton, Russell Procope, Harry Carney, Johnny Hodges, Paul Gonsalves, reeds; Aaron Bell, b; Sam Woodyard, d.
Jul 1961
First Time (on Ellington 4 classic albums)
Avid 1158 CD2 Tr.13
03. Yesterday I Heard The Rain
Simon Spillett
Composers: Lees/ Manzanero
Performers: Simon Spillett, ts; John Critchenson, p; Alec Dankworth, b; Clark Tracey, d.
2013
Square One
Gearbox 1512 Side A Tr.3
04. You Go To My Head
Lee Morgan
Composers: Coots/ Gillespie
Performers: Lee Morgan, t; Wayne Shorter, ts; Harold Mabern, p; Bob Cranshaw, d; Billy Higgins, d.
1965
The Gigolo
Blue Note 854212 Tr.5
05. Les Oignons
Sidney Bechet & Claude Luter
Composer: trad
Performers: Guy Lognon, Claude Rabanit, t; Bernard Zacharias, tb; Claude Luter, cl; Sidney Bechet, ss; Raymond Fol, p; Claude Philippe, bj; Roland Bianchini, b; Moustache Galepides, d.
30 May 1952
Moulin à Café
Milan 399 277-2 Tr.3
06. Blue and Sentimental
Humphrey Lyttelton
Composers: Basie/ Livingston/ David
Performers: Humphrey Lyttelton, t; John Picard, tb; Tony Coe, Ronnie Ross, as; Jimmy Skidmore, Kathy Stobart, ts; Joe Temperley, bs; Ian Armit, p; Brian Brockleurst, b; Eddie Taylor, d.
9 Feb 1959
1959
Lake 282 CD1 Tr.10
07. Shivery Stomp
Frankie Trumbauer
Composer: Ellis
Performers: Andy Secrest, Charles Margolis, t; Bill Rank, tb; Min Leibrook, Izzy Friedman, Charles Strickfadden, reeds; Joe Venuti, vn; Lennie Hayton, p; Eddie Lang, g; George Marsh, d.
22 May 1929
1928-1929
Classics 1216 Tr.24
08. Jazz Me Blues
Muggsy Spanier
Composer: Delaney
Performers: Muggsy Spanier, c; Lou McGarity, tb; Pee Wee Russell, cl; Boomie Richman, ts; Jess Stay, p; Hy White, g; Bob Haggart, b; George Wettling, d.
17 Oct 1944
Muggsy A-Z: A Portrait of Muggsy Spanier
Upbeat 215 Tr.21
09. There'll Be Some Changes Made
Pee Wee Russell's Rhythmakers
Composer: Overstreet
Performers: Max Kaminsky, t; Dicky Wells, tb; Pee Wee Russell, cl; Al Gold, ts; James P Johnson, p; Freddie Green, g; Wellman Braud, b; Zutty Singleton, d.
31 Aug 1938
James P Johnson 1928-1938
Classics 671 Tr.19
10. So What
Miles Davis
Composer: Davis
Performers: Miles Davis, t; Cannonball Adderley, as; John Coltrane, ts; Bill Evans, p; Paul Chambers, b; Jimmy Cobb, d.
2 Mar 1959
Miles Davis with John Coltrane: Complete Columbia Recordings
Columbia AC6K 65833 CD4 Tr.4
Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f
Metal
Sun 4 Feb 2018
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b09qcyxy
Jemima Rooper and Ewan Bailey read works relating to metallic elements by Wilfred Owen, Afua Cooper, Homer and others with music by composers including Grieg, John Adams and Kraftwerk.
Producer's Notes: Metal
Metal is everywhere - from the blood pumping through our bodies to the furthest reaches of the cosmos. Some metals are hard and shiny, but by no means all. Of the 118 elements in the periodic table, around 90 are metals. Our relationship with metal is so vital that we define eras of pre-history according to the metallurgical skills of our ancestors.
Alexander Mosolov’s Iron Foundry is taken from his 1927 ballet Steel. This kind of musical Futurism, reflecting the innovations of industrialisation, was received with scepticism in Mosolov’s native Russia, but this piece certainly evokes the rhythmic cacophony of the foundry.
The ubiquity of metals and our ambiguous relationship with them is underlined by Russell Edson in his poem Metals Metals.
After the heat and noise of Mosolov’s Iron Foundry, we meet more metalworkers in Verdi’s Il Trovatore. This time it’s a band of gypsies, hard at work on the slopes of a mountain in Biscay and singing what has become popularly known as the Anvil Chorus.
