ウィークエンドサンシャイン
ブロードキャスター、ピーター・バラカンのナビゲートで送るウィークエンド・ミュージックマガジン。独特の嗅覚とこだわりの哲学でセレクトしたグッド・サウンドと、ワールドワイドな音楽情報を伝える。
http://www4.nhk.or.jp/sunshine/
放送日： 2015年 1月24日（土）
放送時間： 午前7:20〜午前 9:00（100分）
ピーター・バラカン
THIS WEEK'S PLAYLIST
http://www4.nhk.or.jp/sunshine/66/
（曲名 / アーティスト名 // アルバム名）バム名）
01. Radio Song / R.E.M. Feat. KRS-One // Out Of Time
02. Baby Let's Play House / Elvis Presley // Elvis At Sun
03. Accidents Will Happen / Elvis Costello & The Attractions // Armed Forces
04. Don't Let Me Down / Phoebe Snow // The Very Best Of Phoebe Snow
05. Love Comes To Everyone / George Harrison // George Harrison
06. Gimme Some Lovin' / Spencer Davis Group // Eight Gigs A Week: The Steve Winwood Years
07. We've Gotta Get Out Of This Place / Animals // The Complete Animals
08. Gasoline Alley / Rod Stewart // Gasoline Alley
09. With You In Mind / Etta James // Changes
10. Persian Love / Holger Czukay // Movies
11. My Sweetness / Stuff // Stuff
12. The Nailmakers' Strike, Pt. 1 & 2 / Phillip Henry & Hannah Martin // Mynd
13. Sportman's Hornpipe/The Banks of the Nile / Phillip Henry & Hannah Martin // Mynd
14. America / Prince // 12 inch single
世界の快適音楽セレクション
"快適音楽"を求めるギターデュオのゴンチチによる、ノンジャンル・ミュージック番組。
http://www4.nhk.or.jp/kaiteki/
放送日： 2015年 1月24日（土）
放送時間： 午前9:00〜午前11:00（120分）
ゴンチチ
渡辺亨
− 華やぎと端麗の音楽 −
「バンブー・チェアー」 （ゴンチチ）
（4分15秒）
＜EPIC／SONY ESCB1901＞
「マンハッタン」 （リー・ワイリー）
（3分23秒）
＜CBS／SONY 20AP1476＞
「バラード・フォー・ベルント」 （レシュク・モジュジェル）
（4分17秒）
＜ACT MUSIC ACT9516-2＞
「グレース・アンド・プライド」 （カパーケリー）
（5分01秒）
＜SURVIVAL REC. SURCD023＞
「ブルー・ピリオド」 （ジョン・ハッセル）
（7分57秒）
＜ECM ECM2077＞
「弦楽のためのシンフォニア イ長調（RV158）から
第1楽章」ヴィヴァルディ作曲
（演奏）フライブルク・バロック管弦楽団
（2分27秒）
＜DEUTSCHE HARMONIA MUNDI 88697281822／8＞
「空に架かるCIRCLE」 （オレンジ・ペコー）
（4分04秒）
＜キングレコード KICJ678＞
「フォー・ミー・アンド・マイ・ガル」 （ハリー・ニルソン）
（2分48秒）
＜BMG MUSIC 3761-2-R＞
「ドセ・ヂ・ココ」 （フレッド・ハーシュ）
（7分52秒）
＜TRANSDREAMER PM2147＞
「レッド＆ホワイト＆ブルー＆ゴールド」
（イーファ・オドノヴァン）
（3分21秒）
＜YEPROC REC. YEP2321＞
「コーナード（イン・ザ・バーン）」
（サンズ・オブ・ザ・デザート）
（4分20秒）
＜INDIGO LBLC2527／HM83＞
「ダイヤモンズ」 （ローラ・ンヴーラ）
（3分30秒）
＜SONY MUSIC 888 4309587＞
「ぴえろ」 （ものんくる）
（5分28秒）
＜SONY MUSIC ARTISTS VRCL4034＞
「マクサンスの歌」
（アンネ・ソフィー・フォン・オッター、ブラッド・メルドー）
（5分09秒）
＜NAVIE V5241＞
「チアンシュアンフェン」 （ヒエン・トゥック）
（3分45秒）
＜GIA BAO PRODUCTIONS NO NUMBER＞
「小さな青い星」 （ゴンチチ）
（1分10秒）
＜EPIC REC. ESCL3738＞
「タイム・アフター・タイム」 （シー＆ヒム）
（3分22秒）
＜COLUMBIA C-113649＞
「ダエラ」 （ブレクレー）
（3分40秒）
＜自主制作 NO NUMBER＞
「エウ・ヌヴェン」 （レアンドロ・マイア）
（4分20秒）
＜INDEPENDENT LM003＞
Jazz Record Requests
Jazz records from across the genre, played in special sequences to highlight the wonders of jazz history. All pieces have been specifically requested by Radio 3 listeners
http://www.bbc.co.uk/programmes/b006tnn9
Urban Landscapes
Sat 24 Jan 2015
17:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b0505jhw
Alyn Shipton's selection of listeners' requests includes music with a West Coast flavour by Shorty Rogers, Gerry Mulligan and Paul Desmond.
Music Played
01. Mama, I Wanna Make Rhythm
Cab Calloway
Performer: Cab Calloway, Foots Thomas, Andy Brown, Irving Randolph, Doc Cheatham, Garvin Bushell, Claude Jones, Morris White, DePriest Wheeler, Keg Johnson, Chu Berry, Lammar Wright, Benny Payne
This Is Hep
Proper, Tr.2
02. You're The Top
The Dave Brubeck Quartet
Performer: Paul Desmond, Dave Brubeck, Gene Wright, Joe Morello
Brubeck Plays Cole Porter
Columbia, Tr.3
03. Cocktails For Two
The Oscar Peterson Trio
Performer: Ray Brown, Oscar Peterson, Herb Ellis, Alvin Stoller, Coleman Hawkins, Ben Webster
Blue Saxophones
Verve, Tr.7
04. The Sweetheart of Sigmund Freud
Shorty Rogers & His Giants
Performer: Bob Cooper, John Graas, John Halliburton, Bud Shank, Tom Reeves, Conrad Gozzo, Maynard Ferguson, Marty Paich, Shorty Rogers, Jimmy Giuffre, John Howell, Harry Betts, Shelly Manne, Art Pepper, Gene Englund, Curtis Counce, Milt Bernhart
The Big Shorty Rogers Express
RCA Victor, Tr.12
05. Canter No 1
Kenny Wheeler
Performer: Martin France, Kenny Wheeler, Stan Sulzmann, Chris Laurence, John Parricelli
Songs For Quintet
ECM, Tr.4
06. Alice In Wonderland
Oscar Peterson
Performer: Oscar Peterson, Bobby Durham, Sam Jones
The Way I Really Play
MPS, Tr.5
07. You're Driving Me Crazy
Dave Shepherd & Freddy Randall
Freddy Randall Dave Sheppard Jazz All Stars
Black Lion, Tr.4
08. Spain
Bob Crosby
Performer: Jess Stacy, Eddie Miller, Billy Butterfield, Ray Bauduc, Warren Smith, Bob Crosby, Irving Fazola, Bob Haggart, Nappy Lamare
Bob Crosby’s Bob Cats Vol 3 1940
Swaggie, Tr.2
09. Pinky
Oscar Dennard
Performer: Oscar Dennard, Buster Smith, Jamil Nasser, Idrees Sulieman
The Legendary Oscar Dennard
Somethin Else, Tr.3
10. All That I Need Is Love
Melody Gardot
Performer: Melody Gardot, Ken Pendergast, Jef Lee Johnson, Charlie Patierno, Joel Bryant, Ron Kerber
Worrisome Heart
Verve, Tr.2
11. Flamingo-Ing
Philip Clouts Quartet
Performer: Alex Keen, Jon Desbruslais, Carlos Lopez-Real, Philip Clouts
The Hour of Pearl
Point, Tr.4
12. It Don’t Mean a Thing If It Ain’t Got That Swing
Louis Armstrong & Duke Ellington
Performer: Trummy Young, Barney Bigard, Mort Herbert, Duke Ellington, Danny Barcelona, Louis Armstrong
THE GREAT SUMMIT
Essential Jazz Classics, Tr.11
Geoffrey Smith's Jazz
Geoffrey Smith's Jazz does exactly what it says on the tin: a weekly programme in which Geoffrey Smith shares his love of jazz, through an exploration of its great writers, singers and players, as told from his own individual perspective.