When Ovid lays out the history of the world from its creation in the first book of his Metamorphoses, he describes the inexorable decline from the Golden and Silver Ages to the Bronze Age and finally to the Iron Age. By his account, the mastery of this metal by the human race brought about untold misery.
We find another smith at work on some of this accursed iron in Franz Schreker’s opera Der Schmied von Gent. Here Smee the smith is encouraging his workers to put their backs into their work, emphasising the virtue of what they’re doing – “Well-forged iron helps against bullets; from the plough comes bread for all the world!” He sells his soul to the Devil later in the opera, but fortunately everything turns out alright in the end.
There’s more hot metal being worked on in this excerpt from Henry Green’s novel Living. Set in the 1920s, Living tells the story of workers at an iron foundry in Birmingham.
Titanium is a low density, high strength metal which lends itself to aerospace applications. It’s also used to build high end bicycles and it’s this that Kraftwerk have in mind with the track Titanium, taken from their Tour de France Soundtracks. Listen carefully – aluminium gets a mention too. And carbon (not a metal).
The soundscape of the forge and the foundry may be a deafening racket, but metal can sound beautiful too. Here’s a good example - Edvard Grieg’s Funeral March for Rikard Nordraak performed by Brass Partout. Grieg originally wrote this as a piece for piano, but later arranged it for brass octet. Brass is an alloy of copper and zinc. Alloys with a higher copper content give a warmer, mellower tone, while more zinc gives a brighter tone with better projection.
Despite the fact that our bodies contain many different metallic elements, we generally think of metal as being inert and lifeless, so the idea of a creature with a metal body is particularly disturbing. Just think of the Cybermen from Dr Who. No wonder then that in Ted Hughes’ children’s story The Iron Man, the arrival of a metal giant with an appetite for agricultural machinery causes terror and alarm. However, this metallic monster does redeem itself by saving the world. Black Sabbath’s Iron Man on the other hand (covered here by Giant Sand) was originally created to save humanity, but is tossed to one side after serving his purpose and, in a fit of pique, wreaks his dreadful revenge. So it seems that it can go either way with Iron Men.
Gold has been admired for millennia for being malleable and not losing its lustre beneath a layer of tarnish. Many terrible things have been done and endured to acquire it. The myth of El Dorado – a fabulous golden city – gripped the imaginations of the European colonisers who came to South America. In Edgar Allan Poe’s poem, it is a metaphor for an all-consuming but ultimately pointless quest which can only end with death. A Dream of Gold – the first part of El Dorado by John Adams – was originally titled Pizzaro’s Dream and it depicts the peace of the forest being destroyed by the violence of the conquistadors.
Although our bodies depend upon certain metals to function properly, others have a lethal effect. Radium, like calcium, is an alkaline earth metal. Unlike calcium, it is radioactive. Marie Curie, who discovered the element, eventually died from the effects of radiation poisoning and her notebooks are still unsafe to touch 80 years later. Dr Sabin von Sochocky used Curie’s discovery to develop a luminous paint that contained radium and zinc sulphide. Lavinia Greenlaw’s poem The Innocence of Radium recalls the fate of the young women employed to apply the paint to clock faces.
We come back to the darker side of gold in Shakepeare’s Timon of Athens when Timon, having renounced wealth and its trappings, discovers a buried hoard of the precious metal while he’s digging for roots to eat. And gold is at the heart of mischief in Wagner’s Das Rheingold when the dwarf Alberich steals the treasure that the Rhine maidens are guarding and uses it to forge a magic ring.
Another piece of jewellery – a copper bracelet - features in Red Eyes by Afua Cooper. Offered as a token of love, it is rejected.
More sounds of metal, being struck rather than blown through this time. John Cage’s 1939 piece for piano and percussion, First Construction in Metal, is played here by members of the London Sinfonietta.
We’ve already touched on some of the ways that metal can cause harm, whether it’s through radiation or greed. But the clearest connection between metal and intentional destruction lies in the manufacture of weapons. Poems by Charles Simic and Wilfred Owen muse on how lead, zinc and steel are put to deadly use.
Vaskilintu - Finnish for bronze bird - is the title of this unaccompanied song by Sanna Kurki-Suonio. Archaeological digs at grave sites in Finland suggest that bronze pendants in the form of birds were once commonly worn by women there. Evidence of the ability of ancient smiths to create beautiful artefacts can be found in museums around the world. It was clearly a highly valued skill – Homer devotes nearly all of Book 18 of The Iliad to a detailed description of the beautiful shield that the Olympian blacksmith Hephaistos fashions for Achilles.