Each programme take us through his personally-selected playlist of tracks. It's loosely-themed; maybe a great artist, a jazz style or something more off-the-wall. But that serves as just the start of a fascinating journey to the heart of the music Geoffrey is so passionate about.
http://www.bbc.co.uk/programmes/b01h5z0s
James P Johnson
Sun 25 Jan 2015
00:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b0505l0y
Godfather of Harlem piano, James P. Johnson (1894-1955) taught Fats Waller, accompanied Bessie Smith and composed both jazz standards and classical works. Geoffrey Smith salutes a keyboard master with a legendary left hand.
Music Played
01. Carolina Shout
James P. Johnson
Performer: James P. Johnson
Classics 1921 - 1928
Classics, Tr.3
02. Keep Off The Grass
James P. Johnson
Performer: James P. Johnson
Classics 1921 - 1928
Classics, Tr.2
03. Worried and Lonesome Blues
James P. Johnson
Performer: James P. Johnson
Classics 1921 - 1928
Classics, Tr.8
04. Riffs
James P. Johnson
Performer: James P. Johnson
Feelin' Blue
Halcyon, Tr.5
05. Backwater Blues
Bessie Smith
Performer: James P. Johnson
The Essential Bessie Smith
Columbia/ Legacy, Tr.17
06. You've Got To Be Modernistic
James P. Johnson
Performer: James P. Johnson
Feelin' Blue
Halcyon, Tr.13
07. Mule Walk
James P. Johnson
Performer: James P. Johnson
From Spirituals To Swing
Vanguard, Tr.7
08. After You've Gone
James P. Johnson's Blue Note Jazzmen
Performer: James P. Johnson, Sid Catlett, Ben Webster, Sidney De Paris, Vic Dickenson
Classics 1943 - 1944
Classics, Tr.16
09. Caprice Rag
James P. Johnson
Performer: James P. Johnson
Classics 1943 - 1944
Classics, Tr.9
10. Excerpts From Yamecraw
Jaki Byard
Performer: Jaki Byard, Ron Carter, Pete La Roca
Hi-Fly
Solar, Tr.2
11. Snowy Morning Blues
Performer: Dick Hyman, Dick Wellstood
Stridemonster
Unisson, Tr.8
12. Victory Stride
The Concordia Orchestra & Marin Alsop
Performer: The Concordia Orchestra
Conductor: Marin Alsop
The Symphonic Music
Nimbus, Tr.1
13. You've Got To Be Modernistic
Jason Moran
Performer: Jason Moran, James P. Johnson
The Norton Jazz Recordings
Sony Music, Tr.14
Private Passions
Guests from all walks of life discuss their musical loves and hates.
http://www.bbc.co.uk/programmes/b006tnv3
Henrietta Bowden-Jones
Sun 25 Jan 2015
12:00
BBC Radio 3
http://www.bbc.co.uk/programmes/b0505m1t
Henrietta Bowden-Jones has spent the last three decades studying the mind.
Born in Italy to an English father and an Italian mother, she has dedicated her career to helping people overcome addictions - both in the lab as a researcher in neuroscience, and as a psychiatrist treating everyone from homeless drug addicts to city traders with gambling problems.
She shares with Michael Berkeley musical memories of growing up in Milan with an opera-loving nanny; the shock of being sent to an English boarding school as a teenager; her love of art as well as science; and how her pioneering work on addiction has helped thousands of people rebuild their lives.
Her music choices include Mozart, Dvorak and Reynaldo Hahn's charming Venetian songs.
Producer: Jane Greenwood
A Loftus production for BBC Radio 3
Music Played
00:05
Wolfgang Amadeus Mozart
Madamina, il catalogo e questo (Don Giovanni)
Singer: Erwin Schrott
Conductor: Riccardo Frizza
Orchestra: Orquestra de la Comunitat Valenciana
00:13
Hubert Parry
Jerusalem
Conductor: Benjamin Nicholas
Choir: Tewkesbury Abbey School Choir
00:20
Henry Purcell
Thy Hand Belinda... When I am laid in earth (Dido and Aeneas)
Conductor: Geraint Jones
Ensemble: Mermaid Ensemble
Singer: Kirsten Flagstad
00:29
Traditional
Roving Gambler
Singer: Arlo Guthrie
Singer: Pete Seeger
00:37
Antonin Dvorak
Song to the Moon (Rusalka)
Performer: Yoko Misumi
Performer: Stjepan Hauser
00:48
Wolfgang Amadeus Mozart
Donne mie la fate a tanti (Cosi fan tutte)
Conductor: Daniel Barenboim
Orchestra: Berlin Philharmonic
Singer: Ferruccio Furlanetto
00:55
Reynaldo Hahn
La Barcheta (Venezia)
Performer: Julius Drake
Singer: Matthew Polenzani
Words and Music
A sequence of music interspersed with well-loved and less familiar poems and prose read by leading actors
http://www.bbc.co.uk/programmes/b006x35f
Apollo and Dionysus
Sun 25 Jan 2015
17:30
BBC Radio 3
http://www.bbc.co.uk/programmes/b0505m8h
This programme is an offering to the gods Apollo and Dionysus, or Bacchus as the Romans called him. Apollo, with his golden curls and athletic beauty is the God of Light. He personifies Reason and Harmony. Dionysus, with vine leaves in his tangled hair, is the God of Wine and he represents Chaos and Ecstasy unchecked by Reason. Are you Apollonian or a Dionysian? If you're not sure, perhaps this edition of Words and Music will help you to make up your mind.
Producer’s Note
Although Apollo and Dionysus are both sons of Zeus, they are completely different. Apollo is the God of light and the sun. He is the leader of the Muses, so he’s connected with music, poetry and art. Dionysus, or Bacchus as the Romans called him, is the God of wine and ecstasy and madness. But he too is associated the arts, with music and theatre in particular.
Scholars have portrayed Apollo as a symbol of harmony and reason and Dionysus as representative of the libido and gratification. The dichotomy between the Apollonian and Dionysian was famously analysed by Nietzsche in his essay The Birth of Tragedy. A much earlier writer to depict the tension between our rational minds and our primitive urges was Euripides, whose play The Bacchae was first performed in 405 BCE. It is a vivid dramatization of what happens when we deny our basic instincts - when Apollonian restraint tries to deny the Dionysian libido. It is the tension in all of us between the rational and the irrational, between restraint and release, that I wanted to explore musically and verbally in this programme.
The first thing I had to consider was whether music could be divided into the Apollonian and the Dionysian and if so, what were the main features of each style? I started by looking at Stravinsky and his score for the ballet Apollo (originally entitled Apollo Musagetes) which was choreographed by Balanchine. The work was composed in 1927/28, during his neo-Classical period. In his Poetics of Music, Stravinsky said of Apollo “What is important for the lucid ordering of the work – for its crystallization – is that all the Dionysian elements which set the imagination of the artist in motion and make the life-sap rise must be properly subjugated before they intoxicate us, and must finally be made to submit to the law: Apollo demands it." He conceived it as a ‘ballet blanc’, a classical ballet in which all the dancers wear white – as in Giselle or the ‘white act’ of Swan Lake.