We finish back in the forge with Franz Lachner’s setting of Der Schmied – a poem by Johann Ludwig Uhland. The smith here is a strong and passionate figure who wants to present himself in the best light to the object of his affections – ‘the bellows blow/the flames roar up/and blaze around him’ when she walks past the smithy.
Producer: Torquil MacLeod
Music Played
00:00
Alexander Mosolov
Iron Foundry, Die Eisengießerei, Op. 19 (from the Ballet 'Steel')
Performer: Rundfunk-Sinfonieorchester Berlin, Johannes Kalitzke (conductor)
CAPPRICCIO C5241 Tr.1
Russell Edson
Metals Metals, read by Ewan Bailey
00:04
Giuseppe Verdi
Il Trovatore – Act Two - Vedi! Le fosche notturne
Performer: London Voices, London Symphony Orchestra, Antonio Pappano (conductor)
EMI CDS5573602 CD1 Tr.13
Ovid
Metamorphoses, read by Jemima Rooper
00:09
Franz Schreker
Der Schmied von Gent – Act One - Gibt's denn Trommeln, Tambourine
Performer: Oliver Zwarg (bass-baritone), Undine Dreißig (alto), Robert Schumann Philharmonie, Frank Beermann (conductor)
CPO 7776472 CD1 Tr.1
Henry Green
Living, read by Ewan Bailey
00:15
Kraftwerk
Titanium
Performer: Kraftwerk
EMI 5917082 Tr.8
Rudyard Kipling
Cold Iron, read by Jemima Rooper
00:18
Edvard Grieg
Funeral March for Rikard Nordraak
Performer: Brass Partout, Hermann Bäumer (direction)
BIS CD1054BIS Tr.12
Ted Hughes
The Iron Man, read by Jemima Rooper
00:27
Iommi, Ward, Butler, Osbourne
Iron Man
Performer: Giant Sand
THRILL JOCKEY THRILL104 Tr.3
00:30
John Adams
El Dorado Part 1: A Dream of Gold
Performer: The Hallé Orchestra, Kent Nagano (conductor)
NONESUCH 7559793592 Tr.1
Edgar Allan Poe
Eldorado, read by Ewan Bailey
Lavinia Greenlaw
The Innocence of Radium, read by Jemima Rooper
00:43
Jaki Byard
Aluminium Baby
Performer: Jaki Byard
Candid CCD 79018 Tr.2
William Shakespeare
Timon of Athens, read by Ewan Bailey
00:49
Richard Wagner
Das Rheingold - Lugt, Schwestern!
Performer: Mirella Hagen (soprano), Stefanie Irányi (mezzo soprano), Eva Vogel (mezzo soprano), Tomasz Konieczny (bass baritone), Symphonieorchester des Bayerischen Rundfunks, Simon Rattle (conductor)
BR KLASSIK 900133 CD1 Tr.5
00:55
Richard Wagner
Das Rheingold - Der Welt Erbe gewänn ich zu eigen durch dich?
Performer: Mirella Hagen (soprano), Stefanie Irányi (mezzo soprano), Eva Vogel (mezzo soprano), Tomasz Konieczny (bass baritone), Symphonieorchester des Bayerischen Rundfunks, Simon Rattle (conductor)
BR KLASSIK 900133 CD1 Tr.6
Afua Cooper
Red Eyes, read by Jemima Rooper
00:58
John Cage
First Construction in Metal
Performer: Clive Williamson (piano), David Hockings (percussion), Richard Benjafield (percussion), Sam Walton (percussion), Tim Palmer (percussion), Fiona Ritchie (percussion), Andrew Cottee (percussion), Jurjen Hempel (conductor)
WARP WARPCD144 CD1 Tr.6
Charles Simic
Poem Without a Title, read by Ewan Bailey
01:03
Dmitri Shostakovich
Symphony No.10 in E minor – 2nd movement - Allegro
Performer: Scottish National Orchestra, Neeme Järvi (conductor)
CHANDOS CHAN8630 Tr.2
Wilfred Owen
Arms and the Boy, read by Jemima Rooper
01:07
Sanna Kurki-Suonio
Vaskilintu (The Bronze Bird)
Performer: Sanna Kurki-Suonio
Northside NSD6021 Tr.9
Homer (Tranlator Richmond Lattimore)
The Iliad, read by Ewan Bailey
01:12
Franz Paul Lachner
Der Schmied
Performer: Stella Doufexis (mezzo soprano)
HYPERION CDJ33051 CD3 Tr.15