According to Balanchine, when he heard Stravinsky’s music all he could see was pristine white. The choreography he created for the piece was completely abstract and avoided any hint of story or psychological expression and it was staged in an austere modernist style. There is a tranquillity and objectivity to the ballet that is far removed from the dissonant, rhythmic and primitive-sounding score he wrote fourteen years earlier for Nijinsky’s ballet The Rites of Spring. That ballet depicts the primitive rituals celebrating spring, ending with the sacrifice of a young woman, ‘the Chosen Maiden’. It seemed to me that Stravinsky’s Apollo music is purely Apollonian, whereas The Rite of Spring is purely Dionysian – but you may disagree. I decided to start and finish the programme with extracts from Stravinsky’s Apollo, but sandwiched in between are plenty of seductive pieces of Dionysian music, including an extract from The Rites of Spring.
I wondered whether musical instruments themselves could be divided into the Apollonian or Dionysian. The lyre was famously Apollo’s instrument and the aulos was associated with Dionysus. The aulos was a wind instrument, a bit similar to a flute but with a reed mouthpiece. I found it quite difficult to associate the delicacy of a wind instrument with wild Bacchic orgies, though it was easy to associate the plangency of the lyre with Apollo. The aulos came from the East, whereas the Greeks invented the lyre, so it may be that the difference between the instruments symbolised the difference between indigenous and Oriental culture. To me stringed instruments tend to sound Apollonian, whereas drums and brass feel Bacchic. And I also can’t help feeling that melody is essentially Apollo’s territory whereas rhythm belongs to Bacchus. The music I have chosen to represent Dionysus in the programme tends to be rhythmic, lower and louder whereas that representing Apollo is sweeter, less dissonant and more measured.
Near the end of the programme I have included an extract from Britten’s opera Death in Venice, (based on the Thomas Mann novella) where the central character of von Aschenbach falls asleep and is visited by both Apollo and Dionysus who proceed to give him conflicting advice. Dionysus urges von Aschenbach “do not turn away from life . . . do not refuse the mysteries” while Apollo warns him to “reject the abyss . . . be ruled by me and my laws.” Aschenbach cries out “Do what you will with me!” and the scene ends there. In the next scene it becomes clear which god has won possession of the hero’s soul.
Most of us contain elements of both gods within our natures and the trick is probably to try and keep a balance between the two.
Producer: Philippa Ritchie
Music Played
00:00
Ian Venables
Temple to Apollo, from Complete Works for Solo Piano
Performer: Graham J Lloyd
NAXOS 8573156, Tr.2
Robert Herrick
To Apollo, read by Philip Franks
Callimachus (c. 310-240 BCE) translated by H W Tytler
from Hymn To Apollo, read by Niamh Cusack
00:03
Benjamin Britten
Young Apollo
Performer: Steven Osborne piano, BBC Scottish Symphony Orchestra
HYPERION CDA67625, Tr.6
Rick Riordan
Percy Jackson and the Titan’s Curse, read by Philip Franks
00:07
George Harrison
Here Comes The Sun
Performer: George Harrison (lead vocals) The Beatles
APPLE 3824682, Tr.7
00:09
Nikolay Tcherepnin
Bacchus Et Les Bacchantes from Le Pavillon d’Armide (ballet)
Performer: Moscow Symphony Orchestra, conducted by Henry Shek
MARCO POLO, Tr.10
Bacchae by Robin Robertson, adapted from Euripides
Speech by Dionysus, read by Philip Franks
00:10
Nikolay Tcherepnin
Bacchus Et Les Bacchantes from Le Pavillon d’Armide (ballet)
Performer: Moscow Symphony Orchestra, conducted by Henry Shek
MARCO POLO, Tr.10
00:13
Jocelyn Pook
Untold Things, Dionysus
Performer: Melanie Pappenheim
REALWORLD CDRW93, Tr.1
Bacchae by Robin Robertson, adapted from Euripides
Speech by the Chorus, read by Niamh Cusack
00:13
Carl Orff
Veni, Veni, Venias from Carmina Burana
IMP CLASSICS PCD 855, Tr.23
Robert Herrick
A Canticle To Apollo, read by Philip Franks
00:19
Robert J. Foster
Ancient Empires 1, Anakrousis
Performer: Robert J. Foster
KPM 0565 01001, Tr.10
00:20
Igor Stravinsky
Apollo, Naissance d’Apollon
Performer: City of Birmingham Symphony Orchestra conducted by Simon Rattle
EMI CDC 7 49636 2, Tr.1
Rainer Maria Rilke
Archaic Torso of Apollo read by Niamh Cusack
00:31
Johann Nepomuk Hummel
Variations on Vivat Bacchus
Performer: Madoka Inui
NAXOS 8572736
00:34
Sylvie Bodorova
Juda Maccabeus, Orgies In The Temple
Performer: Prague Radio Symphony amd Prague Royal Philharmonic Choir
ARCO DIVA UP0065-2, Tr.9
00:34
Henry Purcell
Secular Solo Songs Vol 3, Bacchus Is A Pow’r Divine
Performer: Michael George, singer and The King's Consort
HYPERION CDA66730, Tr.12
Tony Harrison
Speech of Apollo from The Trackers of Oxyrhynchus, read by Philip Franks
00:39
Carl Orff
Opera’s Greatest Drinking Songs, Taberna Quando Sumus from Carmina Burana
Performer: Saint Louis Symphony Orchestra and Chorus, conducted by Leonard Slatkin
RCA 09026680952, Tr.7
Robert Herrick
Apollo, A Short Hymn, read by Niamh Cusack
00:00
Tomaso Giovanni Albinoni
Nascimento Dell' Aurora, aria: Pianta bella (sung by Apollo)
Performer: Terry Wey and the Clemencic Consort
OEHMS OC913, Tr.24
00:46
Frédéric Chopin
Prelude in E Minor Op 28 No 4
Performer: Jean-Yves Thibaudet
DECCA 466 357-2, Tr.3
Matthew Arnold
Apollo Musagates (part of Empedocles on Etna) read by Niamh Cusack
00:49
Henry Purcell
Dioclesian, aria: Make Room For The Great God Bacchus
Performer: Monteverdi Choir, English Baroque Soloist conducted by John Elliot Gardiner
ERATO 4509997772, Tr.16
00:53
Alberto Ginastera
Estancia, CD title: Heitor Villar-Lobos, John Antill, Alberto Ginastera
Performer: London Symphony Orchestra, conducted by Sir Eugene Goossens
Everest evc9007, Tr.12
Robert Robinson
extract from Dionysus And The Maiden read by Philip Franks
00:56
George Frideric Handel
Apolle e Dafne, aria: Cara Pianta Co’Miei Pianti
Performer: Thomas Bauer
CANTATE ITALIANE GLOSSA GCD921527, Tr.18
01:00
Duke Ellington, Jon Hendricks
Gimme That Wine
Performer: Lambert, Hendricks & Ross
COLUMBIA C2K64933, Tr.7
Seamus Heaney
To A Wine Jar, read by Philip Franks
01:03
Igor Stravinsky
The Rite of Spring, Ritual of Abduction
Performer: City of Birmingham Symphony Orchestra, conducted by Simon Rattle
EMI CDC 7496362, Tr.11
Robin Robertson, adapted from Euripides
Chorus speech from Bacchae
01:04
Benjamin Britten
Death in Venice, aria: Receive The Stranger God
Performer: Philip Landridge, City of London Sinfonia, conducted by Richard Hickox
CHANDOS CHAN102802, Tr.20
01:05
Igor Stravinsky
The Rite of Spring, Ritual of Abduction
Performer: City of Birmingham symphony Orchestra conducted by Simon Rattle
EMI CDC 7496362, Tr.11
01:09
Igor Stravinsky
Apollo, Apotheose
Performer: City of Birmingham Symphony Orchestra, Simon Rattle
EMI CDC 7 49636 2, Tr.10
Percy Bysshe Shelley
Hymn of Apollo (final verse) read by Philip Franks
